新密打虎亭漢墓壁畫的裝飾元素研究及其在包裝設計中的應用
發(fā)布時間：2018-12-10 20:47
【摘要】：新密打虎亭漢墓是全國的重點文物保護單位,作為中國最大的漢墓之一,該墓距今有1800多年的歷史。漢代的墓室壁畫是漢代繪畫藝術的重要遺存,它描繪出一個豐富多姿的漢代世界,充分展現(xiàn)了漢代墓室壁畫藝術的豐富內(nèi)容及繪畫技法,填補了中國漢代美術史上墓室壁畫研究的空白。打虎亭漢墓壁畫中蘊含著豐富的裝飾性元素,它具備裝飾壁畫的主要藝術特征和裝飾元素中的較多特色,形成了自己獨具特色的裝飾風格,由此體現(xiàn)出打虎亭漢墓壁畫的主要裝飾魅力。打虎亭漢墓壁畫雖然沒有完全依據(jù)所謂的裝飾藝術法則,但無論是從其構(gòu)圖、造型、色彩還是從歷史所賦予它的新面貌來看,都展現(xiàn)出濃郁的裝飾趣味。其中,不管是表現(xiàn)漢代宴飲活動場面的宴飲百戲圖、表現(xiàn)漢代競技活動的相撲圖,還是表現(xiàn)賓客出行的車馬出行圖、表現(xiàn)漢代侍女特征的侍女圖以及位于壁畫墓墓頂?shù)脑寰畧D案,都傳達出漢代最具特征的裝飾畫面,體現(xiàn)在這些壁畫中的裝飾元素種類豐富、形態(tài)多樣、造型生動。對打虎亭漢墓壁畫中“裝飾性”元素進行研究和探討,會有利于加深對裝飾藝術手法和裝飾趣味的進一步了解,從而與現(xiàn)代的設計方法聯(lián)系起來,在汲取歷史養(yǎng)分的同時,創(chuàng)造出新的具有獨特裝飾趣味的現(xiàn)代設計風格。漢代的墓室壁畫是漢代繪畫藝術中比較完整的美術遺存,在壁畫中蘊含的諸多裝飾元素對現(xiàn)代包裝設計有較為重要的影響作用。新密打虎亭漢墓壁畫的裝飾元素是中國傳統(tǒng)裝飾藝術的重要組成部分,具有獨具特色的賦色技巧與自成體系的造型法則,對現(xiàn)代包裝設計有實際性的指導意義。對墓室壁畫中典型的審美思想、傳統(tǒng)的哲學觀念、獨特的造型模式及濃郁的裝飾色彩的充分借鑒,是使現(xiàn)代社會的包裝設計中突出表現(xiàn)傳統(tǒng)藝術精神與民族文化,深化藝術設計語言的主要手段和重要的途徑。打虎亭漢墓壁畫的構(gòu)圖簡潔生動、造型動靜有序、畫面樸實厚重、色彩變幻靈動,墓室壁畫寫天地物體之靈氣,呈現(xiàn)出虛幻超脫的畫面意境,表現(xiàn)出中國民族的本土藝術特征與鮮明的時代特色。打虎亭漢墓壁畫蘊含的深邃寓意與豐富多樣的造型樣式,經(jīng)過歷史的洗禮后,這些具有中國傳統(tǒng)意韻的墓室壁畫裝飾元素依舊具有強大旺盛的生命力,并且源源不斷地為現(xiàn)代包裝設計提供豐富的設計素材。
[Abstract]:As one of the largest Han tombs in China, the tomb has a history of more than 1800 years. The tomb murals of the Han Dynasty are an important relic of the painting art of the Han Dynasty, which depicts a rich and colorful world of the Han Dynasty, and fully demonstrates the rich contents and painting techniques of the murals in the tomb rooms of the Han Dynasty. Filled in the Chinese Han Dynasty art history tombs murals research blank. There are abundant decorative elements in the murals of Tahu Pavilion Han Tomb, which have the main artistic characteristics of decorative murals and more characteristics of decorative elements, forming their own unique decorative style. This reflects the main decorative charm of the Han Tomb murals of the Tahu Pavilion. Although the murals of the Han Tomb of the Tiger Pavilion are not completely based on the so-called decorative art law, they show rich decorative interest in terms of their composition, modeling, color or the new appearance given by history. Among them, whether it is a performance of the Han Dynasty banquet event scenes of a hundred drama pictures, performance of the Han Dynasty competitive activities of sumo map, or show guests travel car and horse travel map, The handmaid pictures which show the characteristics of handmaids in Han Dynasty, as well as the algae well pattern at the top of the mural tombs, convey the most characteristic decorative pictures of Han Dynasty, which are embodied in the rich kinds of decorative elements, various forms and vivid shapes in these murals. The study and discussion of the "decorative" elements in the murals of the Han Tomb of the Tahu Pavilion will help to deepen the understanding of the decorative art techniques and decorative tastes, thus connecting with the modern design methods, and at the same time absorbing the historical nutrients. Create a new style of modern design with unique decorative interest. The tomb murals of the Han Dynasty are relatively complete art remains in the painting art of the Han Dynasty. Many decorative elements contained in the murals play a more important role in the modern packaging design. As an important part of Chinese traditional decorative art, the decorative elements of the frescoes in the Han Tombs of Hsin Mi-da Tiger Pavilion have unique color techniques and self-made modeling rules, which have practical guiding significance for modern packaging design. The typical aesthetic thought, traditional philosophy idea, unique modeling mode and rich decorative color in the murals of tomb room can make the traditional artistic spirit and national culture outstanding in the packaging design of modern society. Deepen the main means and important ways of artistic design language. The composition of the murals of the Han Tomb of the Tiger Pavilion is simple and vivid, the shape is in an orderly manner, the pictures are simple and thick, the colors are changing, and the murals of the tomb room write the spirit of the objects of heaven and earth, showing the unreal and transcendent artistic conception of the pictures. It shows the characteristics of Chinese native art and the distinctive characteristics of the times. After the baptism of history, the decorative elements of these tomb murals with Chinese traditional rhyme still have strong and exuberant vitality. And continue to provide rich design materials for modern packaging design.
【學位授予單位】：中原工學院
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J524.2
本文編號：2371179
[Abstract]:As one of the largest Han tombs in China, the tomb has a history of more than 1800 years. The tomb murals of the Han Dynasty are an important relic of the painting art of the Han Dynasty, which depicts a rich and colorful world of the Han Dynasty, and fully demonstrates the rich contents and painting techniques of the murals in the tomb rooms of the Han Dynasty. Filled in the Chinese Han Dynasty art history tombs murals research blank. There are abundant decorative elements in the murals of Tahu Pavilion Han Tomb, which have the main artistic characteristics of decorative murals and more characteristics of decorative elements, forming their own unique decorative style. This reflects the main decorative charm of the Han Tomb murals of the Tahu Pavilion. Although the murals of the Han Tomb of the Tiger Pavilion are not completely based on the so-called decorative art law, they show rich decorative interest in terms of their composition, modeling, color or the new appearance given by history. Among them, whether it is a performance of the Han Dynasty banquet event scenes of a hundred drama pictures, performance of the Han Dynasty competitive activities of sumo map, or show guests travel car and horse travel map, The handmaid pictures which show the characteristics of handmaids in Han Dynasty, as well as the algae well pattern at the top of the mural tombs, convey the most characteristic decorative pictures of Han Dynasty, which are embodied in the rich kinds of decorative elements, various forms and vivid shapes in these murals. The study and discussion of the "decorative" elements in the murals of the Han Tomb of the Tahu Pavilion will help to deepen the understanding of the decorative art techniques and decorative tastes, thus connecting with the modern design methods, and at the same time absorbing the historical nutrients. Create a new style of modern design with unique decorative interest. The tomb murals of the Han Dynasty are relatively complete art remains in the painting art of the Han Dynasty. Many decorative elements contained in the murals play a more important role in the modern packaging design. As an important part of Chinese traditional decorative art, the decorative elements of the frescoes in the Han Tombs of Hsin Mi-da Tiger Pavilion have unique color techniques and self-made modeling rules, which have practical guiding significance for modern packaging design. The typical aesthetic thought, traditional philosophy idea, unique modeling mode and rich decorative color in the murals of tomb room can make the traditional artistic spirit and national culture outstanding in the packaging design of modern society. Deepen the main means and important ways of artistic design language. The composition of the murals of the Han Tomb of the Tiger Pavilion is simple and vivid, the shape is in an orderly manner, the pictures are simple and thick, the colors are changing, and the murals of the tomb room write the spirit of the objects of heaven and earth, showing the unreal and transcendent artistic conception of the pictures. It shows the characteristics of Chinese native art and the distinctive characteristics of the times. After the baptism of history, the decorative elements of these tomb murals with Chinese traditional rhyme still have strong and exuberant vitality. And continue to provide rich design materials for modern packaging design.
【學位授予單位】：中原工學院
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J524.2
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