【摘要】：巴洛克，作為西方文化藝術(shù)史上一種重要風(fēng)格，一直以來(lái)都是人們?cè)谒囆g(shù)領(lǐng)域范疇內(nèi)不斷探索和追尋的目標(biāo)，更是國(guó)內(nèi)外諸多學(xué)者從不同視角研究文化藝術(shù)的重要對(duì)象。縱觀(guān)眾多關(guān)于巴洛克藝術(shù)的研究，其范圍很廣，資料也較豐富，但具體關(guān)于巴洛克時(shí)期服裝裝飾藝術(shù)研究的資料卻相對(duì)較少，只散見(jiàn)于一些著作或?qū)I(yè)教材，尤其是專(zhuān)門(mén)對(duì)此時(shí)期宮廷服裝裝飾藝術(shù)的研究則更為了少，也缺乏系統(tǒng)化的理論研究。 本文從分析巴洛克時(shí)期宮廷的藝術(shù)背景出發(fā)，了解此時(shí)期藝術(shù)作品的特點(diǎn)，站在服裝裝飾設(shè)計(jì)的角度，結(jié)合專(zhuān)業(yè)設(shè)計(jì)原理、審美心理等多方面知識(shí)，通過(guò)在美國(guó)實(shí)地考察與研究，參考大量文獻(xiàn)與實(shí)物資料，歸納巴洛克時(shí)期宮廷服裝裝飾藝術(shù)的表現(xiàn)手法，并對(duì)巴洛克時(shí)期裝飾藝術(shù)風(fēng)格在現(xiàn)代服裝設(shè)計(jì)中的影響與體現(xiàn)進(jìn)行了分析，最后，將其運(yùn)用到一系列創(chuàng)新設(shè)計(jì)與現(xiàn)代藝術(shù)設(shè)計(jì)作品中，并試圖為其風(fēng)格的探索尋找各種裝飾藝術(shù)表現(xiàn)形式。筆者認(rèn)為，回歸古典之美，是服裝發(fā)展階段反映著的時(shí)代精神傳承。而巴洛克這一歷史時(shí)期的服裝裝飾藝術(shù)的美學(xué)理念更為今天的服裝提供了豐富的營(yíng)養(yǎng)價(jià)值，使中西方服裝的裝飾藝術(shù)文化以不同的視覺(jué)來(lái)進(jìn)行更好的融合，為今后的服裝發(fā)展提供藝術(shù)根據(jù)，也使得現(xiàn)代服裝裝飾藝術(shù)蘊(yùn)含東西方文化的浪漫，將實(shí)用和美觀(guān)達(dá)到統(tǒng)一。 巴洛克時(shí)期宮廷藝術(shù)傳統(tǒng)的巨大魅力，無(wú)處不在的廣博性，，潛移默化的影響力，以及受其熏陶的思想影響著一代又一代的服裝設(shè)計(jì)師們，因此，我們有義務(wù)去潛心研習(xí)古代先輩們遺存下來(lái)的這些寶貴的藝術(shù)文化遺產(chǎn)，從中發(fā)掘有用的裝飾藝術(shù)元素為我們今天的設(shè)計(jì)服務(wù)，這對(duì)我們現(xiàn)代服裝裝飾藝術(shù)設(shè)計(jì)之路的發(fā)展不無(wú)裨益。
[Abstract]:Baroque, as an important style in the history of western culture and art, has always been the goal of continuous exploration and pursuit in the field of art, and is also an important object for many scholars at home and abroad to study culture and art from different perspectives. Throughout the numerous studies on Baroque art, its scope is very broad, and the data are also rich, but the specific information about the Baroque period clothing decorative art research is relatively few, scattered only in some works or professional teaching materials. Especially, the research on the decorative art of court clothing in this period is much less and lack of systematic theoretical research. Starting from the analysis of the artistic background of the court of Baroque period, this article understands the characteristics of the artistic works of this period, stands in the angle of clothing decoration design, combines professional design principles, aesthetic psychology and other aspects of knowledge, Through on-the-spot investigation and research in the United States, referring to a large number of documents and material materials, this paper sums up the expression techniques of the decorative art of court clothing in the Baroque period. And analyzes the influence and embodiment of Baroque decorative art style in modern fashion design. Finally, it applies it to a series of creative design and modern artistic design works. And try to find all kinds of decorative art expression forms for its style exploration. The author thinks that the return to classical beauty is the inheritance of the spirit of the times reflected in the stage of clothing development. But Baroque's aesthetic concept of clothing decorative art in this historical period provides rich nutritional value for today's clothing, which makes the decorative art culture of Chinese and western clothing better integrated with different vision. To provide the artistic basis for the future development of clothing, but also to make the modern dress decoration art contains the romantic culture of East and West, will be practical and beautiful to achieve unity. The great charm of the baroque court art tradition, the ubiquity of the art, the imperceptible influence, and the thought influenced by it influenced the fashion designers from generation to generation. It is our duty to study these precious artistic and cultural heritages left behind by the ancient ancestors, and to discover useful decorative art elements to serve our design today. This is not bad for the development of our modern fashion decorative art design.
【學(xué)位授予單位】：西安工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：TS941.3

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