迪慶香格里拉地區(qū)藏族民居中的檐、梁、柱裝飾藝術(shù)研究
發(fā)布時(shí)間：2018-11-12 11:19
【摘要】：在滇西北寬廣明亮的高山草原自然環(huán)境中,醒目的點(diǎn)綴著一幢幢獨(dú)特而美麗的藏族民居。藏族民居,它不僅表現(xiàn)了藏族人民獨(dú)具特色的生活空間,也表現(xiàn)了一種生產(chǎn)生活方式,一種生產(chǎn)力發(fā)展的程度,更重要的是它表現(xiàn)了藏族人民豐富而獨(dú)具魅力的審美情趣和宗教信仰。 迪慶香格里拉縣位于云南省西北部,在滇川藏“大三角”區(qū)域,是國(guó)家風(fēng)景名勝區(qū)“三江并流”的一顆明珠,保留有完美的自然生態(tài)環(huán)境和民族傳統(tǒng)文化。迪慶香格里拉屬高原濕潤(rùn)氣候,四季氣候變化大,早晚溫差大,白天溫度可達(dá)30。,冬季氣溫底,最冷可低至-10。。藏族人民根據(jù)當(dāng)?shù)氐淖匀粭l件和生活需求來建造房屋,表現(xiàn)出藏族獨(dú)特的民族風(fēng)格和獨(dú)特的民族建筑文化,從而產(chǎn)生了其獨(dú)特的建筑形式和建筑裝飾藝術(shù)。 本文以迪慶香格里拉地區(qū)藏族民居建筑中的檐、梁、柱裝飾藝術(shù)為研究對(duì)象,從裝飾的原則,裝飾的目的,裝飾的手法,裝飾的工藝等方面分析藏族民居中的檐、梁、柱裝飾藝術(shù)。對(duì)其裝飾藝術(shù)的形式法則、風(fēng)格類型,造型的裝飾美學(xué)特征和藝術(shù)價(jià)值等方面進(jìn)行理論性研究。檐,檐謂之眉,有檐口、檐馬、檐頭。在藏族民居裝飾中體現(xiàn)了宗教、文化和建筑藝術(shù),運(yùn)用平衡、對(duì)比、和諧、統(tǒng)一和韻律等構(gòu)圖規(guī)律和審美思想。梁,梁上裝飾呈現(xiàn)連續(xù)、有規(guī)律的美感,多以某種主題事物形成重復(fù)的裝飾。如蓮花圖案或各種曲線的卷草紋。梁上方常承接椽頭,椽頭表面進(jìn)行花卉圖案或是其他主題圖案裝飾。柱,在藏族民居中的典型代表為中柱,藏族人民身份地位的象征。堂屋的中柱常予以特別豐富的裝飾,中柱作為藏族家庭的神圣之柱,柱上常掛哈達(dá)、家傳武器、豐收谷物等物品,以示對(duì)祖先的崇拜。 在研究的過程中,嘗試將其裝飾藝術(shù)運(yùn)用到現(xiàn)代設(shè)計(jì)中。提取檐、梁、柱傳統(tǒng)的裝飾手法沿用至現(xiàn)代設(shè)計(jì)的各個(gè)領(lǐng)域,讓現(xiàn)在的設(shè)計(jì)者們更好的了解少數(shù)民族傳統(tǒng)文化,并將其發(fā)揚(yáng)光大。
[Abstract]:In the broad and bright alpine grassland natural environment of northwest Yunnan, distinctive and beautiful Tibetan houses are embellished. Tibetan houses not only represent the unique living space of the Tibetan people, but also show the level of production and life style and the development of productive forces. More importantly, it shows the Tibetan people rich and unique charm of aesthetic interest and religious beliefs. Diqing Shangri-La County is located in the northwest of Yunnan Province, in the "Grand Triangle" area of Yunnan, Sichuan and Tibet. It is a pearl of the "three rivers parallel flow" in the national scenic spot. It retains the perfect natural ecological environment and national traditional culture. Diqing Shangri-La is a humid climate in the plateau, with great climate change in the four seasons, large temperature difference in the morning and evening, and 30. 0 in daytime. The lowest temperature in winter is -10.0. The Tibetan people build houses according to the local natural conditions and living needs, showing the unique Tibetan national style and unique national architectural culture, thus producing its unique architectural form and architectural decoration art. This paper takes the eaves, beams and columns of Tibetan houses in Diqing Shangri-La area as the object of study, analyzes the eaves and beams in Tibetan houses from the aspects of decoration principles, decoration purposes, decoration techniques, decorative techniques, and so on. The Art of column Decoration This paper makes a theoretical study on the formal rules, style types, decorative aesthetic characteristics and artistic value of its decorative art. Eaves, eaves called eyebrow, cornice, eaves horse, eaves head. In the decoration of Tibetan houses, it embodies the composition laws and aesthetic thoughts of religion, culture and architectural art, using balance, contrast, harmony, unity and rhythm. Beam, the decoration on the beam presents a continuous, regular aesthetic feeling, more with a certain theme of things to form repeated decoration. A curly pattern, such as a lotus pattern or various curves. Beam top often undertake rafter head, rafter head surface flower pattern or other theme pattern decoration. Zhu, the typical representative of Tibetan houses, is the status symbol of the Tibetan people. The middle column of the hall house is often decorated with abundant decoration. As the sacred pillar of the Tibetan family, it is often hung on the post with items such as Hada, family weapons, harvest grain, and so on, to show the worship of the ancestors. In the process of research, try to apply its decorative art to modern design. The traditional decoration techniques of extracting eaves, beams and columns have been used in all fields of modern design, so that the present designers can better understand the traditional culture of ethnic minorities and carry it forward.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J525
本文編號(hào)：2326958
[Abstract]:In the broad and bright alpine grassland natural environment of northwest Yunnan, distinctive and beautiful Tibetan houses are embellished. Tibetan houses not only represent the unique living space of the Tibetan people, but also show the level of production and life style and the development of productive forces. More importantly, it shows the Tibetan people rich and unique charm of aesthetic interest and religious beliefs. Diqing Shangri-La County is located in the northwest of Yunnan Province, in the "Grand Triangle" area of Yunnan, Sichuan and Tibet. It is a pearl of the "three rivers parallel flow" in the national scenic spot. It retains the perfect natural ecological environment and national traditional culture. Diqing Shangri-La is a humid climate in the plateau, with great climate change in the four seasons, large temperature difference in the morning and evening, and 30. 0 in daytime. The lowest temperature in winter is -10.0. The Tibetan people build houses according to the local natural conditions and living needs, showing the unique Tibetan national style and unique national architectural culture, thus producing its unique architectural form and architectural decoration art. This paper takes the eaves, beams and columns of Tibetan houses in Diqing Shangri-La area as the object of study, analyzes the eaves and beams in Tibetan houses from the aspects of decoration principles, decoration purposes, decoration techniques, decorative techniques, and so on. The Art of column Decoration This paper makes a theoretical study on the formal rules, style types, decorative aesthetic characteristics and artistic value of its decorative art. Eaves, eaves called eyebrow, cornice, eaves horse, eaves head. In the decoration of Tibetan houses, it embodies the composition laws and aesthetic thoughts of religion, culture and architectural art, using balance, contrast, harmony, unity and rhythm. Beam, the decoration on the beam presents a continuous, regular aesthetic feeling, more with a certain theme of things to form repeated decoration. A curly pattern, such as a lotus pattern or various curves. Beam top often undertake rafter head, rafter head surface flower pattern or other theme pattern decoration. Zhu, the typical representative of Tibetan houses, is the status symbol of the Tibetan people. The middle column of the hall house is often decorated with abundant decoration. As the sacred pillar of the Tibetan family, it is often hung on the post with items such as Hada, family weapons, harvest grain, and so on, to show the worship of the ancestors. In the process of research, try to apply its decorative art to modern design. The traditional decoration techniques of extracting eaves, beams and columns have been used in all fields of modern design, so that the present designers can better understand the traditional culture of ethnic minorities and carry it forward.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J525
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