【摘要】：中國(guó)傳統(tǒng)磚雕藝術(shù)是中國(guó)古建筑上一種重要的裝飾藝術(shù),由精湛的技藝、深厚的文化內(nèi)涵和獨(dú)特的藝術(shù)手法融合而成,既清新質(zhì)樸而又巧奪天工,并歷經(jīng)了千年的發(fā)展演變,以其獨(dú)特的藝術(shù)魅力演繹著人類文化的進(jìn)程。但是,隨著時(shí)代的快速發(fā)展和人們生活方式的轉(zhuǎn)變,很多傳統(tǒng)藝術(shù)已不符合時(shí)代的審美需求,現(xiàn)代建筑也不需要過多的裝飾點(diǎn)綴,磚雕也就失去了可依附的基礎(chǔ),以及其它諸多原因?qū)е麓u雕曾經(jīng)的輝煌也已成為歷史�；诖u雕的現(xiàn)狀,筆者認(rèn)為扭轉(zhuǎn)當(dāng)前磚雕的生存和發(fā)展現(xiàn)狀已刻不容緩,并初步探索了在當(dāng)前社會(huì)環(huán)境下磚雕的傳承和發(fā)展策略問題。 本文的第一章是緒論,本部分主要概述了本課題的來源和依據(jù)、研究方法、研究意義以及研究?jī)?nèi)容。文章第二章主要從傳統(tǒng)磚雕在古建筑裝飾中的作用、地位以及傳統(tǒng)磚雕紋飾的吉祥寓意承載著人們對(duì)美好生活的追求和向往這兩個(gè)方面闡述傳統(tǒng)磚雕藝術(shù)的歷史價(jià)值。文章第三章從磚雕的起源、制作材料、工藝以及各時(shí)期的風(fēng)格特征等方面闡述了磚雕在各時(shí)期的發(fā)展演變,同時(shí)在此章節(jié)中也暗含了磚雕經(jīng)歷了“從先秦至漢代以來形成的祭祀禮儀功能——到魏晉南北朝至唐代佛教興盛后磚雕在廟宇中的功能——再到明代則完全融入民間,被廣大民間匠人和藝人接受、創(chuàng)造、發(fā)展到極致——到近現(xiàn)代磚雕逐漸失去了它所依附的傳統(tǒng)建筑而逐漸走向衰落”的發(fā)展軌跡,以此引出第四章我國(guó)磚雕藝術(shù)的發(fā)展現(xiàn)狀及傳承和發(fā)展磚雕藝術(shù)的現(xiàn)實(shí)意義。在第五章中針對(duì)磚雕不容樂觀的生存現(xiàn)狀,筆者提出了一些應(yīng)對(duì)措施以探索其今后的可持續(xù)發(fā)展道路。
[Abstract]:Chinese traditional brick carving art is an important decorative art in ancient Chinese architecture. It is composed of exquisite skills, profound cultural connotations and unique artistic methods. It is both fresh and simple, and has undergone a thousand years of development and evolution. With its unique artistic charm, it deduces the process of human culture. However, with the rapid development of the times and the change of people's way of life, many traditional arts have not met the aesthetic needs of the times, and modern buildings do not need too much decoration and embellishment, so the brick carvings have lost the foundation to be attached to. And many other reasons for brick carving once brilliant has become a history. Based on the present situation of brick carving, the author thinks that it is urgent to reverse the current status of survival and development of brick carving, and preliminarily explores the inheritance and development strategy of brick carving in the current social environment. The first chapter of this paper is the introduction, this part mainly summarizes the source and basis of this topic, research methods, research significance and research content. The second chapter mainly expounds the historical value of the traditional brick carving art from the function and position of the traditional brick carving in the ancient architectural decoration and the auspicious implication of the traditional brick carving decoration carrying people's pursuit of the beautiful life and yearning for these two aspects. The third chapter expounds the development and evolution of brick carving in each period from the origin, manufacture material, craft and style characteristics of each period. At the same time, in this chapter, it is implied that brick carvings have experienced "the function of sacrificial rites formed from the pre-Qin to the Han dynasties, from the Wei, Jin, Southern and Northern dynasties to the Tang Dynasty, when Buddhism flourished in the temples, and then to the Ming Dynasty, when they were fully integrated into the folk." Accepted, created, and developed to the extreme by the masses of folk craftsmen and entertainers-until the modern brick carving gradually lost its attachment to the traditional architecture and gradually declined "the development track. The fourth chapter leads to the present situation of the development of brick carving art in China and the realistic significance of inheriting and developing brick carving art. In the fifth chapter, in view of the existing situation of brick carving, the author puts forward some countermeasures in order to explore the way of sustainable development in the future.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J525

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相關(guān)期刊論文 前1條

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本文編號(hào)：2303978