表現(xiàn)主義和裝飾運(yùn)動(dòng)的協(xié)奏:經(jīng)典好萊塢蛇蝎美人服裝造型之新探
發(fā)布時(shí)間:2018-09-19 15:04
【摘要】:藝術(shù)運(yùn)動(dòng)的興勃對(duì)于電影影像表達(dá)的影響是毋庸置疑的,例如以風(fēng)格強(qiáng)烈著稱的黑色電影就蘊(yùn)含著19世紀(jì)與20世紀(jì)之交涌現(xiàn)的眾多藝術(shù)流派的燦爛遺產(chǎn)。本文以經(jīng)典黑色電影中蛇蝎美人的服裝造型為研究對(duì)象,分析“表現(xiàn)主義”和“裝飾藝術(shù)運(yùn)動(dòng)”對(duì)其經(jīng)典編碼建構(gòu)的重大影響,進(jìn)而窺見蛇蝎美人的復(fù)雜性、含混性、曖昧性以及對(duì)女性氣質(zhì)的多重表達(dá)的潛力。
[Abstract]:The influence of artistic movement on film image expression is beyond doubt. For example, black film, which is famous for its strong style, contains the splendid heritage of many art schools that emerged at the turn of the 19th century and 20th century. This paper takes the costume modeling of the snake-scorpion beauty in the classic black film as the research object, analyzes the great influence of "expressionism" and "decorative art movement" on the construction of its classical coding, and then sees the complexity and ambiguity of the beauty of the snake and scorpion. Ambiguity and the potential for multiple expressions of femininity.
【作者單位】: 中國(guó)傳媒大學(xué)藝術(shù)學(xué)部藝術(shù)研究院;
【分類號(hào)】:J918
本文編號(hào):2250480
[Abstract]:The influence of artistic movement on film image expression is beyond doubt. For example, black film, which is famous for its strong style, contains the splendid heritage of many art schools that emerged at the turn of the 19th century and 20th century. This paper takes the costume modeling of the snake-scorpion beauty in the classic black film as the research object, analyzes the great influence of "expressionism" and "decorative art movement" on the construction of its classical coding, and then sees the complexity and ambiguity of the beauty of the snake and scorpion. Ambiguity and the potential for multiple expressions of femininity.
【作者單位】: 中國(guó)傳媒大學(xué)藝術(shù)學(xué)部藝術(shù)研究院;
【分類號(hào)】:J918
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相關(guān)重要報(bào)紙文章 前2條
1 安 靜;露怯的服飾錯(cuò)配[N];大眾科技報(bào);2003年
2 新浪;健康空調(diào)都是“蛇蝎美人”、“南郭先生”[N];江蘇經(jīng)濟(jì)報(bào);2003年
,本文編號(hào):2250480
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