陜西關(guān)中娃娃哨裝飾藝術(shù)研究
發(fā)布時間:2019-03-02 14:16
【摘要】:陜西關(guān)中娃娃哨是民間泥塑玩具的典型代表,其小巧若拙、色彩鮮艷、獨特審美的藝術(shù)特征,源自勞動者的社會生活,具有娛樂與祭祀的雙重功能。它獨特的藝術(shù)魅力和鄉(xiāng)土意味,包容了深厚的文化底蘊,并揭示了農(nóng)耕生活原發(fā)的自娛性特征。 本文以實地考察目前尚存在娃娃哨的關(guān)中地區(qū)和民間藝人為主,在相關(guān)文獻(xiàn)資料和前人研究的學(xué)術(shù)成果前提下,運用文化人類學(xué)、歷史學(xué)、戲劇學(xué)、美術(shù)學(xué)進行多層面、多學(xué)科比較分析。探究其源流脈絡(luò)、藝術(shù)類別和文化根源;梳理它不同風(fēng)格的造型特征;分析它的美學(xué)本質(zhì)及審美意蘊;總結(jié)民間藝術(shù)家的創(chuàng)造觀念與心理特點。從設(shè)計藝術(shù)學(xué)角度對陜西關(guān)中娃娃哨藝術(shù)的現(xiàn)狀及對民間美術(shù)如何保護、傳承等展開討論。提出在當(dāng)今信息時代,陜西關(guān)中娃娃哨技藝面臨新的機遇與挑戰(zhàn),如何使其拓展是我們共同關(guān)注的問題。
[Abstract]:Shaanxi Guanzhong dolls whistle is a typical representative of folk clay plastic toys, its small skill, bright colors, unique aesthetic artistic characteristics, derived from the social life of labourers, with the dual functions of entertainment and sacrifice. Its unique artistic charm and local meaning contain profound cultural heritage and reveal the original characteristics of self-entertainment of farming life. Based on the on-the-spot investigation of Guanzhong area and folk entertainers who still exist in Wahuashang, this paper uses cultural anthropology, history, drama and fine arts on a multi-level basis under the premise of relevant literature materials and the academic achievements of previous studies, and makes use of cultural anthropology, history, drama and fine arts at various levels. Multidisciplinary comparative analysis. Explore its origins, artistic categories and cultural roots; comb its different styles of modeling characteristics; analyze its aesthetic nature and aesthetic implication; summarize the creative concept and psychological characteristics of folk artists. From the point of view of design art, this paper discusses the present situation of Shaanxi Guanzhong doll whistle art and how to protect and inherit folk art. It is pointed out that in the information age, Shaanxi Guanzhong doll whistle technology faces new opportunities and challenges, and how to expand it is a common concern of us.
【學(xué)位授予單位】:西安美術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2011
【分類號】:J528
本文編號:2433124
[Abstract]:Shaanxi Guanzhong dolls whistle is a typical representative of folk clay plastic toys, its small skill, bright colors, unique aesthetic artistic characteristics, derived from the social life of labourers, with the dual functions of entertainment and sacrifice. Its unique artistic charm and local meaning contain profound cultural heritage and reveal the original characteristics of self-entertainment of farming life. Based on the on-the-spot investigation of Guanzhong area and folk entertainers who still exist in Wahuashang, this paper uses cultural anthropology, history, drama and fine arts on a multi-level basis under the premise of relevant literature materials and the academic achievements of previous studies, and makes use of cultural anthropology, history, drama and fine arts at various levels. Multidisciplinary comparative analysis. Explore its origins, artistic categories and cultural roots; comb its different styles of modeling characteristics; analyze its aesthetic nature and aesthetic implication; summarize the creative concept and psychological characteristics of folk artists. From the point of view of design art, this paper discusses the present situation of Shaanxi Guanzhong doll whistle art and how to protect and inherit folk art. It is pointed out that in the information age, Shaanxi Guanzhong doll whistle technology faces new opportunities and challenges, and how to expand it is a common concern of us.
【學(xué)位授予單位】:西安美術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2011
【分類號】:J528
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
1 孫建君;;漫談民間美術(shù)的活態(tài)保護[J];美術(shù)觀察;2007年11期
2 周利明;;魚化寨娃娃哨源流考[J];西北美術(shù);2006年02期
3 蔡惠姝;;中原民間藝術(shù)的活化石—泥泥狗[J];新聞愛好者;2009年20期
,本文編號:2433124
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