【摘要】：哈爾濱近代建筑匯集了各種不同時代不同文化的風(fēng)格特色,在中外享有美譽。建筑入口作為建筑立面以及建筑整體空間構(gòu)架的重要組成部分之一,其自身裝飾的組合方式與形態(tài)構(gòu)成對于建筑藝術(shù)特色的表現(xiàn)十分關(guān)鍵。建筑入口裝飾元素通過自身的形式美、圖案組織或造型成為特定的空間以及特定的符號來傳遞信息,以此來體現(xiàn)建筑的地方傳統(tǒng)內(nèi)涵和不同文化各自的行為方式和風(fēng)俗習(xí)慣。 文章首先從物質(zhì)構(gòu)成的角度對建筑入口空間的構(gòu)成進行剖析,列舉出哈爾濱近代建筑入口的基本構(gòu)成要素,裝飾要素,進而從哈爾濱近代建筑入口的裝飾形式、裝飾功能及實現(xiàn)手段入手,對入口裝飾的藝術(shù)載體、圖案特征和在哈爾濱近代史上的特殊歷史時期形成的特殊的裝飾風(fēng)格,進行了深入的解析。文章結(jié)合對哈爾濱近代建筑入口空間形態(tài)以及裝飾風(fēng)格特征的分析,對建筑入口裝飾細部構(gòu)件設(shè)計研究有新的探索,總結(jié)概括出建筑入口裝飾與建筑物立面構(gòu)成關(guān)系中構(gòu)圖的基本原則和組合秩序,結(jié)合美學(xué)及心理學(xué)原理,對建筑入口裝飾與建筑立面其他構(gòu)件協(xié)調(diào)所蘊含的美學(xué)特征作分析對象,深入挖掘哈爾濱近代建筑入口裝飾的方式方法,以期有助于對近代建筑符號及文脈的繼承和發(fā)展,在現(xiàn)代既有建筑立面重新裝飾的美學(xué)問題上得到應(yīng)用,并為當(dāng)代建筑設(shè)計和地方景觀設(shè)計提供可借鑒的資料。文章最后從情感層面和文化層面探討了哈爾濱近代建筑入口裝飾的價值:通過裝飾,強化建筑入口功能屬性和情感屬性,進而使其成為人進入建筑與建筑發(fā)生聯(lián)系的紐帶、人離開建筑懷念建筑產(chǎn)生最強烈歸屬感以及表達民族情感、民族地域文化的載體。
[Abstract]:Harbin modern architecture brings together various styles and characteristics of different times and cultures, and enjoys a good reputation at home and abroad. As one of the important components of the building facade and the whole architectural space structure, the combination and form of its own decoration is very important to the performance of the architectural art characteristics. Architectural entrance decoration elements convey information through their own formal beauty, pattern organization or modeling into a specific space and specific symbols to reflect the local traditional connotation of architecture and the respective behavior and customs of different cultures. First of all, this paper analyzes the construction of architectural entrance space from the angle of material composition, enumerates the basic constituent elements and decorative elements of Harbin modern architectural entrance, and then from the decorative form of Harbin modern architectural entrance, Starting with the function and realization of decoration, this paper makes a deep analysis of the artistic carrier of entrance decoration, the characteristics of patterns and the special decorative style formed in the special historical period of Harbin's modern history. Based on the analysis of the features of architectural entrance space and decoration style in Harbin, this paper makes a new exploration on the design and research of architectural entrance decoration details. This paper summarizes the basic principles of composition and composition order in the relationship between architectural entrance decoration and building facade composition, combining the principles of aesthetics and psychology. This paper analyzes the aesthetic characteristics contained in the coordination between architectural entrance decoration and other architectural facade components, and deeply excavates the ways and methods of architectural entrance decoration in Harbin in order to contribute to the inheritance and development of modern architectural symbols and context. It is applied to the aesthetic problem of modern existing architectural facade redecoration, and provides reference materials for contemporary architectural design and local landscape design. Finally, the article discusses the value of architectural entrance decoration in Harbin from the emotional and cultural aspects: through decoration, strengthen the functional and emotional attributes of architectural entrance, and then make it become the link between people entering the architecture and building. People leave the architecture to miss the building to produce the strongest sense of belonging and expression of national feelings, the carrier of national regional culture.
【學(xué)位授予單位】：哈爾濱工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：TU238;TU-80

【參考文獻】

相關(guān)期刊論文 前2條

1 侯幼彬;傳統(tǒng)建筑的符號品類和編碼機制[J];建筑學(xué)報;1988年08期

2 劉松茯;西方現(xiàn)代建筑傳入中國的前哨站──談哈爾濱新藝術(shù)運動建筑的特征和歷史地位[J];建筑學(xué)報;1996年11期

相關(guān)碩士學(xué)位論文 前1條

1 李炅;門說——門的視覺藝術(shù)文化研究[D];西南師范大學(xué);2001年

，

本文編號：2454196