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從洛陽到西安—若干民間傳統(tǒng)裝飾紋樣在現代服裝創(chuàng)意中的應用

發(fā)布時間:2019-03-07 21:52
【摘要】:民間傳統(tǒng)裝飾紋樣是中華民族博大而豐富多彩的裝飾藝術中的一部分,是中華民族思想文化,民間藝術發(fā)展傳承不可缺少的重要組成部分。它是現代服裝設計的靈感來源和發(fā)展基礎,它的審美思想、造物原則和方法極大的豐富了現代服裝設計的語言。因此對它的保護與沿襲,在近期越來越受到人們的關注,作為傳統(tǒng)文化中的傳統(tǒng)裝飾紋樣藝術,同樣面臨著繼承與發(fā)展的問題,為了創(chuàng)作出既具有民族風格又有時代創(chuàng)意的服裝作品,使研究傳統(tǒng)裝飾紋樣成為現代服裝創(chuàng)意領域的重要工作。 筆者利用各種資訊瀏覽式的進行比較,對洛陽、西安地區(qū)民間傳統(tǒng)裝飾紋樣進行實地考察,從它的傳承環(huán)境、文化特征入手,把握它的文化內涵和基本特性。以建筑和考古藝術中的磚雕石刻、造像、土陶、青銅器;民間工藝活動中的剪紙、皮影、臉譜等民間載體為依據,進一步發(fā)掘這一來源于本土文化的傳統(tǒng)紋樣在現代服飾創(chuàng)意領域中的重要價值。以設計藝術學和服飾學及相關領域的研究成果和方法作為基礎,結合現代國內外服裝設計創(chuàng)意的現狀,探討現代設計中普遍存在的問題,即如何領悟民間傳統(tǒng)裝飾紋樣的審美精神,利用現代設計理念去傳承傳統(tǒng)文化,探索民間傳統(tǒng)裝飾紋樣在現代服飾創(chuàng)意中的應用。 “只有民族的才是世界的”,要發(fā)展中國民族特色的服裝設計,就必須以傳統(tǒng)文化為根基,并與外來文化進行融合,這才是現代服裝創(chuàng)意設計發(fā)展的道路。通過將民族特色的藝術精華與現代服裝創(chuàng)意結合起來,使古典與時尚交融,讓今天的服裝設計更具有思想內涵。因此,民間傳統(tǒng)裝飾紋樣的傳承與發(fā)展,影響著現代服裝設計的創(chuàng)作,研究民間傳統(tǒng)裝飾紋樣在現代服飾創(chuàng)意中的應用,有著一定的實用性和創(chuàng)新性,具有重要的理論和實際指導意義。
[Abstract]:Folk traditional decorative pattern is a part of the vast and colorful decorative art of the Chinese nation. It is an indispensable part of the ideological culture of the Chinese nation and the development and inheritance of folk art. It is the inspiration source and development foundation of modern clothing design. Its aesthetic thoughts, principles and methods of creation greatly enrich the language of modern clothing design. Therefore, the protection and inheritance of it has attracted more and more people's attention in recent years. As a traditional decorative pattern art in traditional culture, it is also faced with the problem of inheritance and development. In order to create both national style and creative clothing works, the study of traditional decorative patterns has become an important work in the field of modern clothing creativity. By comparing various information browsing styles, the author makes an on-the-spot investigation on the traditional decorative patterns of folk in Luoyang and Xi'an area, starting with its inheriting environment and cultural characteristics, and grasping its cultural connotation and basic characteristics. Brick carvings, statues, earthenware, bronze ware in architecture and archaeological art; Based on the folk carriers such as paper-cut, shadow, Facebook and so on, this traditional pattern, which comes from native culture, is of great value in the field of modern dress creativity. Based on the research results and methods of design art, clothing science and related fields, and combining with the present situation of modern clothing design creativity at home and abroad, this paper probes into the common problems in modern design. That is, how to comprehend the aesthetic spirit of folk traditional decorative patterns, to use the modern design concept to inherit the traditional culture, and to explore the application of folk traditional decorative patterns in the creativity of modern dress. "only the nation is the world", in order to develop the clothing design with Chinese national characteristics, we must take the traditional culture as the foundation and integrate with the foreign culture, this is the road of the modern fashion creative design development. By combining the artistic essence of national characteristics with the creativity of modern clothing, the classical and fashionable fashion are blended, and the fashion design today has more ideological connotation. Therefore, the inheritance and development of folk traditional decorative patterns affect the creation of modern clothing design, study the application of folk traditional decorative patterns in modern dress creativity, have a certain degree of practicality and innovation. It has important theoretical and practical guiding significance.
【學位授予單位】:長春工業(yè)大學
【學位級別】:碩士
【學位授予年份】:2010
【分類號】:J523.5

【引證文獻】

相關碩士學位論文 前1條

1 彭容;中國傳統(tǒng)元素在中式品牌服裝中的運用研究[D];東華大學;2013年

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本文編號:2436485

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