【摘要】：青花陶瓷藝術(shù)是最富有民族特色的藝術(shù)瓷之一，也是古瓷器中最具有代表性的瓷器之一。在讀研的三年時(shí)間里，本人對(duì)青花繪畫(huà)中的裝飾手法進(jìn)行系統(tǒng)的研究，青花從元代創(chuàng)始以來(lái)，裝飾技法和題材進(jìn)行了不斷的創(chuàng)新和發(fā)展。青花裝飾藝術(shù)只所以能都永葆青春，是人們對(duì)它在不斷的創(chuàng)新和實(shí)踐。中國(guó)的陶瓷藝術(shù)家通過(guò)對(duì)傳統(tǒng)青花裝飾藝術(shù)的扎實(shí)學(xué)習(xí)，，在對(duì)它開(kāi)始融入更多現(xiàn)代元素，創(chuàng)造出個(gè)性鮮明，形式多樣的青花陶瓷藝術(shù)品，從而使青花裝飾風(fēng)格形式有了新的拓展。創(chuàng)造出來(lái)的新的青花裝飾藝術(shù)，它既能滿(mǎn)足現(xiàn)代人的審美要求，也保持了原有傳統(tǒng)青花裝飾藝術(shù)的特點(diǎn)。 筆者從青花的裝飾歷史起源到青花裝飾的表現(xiàn)形式和藝術(shù)特征出發(fā)，分析青花裝飾各個(gè)時(shí)期的裝飾技法、色彩、題材和表現(xiàn)形式，挖掘它所具有的現(xiàn)代特征，并試著探究它是否能與現(xiàn)代生活陶藝創(chuàng)作相聯(lián)系，而在現(xiàn)代生活陶藝創(chuàng)作中，現(xiàn)代生活陶藝的創(chuàng)作語(yǔ)言被青花裝飾所豐富。另外，必須要提到的是，本人以陶瓷青花裝飾作為本篇論文的線(xiàn)索，但并不代表，只有青花裝飾才能豐富現(xiàn)代生活陶藝的創(chuàng)作裝飾風(fēng)格。因?yàn)閷?duì)青花和現(xiàn)代生活陶藝的喜愛(ài)，筆者更愿意借著日常在我們身邊使用的器皿，根據(jù)器皿的使用功能和造型，兩者更好的結(jié)合去研究青花裝飾中的色彩美、韻律美和現(xiàn)代美。
[Abstract]:Blue and white porcelain art is one of the most national art porcelain, and also one of the most representative of ancient porcelain. In the three years of graduate school, I carried on the systematic research to the decoration technique in the blue and white painting, the blue and white flower has carried on the innovation and the development unceasingly since the Yuan Dynasty founding, the decoration technique and the subject matter has carried on the unceasingly innovation and the development. Blue and white decorative art can always remain young, it is the people in constant innovation and practice. Through the solid study of traditional blue and white decorative art, Chinese ceramic artists began to incorporate more modern elements into it, creating distinctive and diverse blue and white ceramic works of art. So that the style of blue and white decorative style has a new development. The creation of new blue and white decorative art, it can meet the aesthetic requirements of modern people, but also maintain the original characteristics of traditional blue and white decorative art. From the origination of the decoration history of the blue and white flowers to the expressive forms and artistic features of the decoration of the blue and white flowers, the author analyzes the decorative techniques, colors, themes and forms of expression of the decoration of the blue and white flowers in various periods, and excavates its modern features. And try to explore whether it can be connected with modern life pottery creation, and in the modern life pottery creation, the modern life pottery art creation language is rich by the blue and white flower decoration. In addition, it must be mentioned that I take the ceramic blue and white decoration as the clue of this paper, but it does not represent that only the blue and white decoration can enrich the decorative style of modern life pottery. Because of the love of the blue and white flowers and the pottery art of modern life, the author is more willing to study the color beauty, rhythm beauty and modern beauty in the decoration of blue and white flowers by the daily use of utensils, according to the use function and the shape of the utensils, the better combination of the two is to study the color beauty, rhythm beauty and modern beauty in the decoration of blue and white flowers.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J527

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相關(guān)期刊論文 前4條

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本文編號(hào)：2264834