【摘要】： 中國山水畫與裝飾藝術(shù)有著悠久的歷史淵源,不僅創(chuàng)作理念上和裝飾繪畫具有很多相似之處。而且在物象的造型、畫面構(gòu)圖、色彩表現(xiàn)等方面都蘊含著一定程度的裝飾性。故而,對此相關(guān)問題進行研究和探討具有一定的美學(xué)價值和實踐意義。本文試圖從山水畫的造型、構(gòu)圖、筆墨、色彩四個方面對山水畫的裝飾意蘊進行具體的分析,并闡述自己對裝飾手法傳承與創(chuàng)新的認(rèn)識。
[Abstract]:Chinese landscape painting and decorative art have a long history, not only on the creation concept and decorative painting has a lot of similarities. And in the image modeling, picture composition, color performance and other aspects contain a certain degree of decoration. Therefore, it has certain aesthetic value and practical significance to study and discuss the related problems. This paper tries to analyze the decorative implication of landscape painting from the aspects of modeling, composition, ink and color, and expounds its own understanding of inheritance and innovation of decoration techniques.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J212

【參考文獻】

相關(guān)期刊論文 前10條

1 趙運虎;中國傳統(tǒng)繪畫技法美學(xué)義蘊再認(rèn)識[J];安陽師范學(xué)院學(xué)報;2000年03期

2 任峰;中國藝術(shù)繪畫的虛實觀——談中國畫的形式美[J];池州師專學(xué)報;2004年06期

3 王英f，

本文編號：2400964