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現(xiàn)代纖維藝術(shù)中裝飾語言的多元性研究

發(fā)布時間:2019-04-01 23:57
【摘要】:現(xiàn)代纖維藝術(shù)已經(jīng)進(jìn)入了一個前所未有的發(fā)展時期,本文旨在結(jié)合個人的創(chuàng)作和實(shí)踐經(jīng)驗;通過查閱大量的論著、作品集等相關(guān)資料;并結(jié)合參觀的諸多纖維藝術(shù)展中收集來的圖片資料,來探討在現(xiàn)代纖維藝術(shù)創(chuàng)作的過程中,結(jié)合利用新型的材料和工藝、充分的發(fā)揮綜合材料的特性;解讀現(xiàn)代纖維藝術(shù)這種結(jié)合了獨(dú)特的裝飾藝術(shù)的表現(xiàn)形式;作品本身不斷追求實(shí)用與裝飾形式、作品與場景空間的統(tǒng)一的趨向,這些因素的交叉疊加,使得其體現(xiàn)出了作品的多元化的價值和裝飾話語。現(xiàn)代纖維藝術(shù)不僅是在古老的編織,緙絲等工藝形式的基礎(chǔ)上的傳承和發(fā)展,還是一門結(jié)合了現(xiàn)代科技與工藝,在材料、制作手段、表現(xiàn)形式等方面不斷的創(chuàng)新與突破,而逐漸發(fā)展成為裝飾藝術(shù)中一種特殊的藝術(shù)門類�,F(xiàn)代纖維藝術(shù)初期的發(fā)展是從歐洲和美國開始的,起初雖然要依附于實(shí)用的功能性存在著,但是其后具有審美價值的裝飾性話語在其創(chuàng)作和表達(dá)的過程中,逐漸占據(jù)了越來越重要的比重,這才使得現(xiàn)代纖維藝術(shù)為我們呈現(xiàn)出了豐富多彩的視覺盛宴。 現(xiàn)代纖維藝術(shù)逐漸突破了傳統(tǒng)的設(shè)計理念,以多變的表現(xiàn)形式展示纖維材料的獨(dú)特魅力,這些變革豐富了纖維藝術(shù)的裝飾語言,也讓現(xiàn)代纖維藝術(shù)在現(xiàn)代藝術(shù)中作為一門獨(dú)立獨(dú)特的藝術(shù)門類而存在變?yōu)榭赡堋<词古c其它的藝術(shù)相比,它的歷史還相對短暫,從最初的纖維藝術(shù)這個概念的提出到至今的短短幾十年的時間里,它以蓬勃的生命力證明了它存在的價值,在快節(jié)奏發(fā)展的今天,現(xiàn)代纖維藝術(shù)滿足了人們迫切地想回歸自然、回歸自我、回歸人類本質(zhì)屬性的一種心理需求;它通過纖維材料天生的親和力、結(jié)合新的技術(shù)手段、多樣的表達(dá)形態(tài)等諸多因素滿足了人們的這種渴望的同時也為古老的編織藝術(shù)擴(kuò)展了一個無比廣闊的探索空間。纖維藝術(shù)的實(shí)用性功能逐漸被富有裝飾意味的形式所代替,而裝飾語言作為一種可以傳遞情感、信息、交流文化的視覺化符號見證并伴隨著這門年輕而又古老的藝術(shù)前行的腳步。 本文旨在以現(xiàn)代纖維藝術(shù)中裝飾語言為研究對象,結(jié)合具體材料的發(fā)展、表達(dá)形式的改變、觀念的變革等方面對現(xiàn)代纖維藝術(shù)的裝飾語言進(jìn)行的新形式的構(gòu)建,來研究其多元化發(fā)展的傾向;并在此基礎(chǔ)上通過研究現(xiàn)代纖維藝術(shù)與裝飾語言,探索兩者之間的關(guān)系,從而探究現(xiàn)代纖維藝術(shù)的新形式所需要新的裝飾藝術(shù)語言,而新的裝飾話語必然會構(gòu)建新的纖維藝術(shù)的表現(xiàn)形式,并為解決如何擴(kuò)展新的表現(xiàn)形式提供現(xiàn)實(shí)的可能和理論上的基礎(chǔ)。
[Abstract]:Modern fiber art has entered an unprecedented development period, this article aims to combine individual creation and practical experience, by consulting a large number of works, works collection and other related materials; Combined with the pictures collected from many fiber art exhibitions, this paper discusses the characteristics of comprehensive materials in the process of modern fiber art creation, combining with the use of new materials and techniques. The interpretation of the modern fiber art, which combines the unique forms of decorative art; The works themselves continue to pursue the practical and decorative forms, the unity of the works and the scene space, the overlapping of these factors make it reflect the diversified value and decorative discourse of the works. Modern fiber art is not only inherited and developed on the basis of ancient knitting, silk tapestry and other technological forms, but also a combination of modern science and technology, continuous innovation and breakthrough in materials, means of production, forms of expression, and so on. And gradually developed into a special art category in decorative art. The development of modern fiber art began in Europe and the United States at first, although it was dependent on the practical function, but then the decorative discourse with aesthetic value was in the process of its creation and expression. Gradually occupying a more and more important proportion, this makes the modern fiber art for us to present a rich and colorful visual feast. The modern fiber art has gradually broken through the traditional design concept and displayed the unique charm of the fiber material in various forms of expression. These changes enrich the decorative language of the fiber art. It also makes it possible for modern fiber art to exist as an independent and unique art category in modern art. Even if compared with other art, its history is still relatively short, from the original concept of fiber art to the present in a short period of several decades, it proved its value with vigorous vitality. With the rapid development of modern fiber art, the modern fiber art meets the psychological needs of people who want to return to nature, to themselves and to the essential attributes of human beings. Through the natural affinity of fiber materials, combined with new technical means, various forms of expression and many other factors to satisfy the desire of people, but also for the ancient art of weaving to expand an incomparable wide exploration space. The practical function of fiber art is gradually replaced by decorative forms, and decorative language as a kind of can convey emotion, information, The visual symbol of communication culture bears witness to the pace of this young and ancient art. The purpose of this paper is to construct the decorative language of modern fiber art in terms of the development of concrete materials, the change of expression form, the change of concept and so on, taking the decorative language of modern fiber art as the research object and combining with the development of concrete materials, the change of expression form and the change of concept. To study the tendency of its diversified development; And on this basis, through the study of modern fiber art and decorative language, explore the relationship between the two, so as to explore the new form of modern fiber art needs a new decorative art language. The new decorative discourse will inevitably construct a new form of expression of fiber art and provide a realistic and theoretical basis for solving the problem of how to expand the new form of expression.
【學(xué)位授予單位】:南京師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:TS935.5

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

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2 陳瑾;材料——纖維藝術(shù)的重要表現(xiàn)語言[J];裝飾;2003年03期

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