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馬王堆漢墓刺繡紋樣在室內裝飾中的應用研究

發(fā)布時間:2018-09-10 21:27
【摘要】:馬王堆刺繡紋樣是中國傳統(tǒng)裝飾紋樣之一,出土的刺繡殘片雖已埋藏地下幾千年,但出土時仍然精致美妙、無與倫比,紋樣、配色、針工運用得恰到好處。本文以乘云繡、信期繡、長壽繡、茱萸紋繡、樹紋鋪絨繡等馬王堆出土的刺繡紋樣為研究對象,分析其在現(xiàn)代室內裝飾中的應用,展示馬王堆刺繡紋樣藝術價值,并為現(xiàn)代室內裝飾設計提供依據(jù)。 馬王堆漢墓刺繡具有湘楚文化背景,在平面構成方面,以幾何造型和復合造型為主,兼具夸張浪漫的結構特征;以“S”為骨架基礎,輔助紋樣自由延展,旋轉流動而又靈活多變的骨骼動態(tài);豐富的編排方式呈現(xiàn)紋樣交錯連綴而又繁麗流暢的效果。在色彩構成方面,采用以暖性色彩入色,以紅、黑二色為核心,以鄰近類似色相構成作為基本色彩配色方法。因而其整體效果具有翻飛流轉、色彩絢麗、浪漫詭異的審美意境,蘊含了陰陽二元辯證哲學思想,同時被賦予了吉祥、長壽、平安、家和興旺等寓意。馬王堆漢墓刺繡紋樣在室內裝飾中的應用是可行的。本文采取重構、互融、借鑒等再設計方法,通過圖案創(chuàng)新,色彩創(chuàng)新,結合新材料、新技術、新工藝創(chuàng)新等設計創(chuàng)新途徑,將馬王堆漢墓刺繡紋樣重新設計,探討其在室內空間界面和室內陳設設計中的應用效果。在闡述將現(xiàn)代室內裝飾設計與馬王堆漢墓刺繡紋樣融合方式上,具體從室內頂界面、側界面、地面上的應用,以及在家具、窗簾、地毯、床上用品、擺件的應用,分析其設計屬性、技術可行性及審美效果,因地制宜的直接引用或再設計應用,呈現(xiàn)當代性、文化性、實用性等特點。借此傳承和弘揚馬王堆漢墓刺繡紋樣,同時也促進現(xiàn)代室內裝飾設計本土化發(fā)展。
[Abstract]:Mawangdui embroidery pattern is one of the Chinese traditional decorative patterns, although unearthed embroidery fragments have been buried underground for thousands of years, but unearthed is still exquisite, unparalleled, pattern, color matching, needle workers use properly. In this paper, the embroidery patterns unearthed in Mawangdui, such as cloud embroidery, letter period embroidery, longevity embroidery, dogwood embroidery, tree pattern embroidered embroidery and so on, are taken as research objects. The application of them in modern interior decoration is analyzed, and the artistic value of Mawangdui embroidery pattern is demonstrated. And provides the basis for the modern interior decoration design. The embroidery of Mawangdui Han Tomb has the cultural background of Hunan and Chu. In the aspect of plane composition, it mainly consists of geometric modeling and composite modeling, and has the characteristics of exaggerated and romantic structure, and takes "S" as the skeleton foundation to support the free extension of patterns. Rotating flow, flexible and changeable bone dynamics; rich arrangement pattern staggered and continuous, but elegant and smooth effect. In terms of color composition, the basic color matching method is the warm color, the red and black dichromatic as the core, and the adjacent similar color as the basic color matching method. Therefore, its overall effect has the aesthetic conception of flipping over, colorful, romantic and strange, contains the dialectical philosophy of Yin and Yang, and is endowed with auspicious, long life, peace, home and prosperity. It is feasible to apply the embroidery pattern of Mawangdui Han Tomb in interior decoration. This paper adopts re-design methods such as reconstruction, mutual fusion, reference and so on. By means of pattern innovation, color innovation, combination of new materials, new technology and new technological innovation, the embroidery patterns of Mawangdui Han Tomb are redesigned. Its application effect in interior space interface and interior furnishings design is discussed. In expounding the integration of modern interior decoration design and embroidery patterns in Mawangdui Han Tomb, the application of interior top interface, side interface, floor, furniture, curtain, carpet, bedding, pendant, etc. Analysis of its design attributes, technical feasibility and aesthetic effect, direct reference to local conditions or re-design of the application, showing contemporary, cultural, practical and other characteristics. In order to inherit and carry forward Mawangdui Han tomb embroidery patterns, but also promote the development of modern interior decoration design localization.
【學位授予單位】:中南林業(yè)科技大學
【學位級別】:碩士
【學位授予年份】:2014
【分類號】:TU238.2;J523.6

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