【摘要】： 西洋繪畫追求“寫實性”的真實再現(xiàn)物象的審美理念;構(gòu)圖形式上三角形、“S”形構(gòu)圖,焦點透視法的運用,色調(diào)“三大面,五大調(diào)”的體現(xiàn);表現(xiàn)技法上渲染法的廣泛使用,等等,都潛移默化的影響到清代雍正、乾隆時期粉彩裝飾。粉彩裝飾在審美理念方面,表現(xiàn)為強調(diào)物象外部形體結(jié)構(gòu)的刻畫:構(gòu)圖上吸取了西畫穩(wěn)定性的三角形構(gòu)圖和優(yōu)美性的“S”形構(gòu)圖形式,觀察物象焦點透視法的運用;工藝技術(shù)上為了體現(xiàn)物體的立體感,突出明暗變化,畫家們在粉彩畫面上,先用玻璃白打底,然后運用點染法和洗染法表現(xiàn)明暗,并且注重畫面色調(diào)的處理。這些影響促使清代粉彩裝飾相比以前的釉上彩瓷有許多獨特之處,畫面物象刻畫更生動逼真、表現(xiàn)手法豐富多彩、色彩粉潤柔和、格調(diào)高雅的藝術(shù)效果而風(fēng)靡全球,備受人們的賞識和鐘愛,在陶瓷發(fā)展史上占有重要的地位。
[Abstract]:Western painting pursues the aesthetic idea of realistic reappearance of real object image, the form of composition is triangle, "S" shape composition, the application of focus perspective method, the embodiment of hue "three sides, five major"; The extensive use of rendering techniques, and so on, have a subtle impact on the Qing Dynasty Yongzheng, Qianlong period pink decoration. In the aspect of aesthetic concept, pink decoration emphasizes the depiction of the external body structure of the object image: on the composition, the triangular composition of the stability of the western painting and the beautiful "S" form of the composition are absorbed, and the application of the focus perspective method of the object image is observed; In order to reflect the stereoscopic feeling of objects and highlight the change of light and dark, the painters first use glass and white to base the painting, and then use dot dyeing and washing dyeing to show the light and shade, and pay attention to the treatment of the color of the picture. These influences prompted the Qing Dynasty to have many unique features compared with the previous glazed porcelain. The images were more vivid and vivid, with rich and colorful methods of expression, and the artistic effects of pink and soft colors and elegant style were popular all over the world. Widely appreciated and loved, it plays an important role in the history of ceramic development.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J206
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本文編號：2276489