【摘要】：數(shù)字動畫是一門綜合性的視聽藝術(shù)，包括文學(xué)、繪畫、漫畫、攝影、音樂、音效和數(shù)字技術(shù)等，同時還包括不同國家、地區(qū)、民族的多種藝術(shù)形式、藝術(shù)風(fēng)格和流派，并從視覺效果上分為二維的數(shù)字動畫和三維的數(shù)字動畫。動畫不斷地吸收各個藝術(shù)門類的元素，，綜合地發(fā)展各自國家的、地域的、民族的各種類型、風(fēng)格和形式的動畫藝術(shù)作品，其中裝飾風(fēng)格動畫就是動畫形式的一種。 所謂裝飾風(fēng)格動畫其裝飾風(fēng)格源于民族風(fēng)格的裝飾繪畫，其主要特點是畫面形象的造型經(jīng)過人為的和主觀的概括、刪減、夸張、變形并趨于平面化、圖案化和功能化的一類裝飾風(fēng)格的繪畫。在中國的裝飾風(fēng)格繪畫中，主要是以從敦煌的壁畫、彩陶圖案、傳統(tǒng)圖案，漢代的畫像石、畫像磚，唐代以后的廟宇、洞窟和墓室壁畫以及以民間美術(shù)風(fēng)格為基礎(chǔ)的諸如：剪紙、木板年畫、皮影藝術(shù)、京劇臉譜等類風(fēng)格的造型藝術(shù)作品。作為動畫的一種藝術(shù)形式，中國裝飾風(fēng)格的動畫主要是借鑒了上述中國傳統(tǒng)裝飾繪畫的藝術(shù)形式，在當(dāng)今數(shù)字時代，與數(shù)字動畫藝術(shù)相結(jié)合而創(chuàng)作的一種動畫風(fēng)格和形式,是一類極具有中國特色的動畫表現(xiàn)形式，也是中國動畫形成自己獨立于西方動畫的動畫風(fēng)格。 本論文，在理論研究的基礎(chǔ)之上，以數(shù)字技術(shù)為平臺，結(jié)合敦煌壁畫的裝飾風(fēng)格建筑、動物和山水等素材，研究和創(chuàng)作出具有中國民族傳統(tǒng)裝飾意蘊的數(shù)字三維動畫場景，此設(shè)計對中國民族傳統(tǒng)裝飾表現(xiàn)進行了創(chuàng)新性研究，具有廣泛的發(fā)展空間。
[Abstract]:Digital animation is a comprehensive audiovisual art, including literature, painting, comic books, photography, music, sound effects and digital technology, as well as a variety of art forms, styles and schools of art from different countries, regions and nationalities. And from the visual effect is divided into two-dimensional digital animation and three-dimensional digital animation. Animation continuously absorbs the elements of various art categories, and synthetically develops various types, styles and forms of animation works of their respective countries, regions and nationalities, among which decorative style animation is one of the animation forms. The so-called decorative style animation its decorative style originates from the decorative painting of the national style, and its main characteristics are that the modeling of the picture image is artificially and subjectively generalized, deleted, exaggerated, distorted and tends to be flat. A decorative style of painting that is patterned and functionalized. In Chinese decorative style paintings, mainly from Dunhuang murals, painted pottery patterns, traditional patterns, Han Dynasty stone portrait, portrait brick, after the Tang Dynasty temple, Cave and tomb murals as well as works of plastic arts based on folk art styles such as paper-cut plank New year painting shadow art and Peking Opera face. As an art form of animation, the animation of Chinese decorative style is mainly a kind of animation style and form created by the combination of digital animation art and digital animation art. Chinese animation is a kind of animation with Chinese characteristics, but also form its own animation style independent of western animation. On the basis of theoretical research, this paper, based on digital technology, combined with the decorative style architecture, animal and landscape of Dunhuang murals, studied and created a digital 3D animation scene with Chinese traditional decorative meaning. This design has carried on the innovation research to the Chinese traditional decoration performance, has the extensive development space.
【學(xué)位授予單位】：北京工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：TP391.41

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