【摘要】：在現(xiàn)代室內(nèi)裝飾設(shè)計(jì)領(lǐng)域,人們不再把裝飾材料的堅(jiān)固、耐用，甚至千古留存作為裝飾設(shè)計(jì)的唯一追求，，能夠隨心所欲的、靈活多變的、具有時(shí)代感和鮮明個(gè)性特征的設(shè)計(jì)日益受到人們的喜愛(ài)，在這樣的設(shè)計(jì)背景下，具有裝飾性強(qiáng)、風(fēng)格容易隨心變化、材料可任意組合、經(jīng)濟(jì)價(jià)值高且便于清潔和更換等諸多優(yōu)點(diǎn)的布藝軟裝飾出現(xiàn)了，它在滿足人們現(xiàn)實(shí)使用功能需求的同時(shí)，也滿足了人們求新求變的審美趣味。家居布藝軟裝飾在國(guó)內(nèi)起步較晚，主要是受海外市場(chǎng)的影響，國(guó)外設(shè)計(jì)的布藝裝飾圖案大量交給我國(guó)相關(guān)企業(yè)代工，受其影響，西方現(xiàn)代風(fēng)格的各種裝飾設(shè)計(jì)充斥了國(guó)內(nèi)外布藝軟裝飾的主要市場(chǎng)。 我國(guó)傳統(tǒng)的織繡裝飾工藝具有悠久的歷史，織繡裝飾紋樣在幾千年的發(fā)展演變中，凝聚了鮮明的民族特征和豐富的文化內(nèi)涵，形成風(fēng)格多變、造型多樣、精細(xì)明快、色調(diào)淳樸的主要特征，蘊(yùn)涵著豐富的藝術(shù)價(jià)值，其獨(dú)特的藝術(shù)裝飾效果和民族性的審美趣味，一直為國(guó)人所喜愛(ài)。在現(xiàn)代家居布藝軟裝飾設(shè)計(jì)中,巧妙應(yīng)用中國(guó)傳統(tǒng)織繡紋樣的造型規(guī)律和獨(dú)特的色彩、肌理元素，不僅可以豐富現(xiàn)代家居陳設(shè)藝術(shù)新的表現(xiàn)方法和表現(xiàn)手段,也能為家居設(shè)計(jì)師帶來(lái)新的設(shè)計(jì)靈感。 在現(xiàn)代家居布藝軟裝飾設(shè)計(jì)中，已有不少家裝從業(yè)者嘗試將我國(guó)傳統(tǒng)的織繡紋樣應(yīng)用到布藝裝飾設(shè)計(jì)中,贏得了一定的市場(chǎng)，并以其特有的藝術(shù)魅力向世人彰顯著中國(guó)傳統(tǒng)紋飾的豐富內(nèi)涵。隨著信息時(shí)代的到來(lái)，傳統(tǒng)織繡紋樣也呈現(xiàn)出多元化的發(fā)展趨勢(shì)，只有對(duì)傳統(tǒng)織繡藝術(shù)的裝飾語(yǔ)言進(jìn)行認(rèn)真而不敷衍、深入而不膚淺地透徹研究，在學(xué)習(xí)理解的基礎(chǔ)上消化、提煉，把它融入自己的設(shè)計(jì)語(yǔ)言進(jìn)行再創(chuàng)造，才能設(shè)計(jì)出具有傳統(tǒng)織繡文化氣息而又符合我們當(dāng)下審美要求的家居軟裝飾藝術(shù)作品。 為了在現(xiàn)代家居布藝軟裝飾設(shè)計(jì)中豐富裝飾設(shè)計(jì)語(yǔ)言,更好地滿足人們對(duì)布藝軟裝飾文化內(nèi)涵的需要,筆者對(duì)傳統(tǒng)織繡紋樣的發(fā)展現(xiàn)狀、裝飾語(yǔ)言的主要樣式和審美特征及其在現(xiàn)代布藝軟裝飾中的設(shè)計(jì)思路進(jìn)行了認(rèn)真地探索和研究，期望充分吸收、借鑒中國(guó)傳織繡裝飾紋樣的精華，尋找有中國(guó)傳統(tǒng)文化韻味的設(shè)計(jì)思路和設(shè)計(jì)手段,在設(shè)計(jì)實(shí)踐中將傳統(tǒng)織繡裝飾與現(xiàn)代家居布藝軟裝飾設(shè)計(jì)完美結(jié)合。
[Abstract]:In the field of modern interior decoration design, people no longer regard the sturdiness, durability and even eternal retention of decorative materials as the only pursuit of decorative design, and they can do whatever they want, flexible and changeable. Design with a sense of the times and distinctive personality characteristics is increasingly popular, in such a design background, with a strong decorative, easy to change the style of the heart, materials can be any combination, The soft decoration of cloth art with high economic value and convenience for cleaning and replacing has emerged. It meets the needs of people's practical function and the aesthetic taste of people seeking for new and changing. Domestic soft decoration of fabric art started relatively late in China, mainly because of the influence of overseas market. A large number of fabric decoration patterns designed abroad were handed over to the relevant enterprises in our country and were affected by them. Western modern style of various decorative design filled with domestic and foreign fabric soft decoration of the main market. The traditional weaving and embroidery decoration technology in our country has a long history. In the development and evolution of thousands of years, the decorative patterns of weaving embroidery have condensed distinct national characteristics and rich cultural connotations, forming a variety of styles, various shapes, fine and bright, The main features of hue are rich in artistic value, and its unique artistic decorative effect and national aesthetic taste have always been loved by the people of our country. In the soft decoration design of modern household fabric art, the skillful application of the Chinese traditional weave patterns and unique colors and texture elements can not only enrich the new methods and means of expression of modern home furnishing art, Also can bring the new design inspiration for the home designer. In the soft decoration design of modern household fabric, many domestic decorators have tried to apply the traditional pattern of weaving and embroidery to the design of fabric decoration, which has won a certain market. And with its unique artistic charm to the world to highlight the rich connotation of Chinese traditional ornaments. With the arrival of the information age, the traditional embroidery patterns also present a diversified development trend. Only the decorative language of the traditional weaving and embroidery art is seriously and not perfunctorily studied thoroughly and thoroughly, and digested on the basis of learning and understanding. Only by refining and re-creating it into its own design language can we design a home soft decorative art work which has the cultural flavor of traditional weaving and embroidery and accords with our current aesthetic requirements. In order to enrich the decorative design language in the soft decoration design of modern household fabric, and to better meet the needs of people for the connotation of soft decoration of cloth art, the author discusses the present situation of the development of traditional weave and embroidery patterns. The main styles and aesthetic features of the decorative language and its design ideas in the soft decoration of modern cloth art are carefully explored and studied in the hope of absorbing and drawing lessons from the essence of the decorative patterns of Chinese textile embroidery. In order to find the design ideas and means with the lasting appeal of Chinese traditional culture, the traditional weaving and embroidery decoration and the soft decoration design of modern household fabric art are perfectly combined in the design practice.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J523

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 來(lái)蕊;室內(nèi)空間中布藝的審美研究[D];河南師范大學(xué);2013年

本文編號(hào)：2276047