【摘要】： 彩陶裝飾紋樣是彩陶器皿上的裝飾圖案,彩陶裝飾紋樣是我國新石器時代留下的最美的圖案。西安半坡彩陶的發(fā)掘規(guī)模較大,提供了豐富的史前考古資料,開創(chuàng)了我國考古學(xué)研究新領(lǐng)域。對我國古代文明有了新的認識和依據(jù),而且對我國史前居民的社會組織,生產(chǎn)活動,和我國考古學(xué)文化區(qū),系、類型、的研究,也為彩陶藝術(shù)方面的研究提供了更多的資料。 本文,首先分析了半坡彩陶的發(fā)現(xiàn)和發(fā)掘,也對半坡彩陶的產(chǎn)生的地理、歷史背景進行了分析,來說明半坡先民發(fā)明彩陶的生產(chǎn),生活的基礎(chǔ)和地理、歷史等條件。 本文的重點是分析半坡彩陶裝飾紋樣的藝術(shù)性,首先分析了幾種半坡彩陶的典型紋樣的產(chǎn)生,發(fā)展,逐步變化的過程;分析了半坡彩先民觀察事物和審美意識的發(fā)展和變化,也分析了半坡彩陶紋樣的裝飾藝術(shù)法則。半坡彩陶圖案紋樣大多為魚紋,這些圖案大部分是經(jīng)過了深思熟慮,預(yù)先設(shè)計好的,與不同的器型相結(jié)合,因此在彩陶圖案中體現(xiàn)出了不同的形式法則。半坡先民們,在長期的制陶生產(chǎn)藝術(shù)實踐過程中,不斷地提高了審美能力和藝術(shù)形式法則,為研究圖案的形式法則提供了豐富的資料。而半坡彩陶紋樣的藝術(shù)特點,特別是魚紋,形式變化繁多,整體單純,簡練,明快并且與造型完美結(jié)合,整體協(xié)調(diào)美觀。 隨著半坡彩陶的大量出土和發(fā)掘,許多的學(xué)者從不同的角度和不同的領(lǐng)域進行了研究,本文旨在前人對半坡彩陶的研究基礎(chǔ)上,從裝飾藝術(shù)這樣一個新的領(lǐng)域和視角,對半坡彩陶紋樣的藝術(shù)性從多個角度,作進一步的分析和研究。分析半坡彩陶獨特的裝飾藝術(shù)特點和藝術(shù)價值。
[Abstract]:The decorative pattern of colored pottery is the decorative pattern on the utensils of colored pottery. The decorative pattern of colored pottery is the most beautiful pattern left by the Neolithic Age in China. Xi'an Banpo painted pottery excavated on a large scale, providing a wealth of prehistoric archaeological data, opened up a new field of archaeology in China. There is a new understanding and basis for the ancient civilization of our country, and the research on the social organization, production activities, and archaeological cultural districts, departments, types and types of the prehistoric inhabitants of our country also provides more information for the study of the art of painted pottery. This paper first analyzes the discovery and excavation of Banpo painted pottery, and also analyzes the geographical and historical background of the emergence of Banpo painted pottery to explain the production, the basis of life, the geography, history and other conditions of the invention of painted pottery by the forefathers of Banpo. The emphasis of this paper is to analyze the artistry of decorative pattern of semi-slope colored pottery. Firstly, it analyzes the process of generation, development and gradual change of several typical patterns of semi-slope colored pottery. This paper analyzes the development and change of the observation and aesthetic consciousness of the forefathers of the Banpo Color, and also analyzes the decorative art rules of the painted pottery patterns of the Banpo. The patterns of semi-slope painted pottery are mostly fish patterns. Most of these patterns have been carefully thought out, designed in advance and combined with different types of utensils. Therefore, different rules of form have been embodied in the design of painted pottery. During the long-term practice of pottery production, the forebears of Banpo continuously improved their aesthetic ability and the law of artistic form, which provided abundant data for studying the formal law of patterns. On the other hand, the artistic features of Banpo painted pottery pattern, especially the fish pattern, are varied, simple, concise, bright and perfectly combined with the shape, and the whole harmony is beautiful. With a large number of excavations and excavations of Banpo painted pottery, many scholars have carried on research from different angles and different fields. The purpose of this paper is to study Banpo painted pottery from a new field and perspective, such as decorative art, on the basis of previous studies on Banpo painted pottery. This paper makes a further analysis and research on the artistry of the painted pottery pattern of the slope from many angles. This paper analyzes the unique decorative artistic characteristics and artistic value of Banpo painted pottery.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：K876.3

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