【摘要】：正塔自東漢隨佛教傳入中國(guó),在漫漫歷史長(zhǎng)河中,其建筑形式和裝飾藝術(shù)上與中土元素不斷融合,形成了各種不同造型藝術(shù)和功能的塔。明清時(shí)期,講究科舉考試和風(fēng)水學(xué)說,各地大建風(fēng)水塔,其中相當(dāng)一部分是為振興在地文風(fēng)而立的文峰塔。位于浙江安吉孝豐鎮(zhèn)東南寶塔山的上云鴻塔就是一個(gè)典型的實(shí)例。云鴻塔概況據(jù)《光緒孝豐縣志》載:“云鴻塔,縣東南三里許在山上,嘉慶丁巳年生員吳煥廷創(chuàng)議捐建�！贝怂嗣嫫邔�,磚身,木檐,樓閣式實(shí)心,通高34.55米,由塔基、塔身、塔剎三
[Abstract]:The tower was introduced into China with Buddhism from the Eastern Han Dynasty. In the long history, the architectural form and decorative art of the tower merged with the elements of the Middle Earth, forming various kinds of plastic arts and functions of the tower. Ming and Qing dynasties, pay attention to imperial examinations and geomantic theory, around the construction of Feng Shui Tower, a considerable part of the Wenfeng Tower for the revitalization of the local literary style. Located in Zhejiang Anji Xiaofeng town southeast of Baota Mountain Yunhong Tower is a typical example. According to "Guang Xu Xiaofeng County Zhi": "Yunhong Tower, county southeast three li Xu in the mountains, Jia-ching Ding Lian Wu Huanting proposed to build." This tower has eight sides and seven storeys, brick body, wooden eaves, pavilion solid, high 34.55 meters, by the tower, tower body, tower brake three
【作者單位】： 浙江安吉博物館;

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