論設(shè)計視角下的陜西秦漢瓦當裝飾紋樣
發(fā)布時間：2019-04-04 13:17
【摘要】：瓦當紋樣是裝飾于瓦當當面的紋飾，瓦當是古代傳統(tǒng)建筑中的典型構(gòu)件，不僅具有防雨護檐的實用價值，而且又能在古建筑中起到極為重要的裝飾美化作用。豐富多彩的瓦當紋樣飾于瓦當當面，點綴于傳統(tǒng)古建筑的屋檐，形成獨具中國特色的古建筑群。秦漢時期的瓦當紋樣作為中國傳統(tǒng)裝飾藝術(shù)的一個小分支，一種傳統(tǒng)文化載體，以其具有生命力的形式美感體現(xiàn)著人們與自然和歷史的關(guān)系，具有極強的民族藝術(shù)特色。正是這些歷史遺留下的經(jīng)典作品，共同連接成了燦爛的古代文明。 在瓦當紋樣裝飾藝術(shù)中，題材涉及范圍之廣，形象造型之傳神，表現(xiàn)手法之簡練，構(gòu)成形式之多變，內(nèi)涵之豐富，無不體現(xiàn)瓦當紋樣裝飾藝術(shù)之精粹。透過風采各異的瓦當裝飾紋樣，我們可以感受到當時人們質(zhì)樸的審美觀念以及對美的不懈追求，可以說這是人們在對美的探索歷程中的又一個里程碑，無論是圖像瓦當、圖案瓦當還是文字瓦當，每一個瓦當當面都傾滿了創(chuàng)作者的智慧和心血。小小的瓦當所承載的不僅僅是精妙絕倫的裝飾紋樣，瓦當紋樣中所蘊藏的深刻內(nèi)涵更是人們對美的追求的升華。隨著時間的流逝，縱然在現(xiàn)代建筑中很難找到瓦當?shù)纳碛�，但這并不意味著瓦當裝飾紋樣會因此而銷聲匿跡，相反，新的時代會賦予瓦當裝飾紋樣新的使命，以一種嶄新的角色出現(xiàn)。從設(shè)計的角度看，瓦當作為一種設(shè)計元素的融入，為瓦當在當代中國的設(shè)計領(lǐng)域拓展出了新的審美視野。也恰恰是這些或生動優(yōu)美或威嚴莊重的瓦當紋樣裝飾藝術(shù)，讓世人有機會一窺古人的生活軌跡或更深層面的信仰，從而更好的發(fā)揚民族文化，進而將獨具特色的民族元素運用到設(shè)計之中，創(chuàng)作出既具有國際氣質(zhì)又不失民族風格的藝術(shù)作品。 通過對瓦當紋樣的起源演變作為切入點，從設(shè)計的視角分別對各種瓦當?shù)男螒B(tài)特點和藝術(shù)特點進行解讀，對不同瓦當裝飾紋樣的構(gòu)成形式進行分析，同時依據(jù)相關(guān)的資料記載及考古發(fā)掘研究，對瓦當紋樣的精神內(nèi)涵和美感體現(xiàn)進行整理和探討，進而深層次的挖掘瓦當紋樣的形式美與精神理念，從中解讀出裝飾紋樣的形式美感和蘊藏其中的審美原理，得出了不同紋樣對平面設(shè)計的啟示；通過考察瓦當紋樣在現(xiàn)代藝術(shù)設(shè)計中的文化價值和應用宗旨，進一步證明來源于本土文化的傳統(tǒng)紋樣所具有的基本圖案要素，，在現(xiàn)代設(shè)計領(lǐng)域中所占據(jù)著的重要地位。
[Abstract]:Wadang pattern is decorated in front of Wadang. Wadang is a typical component of ancient traditional architecture. It not only has practical value of preventing rain and protecting eaves, but also plays a very important role in decoration and beautification of ancient architecture. Rich and colorful Wadang pattern decorated in front of Wadang, embellished in the eaves of traditional ancient architecture, forming a unique Chinese characteristics of the ancient architectural complex. As a small branch of Chinese traditional decorative art, Wadang pattern in Qin and Han dynasties, a carrier of traditional culture, embodies the relationship between people and nature and history with its vitality, and has strong national artistic characteristics. It is these classic works left behind by history that join together into a splendid ancient civilization. In the decorative art of Wadang pattern, the subject matter involves a wide range, the spirit of image modeling, the simplicity of expression techniques, the variety of the form of composition, the rich connotation, all reflect the essence of the decorative art of Wadang pattern. Through the various decorative patterns of Wadang, we can feel people's simple aesthetic concept and unremitting pursuit of beauty at that time. It can be said that this is another milestone in people's exploration of beauty, no matter it is the image of Wadang. The pattern Wadang or the text Wadang, each Wadang face is filled with the creator's wisdom and hard work. Small Wadang carries not only the exquisite decorative patterns, but also the profound connotation of the Wadang patterns is the sublimation of people's pursuit of beauty. With the passage of time, even though it is difficult to find the figure of Wadang in modern architecture, this does not mean that the decorative pattern of Wadang will disappear as a result, on the contrary, the new era will give Wadang decorative pattern a new mission. Appear as a brand-new character. From the point of view of design, Wadang, as a design element, has expanded a new aesthetic field of vision for Wadang in the field of design in contemporary China. It is precisely these or vivid and graceful or dignified decorative arts of Wadang patterns that give the world a chance to take a glimpse of the path of life of the ancients or a deeper level of belief, so as to better carry forward the national culture. Furthermore, the unique national elements are applied to the design to create artistic works with both international temperament and national style. Through the origin and evolution of Wadang pattern as a starting point, from the angle of view of design, this paper interprets the morphological characteristics and artistic characteristics of various Wadang patterns, and analyzes the constituent forms of different Wadang decorative patterns. At the same time, according to the relevant data records and archaeological excavations, the spiritual connotation and aesthetic embodiment of the Wadang pattern are arranged and discussed, and then the formal beauty and spiritual concept of the Wadang pattern are excavated in a deep-seated way. From the interpretation of the decorative patterns of the formal aesthetic sense and the aesthetic principles contained therein, the inspiration of different patterns to the graphic design is obtained. By examining the cultural value and applied tenet of Wadang pattern in modern art design, it is further proved that the basic pattern elements of traditional patterns derived from native culture play an important role in the field of modern design.
【學位授予單位】：河南師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J522
本文編號：2453852
[Abstract]:Wadang pattern is decorated in front of Wadang. Wadang is a typical component of ancient traditional architecture. It not only has practical value of preventing rain and protecting eaves, but also plays a very important role in decoration and beautification of ancient architecture. Rich and colorful Wadang pattern decorated in front of Wadang, embellished in the eaves of traditional ancient architecture, forming a unique Chinese characteristics of the ancient architectural complex. As a small branch of Chinese traditional decorative art, Wadang pattern in Qin and Han dynasties, a carrier of traditional culture, embodies the relationship between people and nature and history with its vitality, and has strong national artistic characteristics. It is these classic works left behind by history that join together into a splendid ancient civilization. In the decorative art of Wadang pattern, the subject matter involves a wide range, the spirit of image modeling, the simplicity of expression techniques, the variety of the form of composition, the rich connotation, all reflect the essence of the decorative art of Wadang pattern. Through the various decorative patterns of Wadang, we can feel people's simple aesthetic concept and unremitting pursuit of beauty at that time. It can be said that this is another milestone in people's exploration of beauty, no matter it is the image of Wadang. The pattern Wadang or the text Wadang, each Wadang face is filled with the creator's wisdom and hard work. Small Wadang carries not only the exquisite decorative patterns, but also the profound connotation of the Wadang patterns is the sublimation of people's pursuit of beauty. With the passage of time, even though it is difficult to find the figure of Wadang in modern architecture, this does not mean that the decorative pattern of Wadang will disappear as a result, on the contrary, the new era will give Wadang decorative pattern a new mission. Appear as a brand-new character. From the point of view of design, Wadang, as a design element, has expanded a new aesthetic field of vision for Wadang in the field of design in contemporary China. It is precisely these or vivid and graceful or dignified decorative arts of Wadang patterns that give the world a chance to take a glimpse of the path of life of the ancients or a deeper level of belief, so as to better carry forward the national culture. Furthermore, the unique national elements are applied to the design to create artistic works with both international temperament and national style. Through the origin and evolution of Wadang pattern as a starting point, from the angle of view of design, this paper interprets the morphological characteristics and artistic characteristics of various Wadang patterns, and analyzes the constituent forms of different Wadang decorative patterns. At the same time, according to the relevant data records and archaeological excavations, the spiritual connotation and aesthetic embodiment of the Wadang pattern are arranged and discussed, and then the formal beauty and spiritual concept of the Wadang pattern are excavated in a deep-seated way. From the interpretation of the decorative patterns of the formal aesthetic sense and the aesthetic principles contained therein, the inspiration of different patterns to the graphic design is obtained. By examining the cultural value and applied tenet of Wadang pattern in modern art design, it is further proved that the basic pattern elements of traditional patterns derived from native culture play an important role in the field of modern design.
【學位授予單位】：河南師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J522
【參考文獻】
相關(guān)期刊論文 前1條
1 王科本;;漢代瓦當藝術(shù)的美學特征[J];黔南民族師范學院學報;2007年01期
相關(guān)碩士學位論文 前1條
1 趙新周;瓦當藝術(shù)在現(xiàn)代環(huán)境藝術(shù)中設(shè)計中的應用研究[D];西安建筑科技大學;2009年
本文編號：2453852
本文鏈接：http://sikaile.net/wenyilunwen/shinazhuanghuangshejilunwen/2453852.html
最近更新
教材專著
