【摘要】：禪宗美學(xué)，是佛教文化中國(guó)化之后的美學(xué)體系。作為中國(guó)傳統(tǒng)美學(xué)的重要組成部分，它以獨(dú)特的美學(xué)范疇和思想體系，豐富了中國(guó)傳統(tǒng)美學(xué)寶庫。禪宗美學(xué)對(duì)我國(guó)傳統(tǒng)藝術(shù)如詩歌、繪畫、戲曲、小說、書法、雕塑、園林、建筑等各個(gè)藝術(shù)創(chuàng)作領(lǐng)域、藝術(shù)理論領(lǐng)域和美學(xué)領(lǐng)域都產(chǎn)生了深遠(yuǎn)的影響。禪宗美學(xué)所蘊(yùn)含的對(duì)本性的關(guān)懷，以及由此出發(fā)而展開的處事方式、人生追求、直覺觀照、審美情趣，對(duì)現(xiàn)代設(shè)計(jì)意義深遠(yuǎn)。如果能夠?qū)⒍U宗美學(xué)豐富的美學(xué)智慧運(yùn)用到室內(nèi)裝飾設(shè)計(jì)中，必將為室內(nèi)裝飾設(shè)計(jì)的發(fā)展開辟一片新天地。 本文從美學(xué)與設(shè)計(jì)學(xué)的角度，通過具體的藝術(shù)門類和藝術(shù)作品——室內(nèi)裝飾設(shè)計(jì)，以禪宗美學(xué)為理論依托，探討禪宗美學(xué)在文化藝術(shù)、設(shè)計(jì)理念、審美情趣等諸方面對(duì)室內(nèi)裝飾設(shè)計(jì)的影響和啟示，體會(huì)禪宗美學(xué)與現(xiàn)代室內(nèi)裝飾設(shè)計(jì)的契合點(diǎn),即探討禪宗美學(xué)思想對(duì)現(xiàn)代室內(nèi)裝飾設(shè)計(jì)的影響。本文的宗旨是透過事物的表象闡述事物的本質(zhì)，即透過室內(nèi)裝飾的設(shè)計(jì)作品本身，剖析作品更深層次的美學(xué)規(guī)律、設(shè)計(jì)理念、藝術(shù)表達(dá)等問題。以期在現(xiàn)代室內(nèi)裝飾設(shè)計(jì)中對(duì)禪宗美學(xué)的運(yùn)用有一個(gè)理論依據(jù)，對(duì)室內(nèi)裝飾設(shè)計(jì)中禪宗美學(xué)境界的營(yíng)造及發(fā)展產(chǎn)生一定的啟發(fā)和引導(dǎo)作用。 本文首先闡述了禪與禪宗的淵源，以及禪宗美學(xué)的起源與發(fā)展歷程，并歸納和總結(jié)了禪宗美學(xué)的基本特征——“自由隨性”、“淡泊寧靜”、“隱喻象征”，以及禪宗美學(xué)對(duì)中國(guó)傳統(tǒng)詩畫藝術(shù)、園林藝術(shù)、室內(nèi)裝飾藝術(shù)和國(guó)外的建筑藝術(shù)、園林藝術(shù)等的影響和滲透；其次，簡(jiǎn)要介紹了室內(nèi)裝飾設(shè)計(jì)的發(fā)展概況和設(shè)計(jì)要素以及發(fā)展趨勢(shì)，分析了現(xiàn)代室內(nèi)裝飾設(shè)計(jì)的審美特征。并闡述了在禪宗美學(xué)的影響下現(xiàn)代室內(nèi)裝飾設(shè)計(jì)的具體表現(xiàn)，用實(shí)例分析和論證現(xiàn)代室內(nèi)裝飾設(shè)計(jì)的審美趨勢(shì)深受禪宗美學(xué)的影響產(chǎn)生了空靈之美、自然之美、簡(jiǎn)素之美等審美特征。同時(shí)分析和總結(jié)了禪宗美學(xué)與室內(nèi)裝飾設(shè)計(jì)的設(shè)計(jì)理念、設(shè)計(jì)靈感等方面的契合。最后，闡述了禪宗美學(xué)對(duì)室內(nèi)裝飾設(shè)計(jì)的現(xiàn)實(shí)價(jià)值和傳承方式以及通過對(duì)禪宗美學(xué)和室內(nèi)裝飾設(shè)計(jì)的分析，，總結(jié)出在室內(nèi)裝飾設(shè)計(jì)中體現(xiàn)禪宗美學(xué)的原則：以少示多、以簡(jiǎn)代繁、以象造境。并通過大量的實(shí)例分析和總結(jié)出現(xiàn)代室內(nèi)裝飾設(shè)計(jì)利用禪宗美學(xué)的營(yíng)造手法：展露材質(zhì)的自然肌理、表現(xiàn)和諧的色彩氛圍、營(yíng)造靈動(dòng)的光影效果、利用陳設(shè)的裝飾價(jià)值�？偨Y(jié)出禪宗的美學(xué)智慧為現(xiàn)代室內(nèi)裝飾設(shè)計(jì)的發(fā)展提供理論和設(shè)計(jì)源泉，對(duì)現(xiàn)代室內(nèi)裝飾設(shè)計(jì)的設(shè)計(jì)理念、設(shè)計(jì)靈感、審美理念、設(shè)計(jì)方法等都具有積極的指導(dǎo)意義和現(xiàn)實(shí)價(jià)值。
[Abstract]:Zen aesthetics is the aesthetic system after the Chinese Buddhist culture. As an important part of Chinese traditional aesthetics, it enriches the treasure house of Chinese traditional aesthetics with its unique aesthetic category and ideological system. Zen aesthetics has exerted profound influence on Chinese traditional arts such as poetry, painting, opera, novel, calligraphy, sculpture, garden, architecture and other fields of art creation, art theory and aesthetics. The concern for nature contained in Zen aesthetics, as well as the way of doing things, the pursuit of life, intuition and aesthetic interest, are of profound significance to modern design. If the abundant aesthetic wisdom of Zen aesthetics can be applied to interior decoration design, it will open a new world for the development of interior decoration design. From the point of view of aesthetics and design, through the specific categories of art and art works-interior decoration design, based on the theory of Zen aesthetics, this paper discusses Zen aesthetics in culture, art, design concept, The influence and enlightenment on interior decoration design from various aspects such as aesthetic sentiment and interest, as well as the common point between Zen aesthetics and modern interior decoration design, are discussed in this paper, that is, the influence of Zen aesthetic thought on modern interior decoration design. The purpose of this paper is to explain the essence of things through the appearance of things, that is, through the interior decoration design work itself, to analyze the deeper aesthetic law, design idea, artistic expression and so on. The purpose of this paper is to provide a theoretical basis for the application of Zen aesthetics in modern interior decoration design, and to give some inspiration and guidance to the creation and development of Zen aesthetic realm in interior decoration design. This paper first expounds the origin of Zen and Zen Buddhism, as well as the origin and development of Zen aesthetics, and summarizes the basic characteristics of Zen aesthetics: "Freedom and randomness", "calm and quiet", "metaphorical symbolism". And the influence and penetration of Zen aesthetics on Chinese traditional poetry and painting art, garden art, interior decoration art and foreign architecture art, garden art, etc. Secondly, it briefly introduces the development of interior decoration design, the design elements and the development trend, and analyzes the aesthetic characteristics of modern interior decoration design. This paper also expounds the concrete expression of modern interior decoration design under the influence of Zen aesthetics, and analyses and proves the aesthetic trend of modern interior decoration design with examples. The aesthetic trend of modern interior decoration design is deeply influenced by Zen aesthetics, which has produced the beauty of emptiness and the beauty of nature. Aesthetic features such as the beauty of simplicity. At the same time, it analyzes and summarizes the design concept and inspiration of Zen aesthetics and interior decoration design. Finally, it expounds the realistic value and inheritance mode of Zen aesthetics to interior decoration design, and through the analysis of Zen aesthetics and interior decoration design, summarizes the principle of embodying Zen aesthetics in interior decoration design: to show less and more, The simple generation is complex, the image creates the environment. And through a large number of examples to analyze and summarize the modern interior decoration design and use of Zen aesthetic construction techniques: showing the natural texture of material, showing harmonious color atmosphere, creating smart light and shadow effect, using the decorative value of display. Summing up the aesthetic wisdom of Zen sect for the development of modern interior decoration design to provide the theory and design source, to the modern interior decoration design idea, the design inspiration, the esthetic idea, The design method and so on all have the positive instruction significance and the realistic value.
【學(xué)位授予單位】：沈陽建筑大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：TU238.2

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本文編號(hào)：2301699