【摘要】：民間傳統(tǒng)裝飾紋樣是中華民族博大而豐富多彩的裝飾藝術(shù)中的一部分,是中華民族思想文化,民間藝術(shù)發(fā)展傳承不可缺少的重要組成部分。它是現(xiàn)代服裝設(shè)計(jì)的靈感來源和發(fā)展基礎(chǔ),它的審美思想、造物原則和方法極大的豐富了現(xiàn)代服裝設(shè)計(jì)的語言。因此對它的保護(hù)與沿襲,在近期越來越受到人們的關(guān)注,作為傳統(tǒng)文化中的傳統(tǒng)裝飾紋樣藝術(shù),同樣面臨著繼承與發(fā)展的問題,為了創(chuàng)作出既具有民族風(fēng)格又有時(shí)代創(chuàng)意的服裝作品,使研究傳統(tǒng)裝飾紋樣成為現(xiàn)代服裝創(chuàng)意領(lǐng)域的重要工作。 筆者利用各種資訊瀏覽式的進(jìn)行比較,對洛陽、西安地區(qū)民間傳統(tǒng)裝飾紋樣進(jìn)行實(shí)地考察,從它的傳承環(huán)境、文化特征入手,把握它的文化內(nèi)涵和基本特性。以建筑和考古藝術(shù)中的磚雕石刻、造像、土陶、青銅器；民間工藝活動(dòng)中的剪紙、皮影、臉譜等民間載體為依據(jù),進(jìn)一步發(fā)掘這一來源于本土文化的傳統(tǒng)紋樣在現(xiàn)代服飾創(chuàng)意領(lǐng)域中的重要價(jià)值。以設(shè)計(jì)藝術(shù)學(xué)和服飾學(xué)及相關(guān)領(lǐng)域的研究成果和方法作為基礎(chǔ),結(jié)合現(xiàn)代國內(nèi)外服裝設(shè)計(jì)創(chuàng)意的現(xiàn)狀,探討現(xiàn)代設(shè)計(jì)中普遍存在的問題,即如何領(lǐng)悟民間傳統(tǒng)裝飾紋樣的審美精神,利用現(xiàn)代設(shè)計(jì)理念去傳承傳統(tǒng)文化,探索民間傳統(tǒng)裝飾紋樣在現(xiàn)代服飾創(chuàng)意中的應(yīng)用。 “只有民族的才是世界的”,要發(fā)展中國民族特色的服裝設(shè)計(jì),就必須以傳統(tǒng)文化為根基,并與外來文化進(jìn)行融合,這才是現(xiàn)代服裝創(chuàng)意設(shè)計(jì)發(fā)展的道路。通過將民族特色的藝術(shù)精華與現(xiàn)代服裝創(chuàng)意結(jié)合起來,使古典與時(shí)尚交融,讓今天的服裝設(shè)計(jì)更具有思想內(nèi)涵。因此,民間傳統(tǒng)裝飾紋樣的傳承與發(fā)展,影響著現(xiàn)代服裝設(shè)計(jì)的創(chuàng)作,研究民間傳統(tǒng)裝飾紋樣在現(xiàn)代服飾創(chuàng)意中的應(yīng)用,有著一定的實(shí)用性和創(chuàng)新性,具有重要的理論和實(shí)際指導(dǎo)意義。
[Abstract]:Folk traditional decorative pattern is a part of the vast and colorful decorative art of the Chinese nation. It is an indispensable part of the ideological culture of the Chinese nation and the development and inheritance of folk art. It is the inspiration source and development foundation of modern clothing design. Its aesthetic thoughts, principles and methods of creation greatly enrich the language of modern clothing design. Therefore, the protection and inheritance of it has attracted more and more people's attention in recent years. As a traditional decorative pattern art in traditional culture, it is also faced with the problem of inheritance and development. In order to create both national style and creative clothing works, the study of traditional decorative patterns has become an important work in the field of modern clothing creativity. By comparing various information browsing styles, the author makes an on-the-spot investigation on the traditional decorative patterns of folk in Luoyang and Xi'an area, starting with its inheriting environment and cultural characteristics, and grasping its cultural connotation and basic characteristics. Brick carvings, statues, earthenware, bronze ware in architecture and archaeological art; Based on the folk carriers such as paper-cut, shadow, Facebook and so on, this traditional pattern, which comes from native culture, is of great value in the field of modern dress creativity. Based on the research results and methods of design art, clothing science and related fields, and combining with the present situation of modern clothing design creativity at home and abroad, this paper probes into the common problems in modern design. That is, how to comprehend the aesthetic spirit of folk traditional decorative patterns, to use the modern design concept to inherit the traditional culture, and to explore the application of folk traditional decorative patterns in the creativity of modern dress. "only the nation is the world", in order to develop the clothing design with Chinese national characteristics, we must take the traditional culture as the foundation and integrate with the foreign culture, this is the road of the modern fashion creative design development. By combining the artistic essence of national characteristics with the creativity of modern clothing, the classical and fashionable fashion are blended, and the fashion design today has more ideological connotation. Therefore, the inheritance and development of folk traditional decorative patterns affect the creation of modern clothing design, study the application of folk traditional decorative patterns in modern dress creativity, have a certain degree of practicality and innovation. It has important theoretical and practical guiding significance.
【學(xué)位授予單位】：長春工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J523.5

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 彭容;中國傳統(tǒng)元素在中式品牌服裝中的運(yùn)用研究[D];東華大學(xué);2013年

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