【摘要】：社火的由來已久，它可以說是我國民間藝術(shù)的一絕。社火有其廣泛的群眾參與性，它表現(xiàn)規(guī)模大，氣氛熱烈，場面熱鬧，表演集中，是一種具有啞劇表演形式的綜合性的廣場表演藝術(shù)，這種表演藝術(shù)，是其他藝術(shù)表演所無可比擬的。社火是人們?yōu)榧漓牒蜕缃蛔园l(fā)組織的民間習(xí)俗活動，在特定的時間，比如正月初五至十五展演。臉譜在構(gòu)圖、勾畫涂色等方面都有一定的譜式。社火臉譜是中國傳統(tǒng)藝術(shù)中的珍品之一，有鮮明的民族特色。社火臉譜是從古代“假面”、“涂臉”發(fā)展而來的，其造型粗獷，紋樣稚拙，色彩濃烈，給人一種原始清新之感。其用筆灑脫，粗獷自由，，色彩和諧，并善于用傳統(tǒng)的過渡套色裝飾線條，配以各種各樣的寓意圖案，表明藝術(shù)形象的身份和屬類，以突出人物性格、神情等，從而達(dá)到藝術(shù)造型的嚴(yán)謹(jǐn)和完整。社火臉譜通過畫面，在主題內(nèi)容上，有鮮明的特征，也說明一定的道理；在表現(xiàn)形式上，有極其生動的藝術(shù)裝飾美，裝飾美為人們服務(wù)，并借助于裝飾美進(jìn)行寓意表達(dá)。社火的存在及其所依附的社火臉譜在科技飛速發(fā)展的今天已經(jīng)離我們的生活漸行漸遠(yuǎn)，我們有責(zé)任和義務(wù)將這一人類寶貴遺產(chǎn)進(jìn)行梳理和研究，以使其具有更好的未來。 本文依托各地縣社火檔案資料及對民間社火藝人的采訪，口述材料，對社火臉譜在格式布局、構(gòu)圖手法，化妝顏色及其象征意義等方面進(jìn)行調(diào)查及研究。
[Abstract]:Social fire has a long history, it can be said to be one of the best folk art in China. The society fire has its extensive participation of the masses. It has a large scale, a lively atmosphere, lively scenes and concentrated performances. It is a kind of comprehensive square performing art with the form of mime performances, which is a kind of performing art. Is unparalleled by other artistic performances. Fire is a folk custom organized by people for sacrificial and social activities, which is displayed at certain times, such as the fifth to fifteenth day of the first lunar month. Facebook in composition, painting and other aspects of color have a certain spectrum. Social fire face is one of the treasures in Chinese traditional art, with distinct national characteristics. The social fire face is from ancient "mask", "painted face" from the development, its shape is rough, the pattern is childish, the color is strong, gives a kind of primitive fresh feeling. It is free and free with brushes, rough, harmonious in color, and is good at decorating lines with traditional transitional colors, accompanied by various moral patterns, indicating the identity and category of the artistic image, so as to highlight the character and look of the characters, etc. In order to achieve the rigor and integrity of artistic modeling. Through the screen, the social fire face has distinct features in the content of the theme, and also shows certain truth; in the form of expression, there are extremely vivid artistic decorative beauty, decorative beauty to serve people, and with the help of decorative beauty to carry on the moral expression. With the rapid development of science and technology, the existence of the society fire and the face of the society fire have been far away from our life. We have the duty and duty to comb and study this precious heritage of mankind in order to make it have a better future. In this paper, based on the records of social fire in various counties, interviews and oral materials of folk artists, the paper investigates and studies the format layout, composition techniques, makeup color and symbolism of social fire faces.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J528.3

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