【摘要】：耀州窯是我國(guó)北方燒造陶瓷的歷史名窯之一，其燒造歷史悠久，工藝技術(shù)精湛，窯場(chǎng)規(guī)模宏大。它以獨(dú)具裝飾風(fēng)格特色的青瓷刻花和黑釉剔花、劃花、印花等，成為北方陶瓷的代表。其獨(dú)特藝術(shù)風(fēng)格的裝飾紋樣與優(yōu)美多變的器物造型完美結(jié)合，在工藝技術(shù)與設(shè)計(jì)上都達(dá)到了較高的水平。裝飾紋樣是在記錄和表達(dá)了中華先民的生存經(jīng)驗(yàn)和文化認(rèn)識(shí)的基礎(chǔ)上，從多方面反映出我國(guó)古代勞動(dòng)人民在觀察、記錄、表現(xiàn)、創(chuàng)新等方面的諸多模式，也體現(xiàn)了古人在紋飾創(chuàng)造與發(fā)展方面的聰明才智和民族文化屬性。勤勞智慧的古代能工巧匠們，在長(zhǎng)期的勞動(dòng)實(shí)踐過程中，不斷探索、創(chuàng)新工藝，創(chuàng)造了具有濃厚民間民族特色、蘊(yùn)涵豐富內(nèi)容的裝飾藝術(shù)，在我國(guó)工藝美術(shù)史中留下了光輝而絢爛的篇章。 陶瓷作為一門科學(xué)與藝術(shù)完美結(jié)合的產(chǎn)物，是中華文明的象征，中國(guó)是陶瓷的王國(guó)，中國(guó)也將陶瓷一步步推進(jìn)了歷史藝術(shù)的王國(guó)。耀瓷以其悠久的燒造歷史、豐富的品種和特有的裝飾紋樣，傳承者千年不熄的民俗文化，自然的滲透于現(xiàn)代人們的感受之中。 本文從耀州窯形成的歷史原因與文化背景出發(fā)，重點(diǎn)對(duì)其歷史發(fā)展過程、文化淵源、造型以及裝飾紋樣藝術(shù)特征、紋樣構(gòu)圖、文化屬性以及民間風(fēng)俗對(duì)耀州窯陶瓷裝飾紋樣的影響進(jìn)行深入分析研究。通過大量的圖片分析對(duì)比，對(duì)耀瓷裝飾紋樣的藝術(shù)特點(diǎn)和文化寓意進(jìn)行一定的研究。筆者多次對(duì)耀州窯當(dāng)?shù)剡M(jìn)行調(diào)研考察，拓展到當(dāng)今社會(huì)生活中耀州瓷的發(fā)展與運(yùn)用情況分析，發(fā)現(xiàn)諸多發(fā)展過程中問題，并提出一些關(guān)于耀州窯陶瓷未來發(fā)展的建議。對(duì)耀州窯陶瓷裝飾紋樣藝術(shù)特點(diǎn)的研究，為其傳承傳統(tǒng)陶瓷文化，來推動(dòng)當(dāng)代陶瓷藝術(shù)創(chuàng)造，努力做到藝術(shù)性與時(shí)代性兼顧，為耀州窯陶瓷藝術(shù)的發(fā)展提供更廣闊的空間，使這一文化遺產(chǎn)永遠(yuǎn)散發(fā)其燦爛的光輝。耀瓷應(yīng)該在保留原有藝術(shù)特色的前提下，緊隨時(shí)代步伐，，開拓創(chuàng)新，進(jìn)行符合現(xiàn)代人審美需求的造型設(shè)計(jì)，才能再創(chuàng)輝煌，不斷發(fā)揚(yáng)光大。
[Abstract]:Yaozhou Kiln is one of the famous kilns in northern China. It has a long history and exquisite craftsmanship. It has a unique decorative style of celadon carving and black glaze tick flowers, prints and so on, become the representative of Northern Ceramics. The decorative pattern of its unique artistic style is perfectly combined with the beautiful and changeable shape of the utensils, and has reached a higher level in technology and design. Decorative patterns are based on recording and expressing the living experience and cultural understanding of the Chinese ancestors, and reflect from many aspects the various modes of observation, recording, performance, innovation and so on among the working people in ancient China. It also reflects the wisdom and national cultural attributes of the ancients in the creation and development of ornaments. The industrious and intelligent ancient craftsmen, in the long process of labor practice, constantly explored and innovated the craft, and created decorative arts with strong folk national characteristics and rich contents. In the history of Chinese arts and crafts left a brilliant and brilliant chapter. As a product of the perfect combination of science and art, ceramics is the symbol of Chinese civilization, China is the kingdom of ceramics, and China has pushed ceramics to the kingdom of historical art step by step. With its long history of burning, rich varieties and unique decorative patterns, Yaozheng inherits a thousand years of folk culture, which naturally permeates the feelings of modern people. Starting from the historical reasons and cultural background of the formation of Yaizhou Kiln, this paper focuses on its historical development process, cultural origin, modeling and decorative pattern art features, pattern composition, The influence of cultural attributes and folk customs on the decorative patterns of Yaozhou Kiln was studied. Through the analysis and comparison of a large number of pictures, the artistic characteristics and cultural implications of the decorative patterns of glowing porcelain are studied to a certain extent. The author has carried on the investigation and investigation to the Yao Zhou kiln for many times, extended to the analysis of the development and application of the Yao Zhou porcelain in the current social life, found many problems in the process of development, and put forward some suggestions on the future development of the Yao Zhou kiln ceramics. The study on the characteristics of the decorative pattern art of Yaozhou Kiln, in order to inherit the traditional ceramic culture, to promote the creation of contemporary ceramic art, to strive to achieve both artistry and the times, and to provide a broader space for the development of the ceramic art of the Yaizhou Kiln. So that this cultural heritage will forever radiate its brilliant brilliance. Under the premise of retaining the original artistic characteristics, Yiu porcelain should follow the step of the times, blaze new trails and innovate, and carry on the styling design in line with the aesthetic needs of modern people, in order to create brilliance again and carry forward continuously.
【學(xué)位授予單位】：西安工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J527

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 毛丹陽(yáng);;龍泉青瓷裝飾藝術(shù)的審美特征[J];麗水學(xué)院學(xué)報(bào);2010年02期

2 鄭新濤;陳慧娟;;傳統(tǒng)牡丹圖紋在現(xiàn)代標(biāo)志設(shè)計(jì)中的運(yùn)用[J];社會(huì)科學(xué)家;2007年S2期

3 欒棟;文藝?yán)碚摰膬蓧K基石——藝術(shù)本質(zhì)初探[J];外國(guó)文學(xué)研究;1983年01期

4 馬哲媛;張星;;耀州瓷器裝飾紋樣的時(shí)代屬性[J];藝術(shù)教育;2012年09期

本文編號(hào)：2265506