【摘要】： 在裝飾藝術(shù)歷史發(fā)展的長河中,彩繪鑲嵌玻璃是一門古老的藝術(shù),其發(fā)展的鼎盛時(shí)期約在西方中世紀(jì)12-15世紀(jì),有著極為輝煌的成就,成為哥特式藝術(shù)中最具魅力的閃光點(diǎn)之一。 本文首先追溯和回顧西方中世紀(jì)時(shí)期哥特式彩繪鑲嵌玻璃藝術(shù)產(chǎn)生的原因與大致的發(fā)展脈絡(luò),立足裝飾藝術(shù)的角度,分析彩繪鑲嵌玻璃豐富的裝飾特點(diǎn)和深刻的宗教涵義。筆者在這樣一個(gè)宏觀的理論背景下,首次嘗試對中國天主教廣州教區(qū)的主教座堂——石室耶穌圣心大教堂的彩繪玻璃鑲嵌花窗進(jìn)行系統(tǒng)的研究,采用理論分析與實(shí)地考察相結(jié)合的方式,從該堂玻璃花窗的創(chuàng)作題材、來源、石質(zhì)窗戶的結(jié)構(gòu)、造型、鑲嵌玻璃的光、色之美以及窗戶總體的布局,來分析其裝飾風(fēng)格、裝飾特點(diǎn)、裝飾功能和其中包含的宗教寓意。 通過對石室彩繪玻璃鑲嵌花窗裝飾特點(diǎn)及宗教寓意的系統(tǒng)分析與歸納,可以看出,石室的花窗是“寄情于物”,深厚的宗教情感蘊(yùn)藏于光色之美的交融之中,透過物質(zhì)表現(xiàn)靈性。只有找到心靈與藝術(shù)的契合點(diǎn),真正用心感悟,把材料本身的特點(diǎn)與精湛的工藝恰到好處地結(jié)合,才能使裝飾藝術(shù)的美感完全釋放,并將之發(fā)揮到極致,喚起觀者心靈的共鳴。
[Abstract]:In the history of decorative art development, painted mosaic glass is an ancient art, its development of the heyday in the Western Middle Ages 12-15 centuries, has a very brilliant achievements, Become one of the most attractive points in Gothic art. This paper first traces and reviews the causes and the general development of gothic mosaic glass art in the Middle Ages, and analyzes the rich decorative characteristics and profound religious implications of painted mosaic glass from the perspective of decorative art. Under such a macroscopic theoretical background, the author for the first time attempts to make a systematic study on the painted glass-mosaic window of the Cathedral of the Holy Heart of Jesus Christ in the Cathedral of the Catholic Church of Guangzhou in China. By combining theoretical analysis with field investigation, this paper analyzes the decorative style of the window from its theme, source, structure and shape of stone window, light of inlaid glass, beauty of color and overall layout of window. Decorative features, decorative functions and religious implications contained therein. Through the systematic analysis and induction of the decorative characteristics and religious implication of the decorated glass inlaid window in the stone chamber, it can be seen that the flower window of the stone room is "sent in the matter", and the deep religious emotion is embedded in the blend of the beauty of light and color. To manifest spirituality through matter. Only when we find the fit point of mind and art, truly realize with heart, combine the characteristic of material itself with exquisite craft properly, can we completely release the aesthetic feeling of decorative art, bring it into play to the extreme, arouse the soul resonance of the viewer.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J525

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