【摘要】： 遼寧地區(qū)的遼代裝飾藝術(shù),其中包括內(nèi)蒙古、山西、河北的遼代裝飾有一種同中國(guó)南方傳統(tǒng)裝飾造型和風(fēng)格不大一樣的特點(diǎn)。盡管南方的裝飾特征與遼代的裝飾藝術(shù)的若干方面進(jìn)行比較會(huì)發(fā)現(xiàn)不少共同之處,但一般來講,總能準(zhǔn)確無誤地把遼代裝飾藝術(shù)的經(jīng)典之作與中國(guó)南方的裝飾藝術(shù)區(qū)別開來。大遼國(guó)是中國(guó)境內(nèi)幾個(gè)不同政權(quán),他們受漢文化的影響,在藝術(shù)上也隨之而來。由于這些民族的落后而不能不以中國(guó)固有的先進(jìn)政治、經(jīng)濟(jì)、文化制度來統(tǒng)治國(guó)家。遼寧地區(qū)的遼代裝飾藝術(shù)是中原文化、草原游牧文化和長(zhǎng)白山森林文化交匯的產(chǎn)物。他們所創(chuàng)造的裝飾藝術(shù)在廣泛吸收唐代和宋代的藝術(shù)形式,而不失民族特色。 論文旨在透過對(duì)該地區(qū)遼代裝飾藝術(shù)的研究,讓人們深入了解其內(nèi)涵,在追求現(xiàn)代生活的同時(shí),重視對(duì)傳統(tǒng)文化的審美,關(guān)注歷史遺存的保護(hù),注重人與環(huán)境的融洽和諧。該文以遼代裝飾藝術(shù)為切入點(diǎn),圍繞遼寧地區(qū)遼代遺跡和遼代名勝的裝飾特征進(jìn)行探討,運(yùn)用歷史學(xué)、民俗學(xué)、宗教學(xué)等社會(huì)人文科學(xué)與建筑理論、裝飾理論相結(jié)合的研究方法,進(jìn)行了實(shí)地考查和測(cè)繪,在盡可能多地收集掌握資料的基礎(chǔ)上,就典型案例進(jìn)行分析,將中國(guó)傳統(tǒng)文化對(duì)遼代裝飾藝術(shù)的諸多方面的影響和滲透進(jìn)行梳理,從而透視了遼代裝飾藝術(shù)的演變歷程和審美要求。
[Abstract]:The Liao Dynasty decoration art in Liaoning area, including Inner Mongolia, Shanxi, Hebei, has a different style and style with the traditional decoration in southern China. Although the decorative characteristics of the South and several aspects of the decorative arts of the Liao Dynasty will find a lot in common, generally speaking, it can always accurately distinguish the classical works of the decorative arts of the Liao Dynasty from the decorative arts of southern China. There are several different regimes in China, which are influenced by Han culture and followed in art. Due to the backwardness of these ethnic groups, China's inherent advanced political, economic, cultural system can not rule the country. The decorative art of Liao Dynasty in Liaoning is the result of the intersection of Central Plains Culture, grassland nomadic Culture and Changbai Mountain Forest Culture. The decorative art they created absorbed the artistic forms of Tang and Song dynasties without losing their national characteristics. Through the study of the decorative art of Liao Dynasty in this area, the thesis aims to make people deeply understand its connotation, while pursuing modern life, attach importance to the aesthetics of traditional culture, pay attention to the protection of historical relics, and pay attention to the harmony between human beings and environment. This paper takes the decorative art of Liao Dynasty as the breakthrough point, discusses the features of Liao Dynasty relics and places of interest in Liaoning, and applies the theories of social humanities and architecture, such as history, folklore, religious education, etc. On the basis of collecting and mastering information as much as possible, the paper analyzes typical cases by combining the research method of decoration theory with field examination and mapping. The influence and penetration of Chinese traditional culture on many aspects of decoration art in Liao Dynasty are combed, and the evolution process and aesthetic requirements of decoration art in Liao Dynasty are analyzed.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J525

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本文編號(hào)：2390682