【摘要】：隨著近年來經(jīng)濟(jì)的不斷發(fā)展,人們的觀念慢慢發(fā)生變化,窯洞開始變?yōu)樨毟F的象征,年輕人們更愿意購買施工粗糙、品質(zhì)低下的商品房居住。高樓林立的現(xiàn)代,窯洞本身更多的是作為旅游參觀的作用。當(dāng)代室內(nèi)設(shè)計(jì)都在尋求創(chuàng)新,當(dāng)然沒有創(chuàng)新就沒有發(fā)展,但我們的創(chuàng)新應(yīng)該是建立在繼承傳統(tǒng)文化的基礎(chǔ)上,窯洞這個(gè)承載著歷史的產(chǎn)物,從生態(tài)、環(huán)保、健康、節(jié)能角度都值得我們?nèi)バ麄�、推廣,因此我們要挖掘窯洞傳統(tǒng)民居的藝術(shù)價(jià)值,將其發(fā)揚(yáng)光大。本論文是在通過走訪豫西窯洞傳統(tǒng)民居、借助前輩的著作和文獻(xiàn)、通過網(wǎng)絡(luò)搜集關(guān)于陜北窯洞傳統(tǒng)民居的資料等方式完成的,文章對(duì)窯洞傳統(tǒng)民居的研究,主要是從三大方面進(jìn)行論述,一是從窯洞傳統(tǒng)民居悠久的歷史出發(fā),通過實(shí)例剖析窯洞傳統(tǒng)民居的形成、分類及其室內(nèi)外空間發(fā)展形態(tài),從而去深入了解窯洞這個(gè)孕育了一代又一代華夏兒女的傳統(tǒng)居住空間;二是從符號(hào)學(xué)角度去發(fā)現(xiàn)窯洞民居的生態(tài)信息及其豐富的文化內(nèi)涵和價(jià)值,通過對(duì)窯洞民居室內(nèi)外的裝飾符號(hào)以及民俗的搜集,分類解析其符號(hào)價(jià)值從而更直觀的使我們了解應(yīng)該怎樣去繼承和發(fā)揚(yáng)窯洞傳統(tǒng)文化,三是通過對(duì)室內(nèi)設(shè)計(jì)現(xiàn)狀和趨勢的分析,找到窯洞傳統(tǒng)民居和現(xiàn)代室內(nèi)設(shè)計(jì)的結(jié)合點(diǎn),并將其藝術(shù)價(jià)值更好運(yùn)用到現(xiàn)代居住空間中。此外,本次還通過畢業(yè)設(shè)計(jì)作品,更好的詮釋了窯洞傳統(tǒng)民居的當(dāng)代藝術(shù)價(jià)值,并將其藝術(shù)價(jià)值和風(fēng)俗習(xí)慣和現(xiàn)代的賓館布局融合在一起.更直觀體現(xiàn)了窯洞裝飾符號(hào)價(jià)值在現(xiàn)代設(shè)計(jì)中突破傳統(tǒng)的發(fā)展思路。
[Abstract]:With the development of the economy in recent years, people's attitudes have gradually changed, and caves have become a symbol of poverty, and young people are more willing to buy commercial houses with rough construction and poor quality. Modern tall buildings, cave itself is more as a tourist visit role. Contemporary interior design is looking for innovation, of course, without innovation, there would be no development, but our innovation should be based on inheriting traditional culture, the cave, which bears the product of history, from ecology, environmental protection, health, The angle of energy saving is worth our propaganda and promotion, so we should excavate the artistic value of the traditional residence of cave and carry it forward. This thesis is completed by visiting the traditional residence of cave in western Henan province, collecting the information about the traditional residence of cave in northern Shaanxi province through the network, with the help of the works and documents of the predecessors, etc. The paper studies the traditional dwelling house of cave in the west of Henan Province. It is mainly discussed from three aspects. The first is to analyze the formation, classification and the development of indoor and outdoor space of traditional dwelling houses in caves, starting from the long history of traditional dwelling houses in caves. In order to deeply understand the cave, the traditional living space that has given birth to generation after generation of Chinese children; second, to discover the ecological information and rich cultural connotations and values of cave dwellings from the perspective of semiotics. Through the collection of decorative symbols and folk customs in and out of the cave houses, the symbolic value of these symbols can be classified and analyzed so that we can understand more directly how to inherit and carry forward the traditional culture of caves. Third, through the analysis of the present situation and trend of interior design, the combination of traditional dwelling and modern interior design of cave is found, and its artistic value is better applied to modern living space. In addition, through the graduation design works, a better interpretation of the contemporary art value of traditional cave dwellings, and its artistic value and customs and modern hotel layout fusion. More intuitively reflects the cave decoration symbol value in the modern design break through the traditional development ideas.
【學(xué)位授予單位】：天津科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TU241.5

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