青島德占時(shí)期建筑裝飾藝術(shù)研究
發(fā)布時(shí)間：2019-04-13 17:16
【摘要】：青島近代建筑在藝術(shù)上達(dá)到了很高的成就,這與其精美的裝飾是密不可分的。青島德占時(shí)期的建筑對(duì)近代建筑有著緊密的聯(lián)系和影響,對(duì)這個(gè)時(shí)期建筑裝飾的研究可以幫助我們更好地認(rèn)識(shí)青島近代建筑。因此本論文從一個(gè)微觀的視角即建筑裝飾,對(duì)青島德占時(shí)期建筑進(jìn)行了細(xì)致深入地闡釋。 青島德占時(shí)期建筑裝飾樣式主要是外來(lái)移植本土化,其裝飾手法具有多樣性的特點(diǎn),這種多樣性是建立在充分滿足建筑的結(jié)構(gòu)與使用功能基礎(chǔ)上的,體現(xiàn)了裝飾的使用性和構(gòu)件之間的邏輯。雖然青島德占時(shí)期建筑裝飾風(fēng)格不同、形態(tài)各異,但由于彼此尺度相近、構(gòu)圖手法類似,互相之間得以協(xié)調(diào)共存、相得益彰,也融合了青島本土手工藝。通過分析歷史環(huán)境下的裝飾原型以及異地再現(xiàn)演化后的形態(tài),闡述了青島德占時(shí)期建筑裝飾的形態(tài)原型以及演化的特征。 本文詳盡論述了青島德占時(shí)期建筑的構(gòu)件包括窗、柱、陽(yáng)臺(tái)、托座、檐口、屋頂、山墻、廊,闡述它們與新藝術(shù)運(yùn)動(dòng)、折衷主義、德國(guó)民族主義風(fēng)格的關(guān)系,總結(jié)了不同風(fēng)格樣式的建筑所對(duì)應(yīng)的不同構(gòu)件形態(tài)。青島德占時(shí)期建筑裝飾形態(tài)與材料特性密不可分。因此本文也歸納了青島德占時(shí)期建筑的材料包括木材、金屬、磚、石材,從材料和工藝的角度分析了青島德占時(shí)期建筑風(fēng)格形成的因素以及其特點(diǎn)。 在充分分析建筑裝飾實(shí)體的基礎(chǔ)上,又從空間的角度分析,進(jìn)一步闡述了建筑裝飾與外部空間及其內(nèi)部空間構(gòu)成的關(guān)系。通過建筑實(shí)例分析可以看出建筑裝飾強(qiáng)化了空間的風(fēng)格、比例以及感染力。 本文最后探討了青島建筑裝飾細(xì)部、建筑群體、建筑空間上,所呈現(xiàn)出的外來(lái)文化為主體的“中西合璧”的建筑裝飾,闡述其對(duì)當(dāng)時(shí)以及后來(lái)建筑風(fēng)格的影響。
[Abstract]:Qingdao modern architecture has achieved a high achievement in art, which is inseparable from its exquisite decoration. The architecture in the period of Dezhan in Qingdao has a close connection and influence on the modern architecture. The study of architectural decoration in this period can help us to better understand the modern architecture in Qingdao. Therefore, from a micro angle of view, architectural decoration, this paper makes a detailed and in-depth interpretation of the architecture in the period of Tsingtao Dezhan. In the period of Dezhan, Qingdao, the style of architectural decoration was mainly foreign transplantation and localization, and its decorative techniques had the characteristics of diversity, which was built on the basis of fully satisfying the structure and using function of the building. Reflects the use of decoration and the logic between components. Although the architectural decoration styles and forms of Qingdao Dezhan period are different, but because of their similar scale, similar composition techniques, they can co-exist harmoniously with each other and complement each other, and they also integrate Qingdao local handicrafts. Through the analysis of the decorative archetypes in the historical environment and the reappearance of the evolved forms in different places, this paper expounds the morphological archetypes of architectural decoration in the period of Dezhan in Qingdao and the characteristics of evolution. This paper discusses in detail the construction components of Qingdao German occupation period, including windows, columns, balcony, supports, eaves, roofs, gable walls, porches, and their relationship with the new art movement, eclecticism, German nationalist style, and so on. Summed up the different styles and styles of the building corresponding to the different components of the form. The architectural decoration form and material characteristic of Qingdao Dezhan period are inextricably linked to each other. Therefore, this paper also summed up the building materials including wood, metal, brick, stone, from the angle of material and technology, analyzed the factors of building style formation and its characteristics in the period of Qingdao German occupation. On the basis of full analysis of architectural decoration entity, and from the angle of space, the relationship between architectural decoration and exterior space and its inner space is further expounded. Through the analysis of architectural examples, it can be seen that architectural decoration strengthens the style, proportion and appeal of the space. Finally, this paper discusses the detail of Qingdao architectural decoration, the architectural community, the architectural space, presents the foreign culture as the main body of the "Chinese and western" architectural decoration, and expounds its impact on the architectural style at that time and later.
【學(xué)位授予單位】：青島理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：TU-80;TU238
本文編號(hào)：2457781
[Abstract]:Qingdao modern architecture has achieved a high achievement in art, which is inseparable from its exquisite decoration. The architecture in the period of Dezhan in Qingdao has a close connection and influence on the modern architecture. The study of architectural decoration in this period can help us to better understand the modern architecture in Qingdao. Therefore, from a micro angle of view, architectural decoration, this paper makes a detailed and in-depth interpretation of the architecture in the period of Tsingtao Dezhan. In the period of Dezhan, Qingdao, the style of architectural decoration was mainly foreign transplantation and localization, and its decorative techniques had the characteristics of diversity, which was built on the basis of fully satisfying the structure and using function of the building. Reflects the use of decoration and the logic between components. Although the architectural decoration styles and forms of Qingdao Dezhan period are different, but because of their similar scale, similar composition techniques, they can co-exist harmoniously with each other and complement each other, and they also integrate Qingdao local handicrafts. Through the analysis of the decorative archetypes in the historical environment and the reappearance of the evolved forms in different places, this paper expounds the morphological archetypes of architectural decoration in the period of Dezhan in Qingdao and the characteristics of evolution. This paper discusses in detail the construction components of Qingdao German occupation period, including windows, columns, balcony, supports, eaves, roofs, gable walls, porches, and their relationship with the new art movement, eclecticism, German nationalist style, and so on. Summed up the different styles and styles of the building corresponding to the different components of the form. The architectural decoration form and material characteristic of Qingdao Dezhan period are inextricably linked to each other. Therefore, this paper also summed up the building materials including wood, metal, brick, stone, from the angle of material and technology, analyzed the factors of building style formation and its characteristics in the period of Qingdao German occupation. On the basis of full analysis of architectural decoration entity, and from the angle of space, the relationship between architectural decoration and exterior space and its inner space is further expounded. Through the analysis of architectural examples, it can be seen that architectural decoration strengthens the style, proportion and appeal of the space. Finally, this paper discusses the detail of Qingdao architectural decoration, the architectural community, the architectural space, presents the foreign culture as the main body of the "Chinese and western" architectural decoration, and expounds its impact on the architectural style at that time and later.
【學(xué)位授予單位】：青島理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：TU-80;TU238
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 徐飛鵬;;青島提督樓建筑[J];華中建筑;1988年03期
2 章明,張姿;歐洲新舊建筑的共生體系[J];時(shí)代建筑;2001年04期
，本文編號(hào)：2457781
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