秦漢時期的工藝美術(shù)對我國當(dāng)代裝飾藝術(shù)的影響
發(fā)布時間：2018-10-08 15:55
【摘要】：在現(xiàn)代化與快節(jié)奏的都市生存環(huán)境中，競爭的壓力愈演愈烈，從而造就了人與人之間的感情冷漠。在冷硬鋼鐵與混凝土結(jié)合的時尚都市中，對清新大自然的憧憬，對我們祖先遺留給我們的傳統(tǒng)文化的渴望與向往逐步體現(xiàn)出來。極富民族特色的傳統(tǒng)文化在瘋狂地席卷著全球的流行趨勢。當(dāng)我們悠然的漫步在我國任意一個承載著悠久歷史的古城中時，會不經(jīng)意地意識到富有特色的傳統(tǒng)文化無處不在。然而，現(xiàn)代時尚的大都市在漸漸的吞噬著祖先為我們遺留下的文化古城。秦漢時期在中國設(shè)計史上有著象征意義的地位，，是工藝美術(shù)設(shè)計發(fā)展的新盛世，它全面概括性的藝術(shù)設(shè)計語言和創(chuàng)作經(jīng)驗給當(dāng)代中國留下了濃墨重彩的一筆。秦漢時期具有本土特色的藝術(shù)風(fēng)格是在大量汲取先輩豐富經(jīng)驗與逐步完善的民族傳統(tǒng)工藝美術(shù)的結(jié)合下產(chǎn)生的。秦漢時期的瓦當(dāng)、畫像磚、漆器以及許多實用工藝品全部形成了一套從獨(dú)特的創(chuàng)意到精湛技藝的工藝?yán)砟�，是我們也可以說這是中國傳統(tǒng)文化的里程碑。裝飾藝術(shù)是一直人類追求美與創(chuàng)造美過程中不可或缺的關(guān)鍵環(huán)節(jié)，是人類在各個時期思想情感與審美意識的寫照。如何將秦漢時期工藝美術(shù)中的傳統(tǒng)元素應(yīng)用于當(dāng)代裝飾設(shè)計中去，已成為近年來藝術(shù)界普遍關(guān)注的一個重要的課題。 秦漢時期的瓦當(dāng)、畫像磚、漆器藝術(shù)中蘊(yùn)含著多姿多彩的藝術(shù)魅力與豐厚的文化底蘊(yùn)，依照大量的文獻(xiàn)資料，運(yùn)用全方面的知識剖析瓦當(dāng)、畫像磚、漆器的裝飾設(shè)計元素對當(dāng)代裝飾藝術(shù)設(shè)計產(chǎn)生的影響。本文分為引言、正文、結(jié)語三部分內(nèi)容，將秦漢時期的瓦當(dāng)、畫像磚、漆器、從起源——工藝——元素——當(dāng)代裝飾設(shè)計的運(yùn)用，系統(tǒng)的分析并研究。第一章引言部分通過分析秦漢時期工藝美術(shù)的創(chuàng)意理念和相關(guān)問題，綜述了當(dāng)代藝術(shù)家對這一論題的研究現(xiàn)狀，以及本文的研究內(nèi)容及思路、研究方法和研究意義。第二章通過對秦漢時期瓦當(dāng)、畫像磚、漆器的釋義、種類、歷史現(xiàn)狀、工藝及成就深刻的了解秦漢文化的厚重和博大精深。第三章結(jié)合裝飾手段的圖案設(shè)計，闡述了秦漢時期裝飾藝術(shù)貼近自然生活的裝飾特點，總結(jié)了秦漢時期裝飾語言源于自然的原始美、自由的抽象美以及夸張的變形美。第四章通過瓦當(dāng)、畫像磚、漆器代表樣式的研究，概括出了瓦當(dāng)傳神的藝術(shù)神韻、畫像磚豐富的審美意蘊(yùn)及漆器裝飾紋樣和諧的文化內(nèi)涵。第五章結(jié)合瓦當(dāng)、畫像磚、漆器設(shè)計元素特點指導(dǎo)了當(dāng)代裝飾藝術(shù)的創(chuàng)新發(fā)展。結(jié)語部分對新世紀(jì)以后當(dāng)代裝飾藝術(shù)未來發(fā)展進(jìn)行了一種憧憬。
[Abstract]:In the modern and fast-paced city living environment, the pressure of competition is becoming more and more intense, thus creating the emotional apathy between people. In the fashionable city where cold and hard steel and concrete are combined, the longing for fresh nature and the desire and yearning for the traditional culture left by our ancestors are gradually reflected. The traditional culture, which is rich in national characteristics, is sweeping the global popular trend crazily. When we stroll leisurely in any ancient city with a long history in our country, we will inadvertently realize that the characteristic traditional culture is everywhere. However, the modern fashion metropolis is gradually devouring the cultural city left behind by our ancestors. Qin and Han dynasties had a symbolic status in the history of Chinese design, which was a new prosperous time for the development of arts and crafts design. The artistic style with native characteristics in Qin and Han dynasties came into being under the combination of the rich experience of the forebears and the gradual perfection of the traditional arts and crafts of the nation. During the Qin and Han dynasties, Wadang, portrait bricks, lacquer ware and many practical handicrafts all formed a set of craft ideas from unique creativity to exquisite craftsmanship, which can be said to be a milestone of Chinese traditional culture. Decorative art is an indispensable key link in the process of pursuing beauty and creating beauty. It is also the portrayal of human thought, emotion and aesthetic consciousness in every period. How to apply the traditional elements of the arts and crafts in the Qin and Han dynasties to the contemporary decorative design has become an important topic that the art circles have paid close attention to in recent years. In the period of Qin and Han Dynasty, Wadang, portrait brick and lacquer ware art contain colorful artistic charm and rich cultural background. According to a large number of documents and materials, the paper analyzes Wadang and portrait brick by using all aspects of knowledge. The influence of decorative design elements of lacquer ware on contemporary decorative art design. This paper is divided into three parts: introduction, text and conclusion. The application of Wadang, portrait brick and lacquer ware in Qin and Han dynasties is systematically analyzed and studied from the origin-craft-element-contemporary decorative design. In the first chapter, by analyzing the creative ideas and related problems of the arts and crafts in the Qin and Han dynasties, the author summarizes the current situation of the research on this topic by the contemporary artists, as well as the research contents and ideas, the research methods and the significance of the research. The second chapter through the Qin and Han Dynasty Wadang, portrait brick, lacquer ware interpretation, types, historical status, technology and achievements of the deep understanding of Qin and Han culture and profound. The third chapter combines the pattern design of decoration means, elaborated the decoration art of Qin and Han dynasties period decoration art close to the natural life decoration characteristic, summarized the Qin and Han Dynasty decoration language from the natural primitive beauty, the free abstract beauty and the exaggeration transformation beauty. The fourth chapter generalizes the artistic charm of Wadang, the rich aesthetic implication of portrait brick and the harmonious cultural connotation of decorative patterns of lacquer ware through the research of Wadang, portrait brick and lacquer ware representative style. The fifth chapter combines the characteristics of Wadang, portrait brick and lacquer design elements to guide the innovation and development of contemporary decorative art. The conclusion part gives a vision for the future development of contemporary decorative art in the new century.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J525;J509.2
本文編號：2257357
[Abstract]:In the modern and fast-paced city living environment, the pressure of competition is becoming more and more intense, thus creating the emotional apathy between people. In the fashionable city where cold and hard steel and concrete are combined, the longing for fresh nature and the desire and yearning for the traditional culture left by our ancestors are gradually reflected. The traditional culture, which is rich in national characteristics, is sweeping the global popular trend crazily. When we stroll leisurely in any ancient city with a long history in our country, we will inadvertently realize that the characteristic traditional culture is everywhere. However, the modern fashion metropolis is gradually devouring the cultural city left behind by our ancestors. Qin and Han dynasties had a symbolic status in the history of Chinese design, which was a new prosperous time for the development of arts and crafts design. The artistic style with native characteristics in Qin and Han dynasties came into being under the combination of the rich experience of the forebears and the gradual perfection of the traditional arts and crafts of the nation. During the Qin and Han dynasties, Wadang, portrait bricks, lacquer ware and many practical handicrafts all formed a set of craft ideas from unique creativity to exquisite craftsmanship, which can be said to be a milestone of Chinese traditional culture. Decorative art is an indispensable key link in the process of pursuing beauty and creating beauty. It is also the portrayal of human thought, emotion and aesthetic consciousness in every period. How to apply the traditional elements of the arts and crafts in the Qin and Han dynasties to the contemporary decorative design has become an important topic that the art circles have paid close attention to in recent years. In the period of Qin and Han Dynasty, Wadang, portrait brick and lacquer ware art contain colorful artistic charm and rich cultural background. According to a large number of documents and materials, the paper analyzes Wadang and portrait brick by using all aspects of knowledge. The influence of decorative design elements of lacquer ware on contemporary decorative art design. This paper is divided into three parts: introduction, text and conclusion. The application of Wadang, portrait brick and lacquer ware in Qin and Han dynasties is systematically analyzed and studied from the origin-craft-element-contemporary decorative design. In the first chapter, by analyzing the creative ideas and related problems of the arts and crafts in the Qin and Han dynasties, the author summarizes the current situation of the research on this topic by the contemporary artists, as well as the research contents and ideas, the research methods and the significance of the research. The second chapter through the Qin and Han Dynasty Wadang, portrait brick, lacquer ware interpretation, types, historical status, technology and achievements of the deep understanding of Qin and Han culture and profound. The third chapter combines the pattern design of decoration means, elaborated the decoration art of Qin and Han dynasties period decoration art close to the natural life decoration characteristic, summarized the Qin and Han Dynasty decoration language from the natural primitive beauty, the free abstract beauty and the exaggeration transformation beauty. The fourth chapter generalizes the artistic charm of Wadang, the rich aesthetic implication of portrait brick and the harmonious cultural connotation of decorative patterns of lacquer ware through the research of Wadang, portrait brick and lacquer ware representative style. The fifth chapter combines the characteristics of Wadang, portrait brick and lacquer design elements to guide the innovation and development of contemporary decorative art. The conclusion part gives a vision for the future development of contemporary decorative art in the new century.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J525;J509.2
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