發(fā)布時間：2019-04-28 09:05

【摘要】：裝飾是指通過外在的形式美化物體現(xiàn)出來表達(dá)一定審美觀念的行為,也指人通過一定的外在形式對物體的美化。裝飾性繪畫是造型藝術(shù)的最原始狀態(tài),通過裝飾性的形式實(shí)現(xiàn)人類的審美感和形式感。中國工筆人物畫的裝飾性具有源遠(yuǎn)流長的悠久歷史,以其獨(dú)特的藝術(shù)魅力,營造出一種單純、和諧、高度提煉的具有東方韻味的裝飾感。當(dāng)今工筆人物畫的發(fā)展是多元化的時代,裝飾之美是中國工筆人物畫之精華,它對現(xiàn)代工筆人物畫家仍有思考和研究價值。我通過理論與創(chuàng)作實(shí)踐的結(jié)合,在工筆畫作品創(chuàng)作中汲取了裝飾美感的營養(yǎng)。創(chuàng)作出了一系列具有裝飾性和意象性的工筆人物畫,作品給人一種清空凄婉、迷離恍惚的詩境。
[Abstract]:Decoration refers to the behavior of expressing a certain aesthetic idea through the external form of beautification, but also refers to the beautification of objects through a certain external form. Decorative painting is the most primitive state of plastic art, through decorative form to realize the aesthetic and formal sense of human beings. The decorative nature of Chinese meticulous figure painting has a long history. With its unique artistic charm, it creates a simple, harmonious, highly refined oriental decorative feeling. Nowadays, the development of meticulous figure painting is a pluralistic era, and the beauty of decoration is the essence of Chinese fine figure painting, which still has the value of thinking and studying for modern fine figure painters. Through the combination of theory and practice, I draw the nutrition of decorative beauty in the creation of meticulous painting. Created a series of decorative and picturesque meticulous figure painting, the work gives a kind of emptiness and melancholy poetry.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J212

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相關(guān)期刊論文 前3條

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本文編號：2467511