【摘要】：瓦當(dāng)紋樣是裝飾于瓦當(dāng)當(dāng)面的紋飾，瓦當(dāng)是古代傳統(tǒng)建筑中的典型構(gòu)件，不僅具有防雨護(hù)檐的實(shí)用價(jià)值，而且又能在古建筑中起到極為重要的裝飾美化作用。豐富多彩的瓦當(dāng)紋樣飾于瓦當(dāng)當(dāng)面，點(diǎn)綴于傳統(tǒng)古建筑的屋檐，形成獨(dú)具中國特色的古建筑群。秦漢時(shí)期的瓦當(dāng)紋樣作為中國傳統(tǒng)裝飾藝術(shù)的一個(gè)小分支，一種傳統(tǒng)文化載體，以其具有生命力的形式美感體現(xiàn)著人們與自然和歷史的關(guān)系，具有極強(qiáng)的民族藝術(shù)特色。正是這些歷史遺留下的經(jīng)典作品，共同連接成了燦爛的古代文明。 在瓦當(dāng)紋樣裝飾藝術(shù)中，題材涉及范圍之廣，形象造型之傳神，表現(xiàn)手法之簡練，構(gòu)成形式之多變，內(nèi)涵之豐富，無不體現(xiàn)瓦當(dāng)紋樣裝飾藝術(shù)之精粹。透過風(fēng)采各異的瓦當(dāng)裝飾紋樣，我們可以感受到當(dāng)時(shí)人們質(zhì)樸的審美觀念以及對(duì)美的不懈追求，可以說這是人們?cè)趯?duì)美的探索歷程中的又一個(gè)里程碑，無論是圖像瓦當(dāng)、圖案瓦當(dāng)還是文字瓦當(dāng)，每一個(gè)瓦當(dāng)當(dāng)面都傾滿了創(chuàng)作者的智慧和心血。小小的瓦當(dāng)所承載的不僅僅是精妙絕倫的裝飾紋樣，瓦當(dāng)紋樣中所蘊(yùn)藏的深刻內(nèi)涵更是人們對(duì)美的追求的升華。隨著時(shí)間的流逝，縱然在現(xiàn)代建筑中很難找到瓦當(dāng)?shù)纳碛�，但這并不意味著瓦當(dāng)裝飾紋樣會(huì)因此而銷聲匿跡，相反，新的時(shí)代會(huì)賦予瓦當(dāng)裝飾紋樣新的使命，以一種嶄新的角色出現(xiàn)。從設(shè)計(jì)的角度看，瓦當(dāng)作為一種設(shè)計(jì)元素的融入，為瓦當(dāng)在當(dāng)代中國的設(shè)計(jì)領(lǐng)域拓展出了新的審美視野。也恰恰是這些或生動(dòng)優(yōu)美或威嚴(yán)莊重的瓦當(dāng)紋樣裝飾藝術(shù)，讓世人有機(jī)會(huì)一窺古人的生活軌跡或更深層面的信仰，從而更好的發(fā)揚(yáng)民族文化，進(jìn)而將獨(dú)具特色的民族元素運(yùn)用到設(shè)計(jì)之中，創(chuàng)作出既具有國際氣質(zhì)又不失民族風(fēng)格的藝術(shù)作品。 通過對(duì)瓦當(dāng)紋樣的起源演變作為切入點(diǎn)，從設(shè)計(jì)的視角分別對(duì)各種瓦當(dāng)?shù)男螒B(tài)特點(diǎn)和藝術(shù)特點(diǎn)進(jìn)行解讀，對(duì)不同瓦當(dāng)裝飾紋樣的構(gòu)成形式進(jìn)行分析，同時(shí)依據(jù)相關(guān)的資料記載及考古發(fā)掘研究，對(duì)瓦當(dāng)紋樣的精神內(nèi)涵和美感體現(xiàn)進(jìn)行整理和探討，進(jìn)而深層次的挖掘瓦當(dāng)紋樣的形式美與精神理念，從中解讀出裝飾紋樣的形式美感和蘊(yùn)藏其中的審美原理，得出了不同紋樣對(duì)平面設(shè)計(jì)的啟示；通過考察瓦當(dāng)紋樣在現(xiàn)代藝術(shù)設(shè)計(jì)中的文化價(jià)值和應(yīng)用宗旨，進(jìn)一步證明來源于本土文化的傳統(tǒng)紋樣所具有的基本圖案要素，，在現(xiàn)代設(shè)計(jì)領(lǐng)域中所占據(jù)著的重要地位。
[Abstract]:Wadang pattern is decorated in front of Wadang. Wadang is a typical component of ancient traditional architecture. It not only has practical value of preventing rain and protecting eaves, but also plays a very important role in decoration and beautification of ancient architecture. Rich and colorful Wadang pattern decorated in front of Wadang, embellished in the eaves of traditional ancient architecture, forming a unique Chinese characteristics of the ancient architectural complex. As a small branch of Chinese traditional decorative art, Wadang pattern in Qin and Han dynasties, a carrier of traditional culture, embodies the relationship between people and nature and history with its vitality, and has strong national artistic characteristics. It is these classic works left behind by history that join together into a splendid ancient civilization. In the decorative art of Wadang pattern, the subject matter involves a wide range, the spirit of image modeling, the simplicity of expression techniques, the variety of the form of composition, the rich connotation, all reflect the essence of the decorative art of Wadang pattern. Through the various decorative patterns of Wadang, we can feel people's simple aesthetic concept and unremitting pursuit of beauty at that time. It can be said that this is another milestone in people's exploration of beauty, no matter it is the image of Wadang. The pattern Wadang or the text Wadang, each Wadang face is filled with the creator's wisdom and hard work. Small Wadang carries not only the exquisite decorative patterns, but also the profound connotation of the Wadang patterns is the sublimation of people's pursuit of beauty. With the passage of time, even though it is difficult to find the figure of Wadang in modern architecture, this does not mean that the decorative pattern of Wadang will disappear as a result, on the contrary, the new era will give Wadang decorative pattern a new mission. Appear as a brand-new character. From the point of view of design, Wadang, as a design element, has expanded a new aesthetic field of vision for Wadang in the field of design in contemporary China. It is precisely these or vivid and graceful or dignified decorative arts of Wadang patterns that give the world a chance to take a glimpse of the path of life of the ancients or a deeper level of belief, so as to better carry forward the national culture. Furthermore, the unique national elements are applied to the design to create artistic works with both international temperament and national style. Through the origin and evolution of Wadang pattern as a starting point, from the angle of view of design, this paper interprets the morphological characteristics and artistic characteristics of various Wadang patterns, and analyzes the constituent forms of different Wadang decorative patterns. At the same time, according to the relevant data records and archaeological excavations, the spiritual connotation and aesthetic embodiment of the Wadang pattern are arranged and discussed, and then the formal beauty and spiritual concept of the Wadang pattern are excavated in a deep-seated way. From the interpretation of the decorative patterns of the formal aesthetic sense and the aesthetic principles contained therein, the inspiration of different patterns to the graphic design is obtained. By examining the cultural value and applied tenet of Wadang pattern in modern art design, it is further proved that the basic pattern elements of traditional patterns derived from native culture play an important role in the field of modern design.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J522

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