【摘要】：全球文化一體化削弱了我國民族文化的特色,我國現(xiàn)代女裝設(shè)計(jì)也因缺乏原創(chuàng)性而缺乏特色。運(yùn)用富有民族元素的圖案,可以豐富我國當(dāng)代服裝設(shè)計(jì)的原創(chuàng)性。楚漆器裝飾元素蘊(yùn)含著傳統(tǒng)楚文化中的內(nèi)在精神特質(zhì),有著豐富的想象力以及創(chuàng)造性。鑒于楚漆器裝飾元素在造型、結(jié)構(gòu)布局與配色方面的獨(dú)特性,重視具有濃郁地域特色的楚漆器裝飾元素的設(shè)計(jì)與運(yùn)用,不僅對現(xiàn)代女裝設(shè)計(jì)有很強(qiáng)的借鑒意義,而且可以有力地推動傳統(tǒng)文化在當(dāng)代的傳承與傳播。 不管歷史上那個(gè)時(shí)期,文化都是朝著多元化的方向發(fā)展的。作為文化最直接的外在體現(xiàn)的女裝,也應(yīng)該是多元化的。楚漆器作為最能代表楚文化的一種代表性的文化符號,在當(dāng)今的女裝設(shè)計(jì)中可謂是一個(gè)全新的有待開發(fā)的素材寶庫,是不能不引起我們的關(guān)注與研究的。女性消費(fèi)者對女裝設(shè)計(jì)的要求是在不斷變化的,而楚漆器裝飾元素在之前的女裝設(shè)計(jì)中從未出現(xiàn)過,蘊(yùn)含在楚漆器背后的楚文化除了充滿了浪漫主義色彩以外,其求新求異、不拘一格、自由奔放的藝術(shù)特點(diǎn)也非常符合現(xiàn)代女性的審美情趣。這一點(diǎn)剛好可以滿足現(xiàn)代女性消費(fèi)者的求新穎、求個(gè)性的消費(fèi)需求。如何去運(yùn)用好楚漆器裝飾元素能在女裝設(shè)計(jì)中完美的展示出來,是值得我們?nèi)ヌ剿髑斑M(jìn)的。
[Abstract]:The integration of global culture weakens the characteristics of our national culture, and the modern women's clothing design lacks its own characteristics because of its lack of originality. The use of rich national elements of the design can enrich the originality of contemporary clothing design in China. The decorative elements of Chu lacquer ware contain the inner spiritual characteristics of traditional Chu culture and have abundant imagination and creativity. In view of the unique features of the decorative elements of Chu lacquer ware in the aspects of modeling, structural layout and color matching, the design and application of decorative elements of Chu lacquer ware with rich regional characteristics are not only of great significance for reference to modern women's clothing design, but also to the design and application of decorative elements in Chu lacquer ware. And can promote the traditional culture in the contemporary inheritance and dissemination. No matter at that time in history, culture is developing in the direction of pluralism. As the most direct external embodiment of culture, women's clothing should also be diversified. Chu lacquer ware, as a representative cultural symbol of Chu culture, is a new material treasury to be developed in today's women's clothing design, which can not be ignored and studied. The demands of female consumers on women's wear design are constantly changing, and the decoration elements of Chu lacquer ware have never appeared in the previous women's wear design. The Chu culture behind the Chu lacquer ware is full of romantic colors, and it seeks for new and different things. The free and unrestrained artistic features also accord with the aesthetic tastes of modern women. This can meet the demand of modern female consumers for novelty and personality. How to make good use of Chu lacquer decoration elements can be displayed perfectly in the women's clothing design, it is worth our exploration to advance.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TS941.2;J527

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本文編號：2325778