浙西南畬族裝飾圖案的視覺符號研究
發(fā)布時間：2018-09-10 07:48
【摘要】：浙西南畬族裝飾圖案是來源于少數(shù)民族并且與日常生活密切相關(guān)民間裝飾藝術(shù)表現(xiàn)形式。其包含著豐富的民族歷史、文化、理想以及追求等語義，具有很濃郁的地域特征。但是，現(xiàn)今畬族裝飾圖案正在逐漸消逝，特別是它作為探知畬族裝飾藝術(shù)文化的精髓和畬族的審美心理的部分。針對這種情況，需要我們重新系統(tǒng)的認知畬族裝飾圖案，思考它歷史的存在狀態(tài)。 論文立足于歷年畬族裝飾文化研究基礎(chǔ)及對浙西南、閩東地區(qū)畬族田野考察的成果，從符號學、圖案學的角度，結(jié)合運用設(shè)計學、民俗學、民族學、人類學等研究理論及方法，對畬族裝飾圖案視覺符號形成的歷史文化淵源及特征進行系統(tǒng)的分析，對畬族裝飾圖案視覺符號的語匯及語義進行深入剖析，對畬族裝飾圖案視覺符號的語構(gòu)類型及其法則進行嘗試性分與歸納。主要得出如下幾點認識： 1、畬族裝飾圖案視覺符號受到了畬族歷史的民族崇拜、聚居遷徙、農(nóng)耕經(jīng)濟、漢族交往、宗教文化的影響，因為這些不同因素，給了畬族裝飾圖案創(chuàng)作靈感，同時賦予裝飾圖案靈魂，使得這些裝飾圖案不再只是簡單的點線面，而是能夠傳達語義的視覺符號，進一步形成了屬于本民族范疇的獨特的視覺符號語言。 2、畬族裝飾圖案不僅是約定俗成的具有認知性和實用性的視覺符號，，同時也是具有鮮明隱喻性、生動形象性和豐富情感性的藝術(shù)符號。其中豐富情感構(gòu)成了畬族裝飾圖案作為視覺符號的核心內(nèi)涵，也是其藝術(shù)性的本質(zhì)體現(xiàn)。 3、畬族裝飾圖案視覺符號主要表現(xiàn)對本民族的崇拜；對生活贊美及憧憬；以及趨利避害、期盼美好生活歌頌美好愛情的語義特點。也進一步闡釋了裝飾圖案是對一個民族在社會發(fā)展過程中不斷變化的有力證明；同時也說明裝飾圖案是承載著代表本民族的審美情感的民族文化心理的客體表達方式。 研究浙西南畬族裝飾圖案的視覺符號不僅拓展了符號學在視覺藝術(shù)的應用領(lǐng)域，有助于建構(gòu)浙西南畬族裝飾圖案視覺符號系統(tǒng)體系，同時對畬族整個民族的文化研究的有效補充，進而也對當今藝術(shù)設(shè)計的民族化與地域化特色有一定的借鑒作用。
[Abstract]:The decorative pattern of she nationality in southwestern Zhejiang is a form of folk decorative art which originated from ethnic minorities and is closely related to daily life. It contains rich national history, culture, ideal and pursuit semantics, with very strong regional characteristics. However, the decorative patterns of she nationality are gradually disappearing, especially as a part of exploring the essence of she nationality's decorative art culture and she nationality's aesthetic psychology. In view of this situation, we need to re-recognize the she ethnic decorative patterns and reflect on its historical existence. The thesis is based on the research foundation of she nationality decoration culture and the achievements of field investigation on she nationality in the southwest of Zhejiang and the east of Fujian province. From the angle of semiotics and patterning, it combines the theories and methods of design, folklore, ethnology, anthropology and so on. This paper makes a systematic analysis of the historical and cultural origin and characteristics of the she nationality decorative pattern visual symbol, and deeply analyzes the vocabulary and semantics of the she nationality decorative pattern visual symbol. This paper attempts to divide and induce the types and rules of the she nationality decorative pattern visual symbols. The main conclusions are as follows: 1. The visual symbols of the she nationality decorative patterns are influenced by the historical ethnic worship, migration, farming economy, communication of the Han nationality and religious culture, because of these different factors. It gives the she nationality the inspiration to create the decorative patterns and the soul of the decorative patterns so that these decorative patterns are not only simple points and lines, but also visual symbols that can convey semantic meaning. Second, the decorative pattern of she nationality is not only a cognitive and practical visual symbol, but also has a distinct metaphorical character. Vivid images and rich affective artistic symbols. The rich emotion constitutes the core connotation of the she nationality decorative pattern as the visual symbol, and is also the essence of its artistic nature. 3, the she nationality decorative pattern visual symbol mainly expresses the worship to this nationality, the praise and the vision to the life; And seeking advantages and avoiding disadvantages, looking forward to a better life eulogizing the semantic characteristics of good love. It also further explains that decorative pattern is a powerful proof of a nation's changing in the process of social development, and that decorative pattern is the object expression mode of national cultural psychology which represents the aesthetic emotion of the nation. The research on the visual symbol of she nationality decorative pattern in southwest Zhejiang not only expands the application field of semiotics in visual art, but also helps to construct the visual symbol system of she nationality decoration pattern in southwest Zhejiang province. At the same time, it is an effective supplement to the cultural research of the whole she nationality, and it can also be used for reference to the nationalization and regionalization of the art design.
【學位授予單位】：浙江農(nóng)林大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J522.8
[Abstract]:The decorative pattern of she nationality in southwestern Zhejiang is a form of folk decorative art which originated from ethnic minorities and is closely related to daily life. It contains rich national history, culture, ideal and pursuit semantics, with very strong regional characteristics. However, the decorative patterns of she nationality are gradually disappearing, especially as a part of exploring the essence of she nationality's decorative art culture and she nationality's aesthetic psychology. In view of this situation, we need to re-recognize the she ethnic decorative patterns and reflect on its historical existence. The thesis is based on the research foundation of she nationality decoration culture and the achievements of field investigation on she nationality in the southwest of Zhejiang and the east of Fujian province. From the angle of semiotics and patterning, it combines the theories and methods of design, folklore, ethnology, anthropology and so on. This paper makes a systematic analysis of the historical and cultural origin and characteristics of the she nationality decorative pattern visual symbol, and deeply analyzes the vocabulary and semantics of the she nationality decorative pattern visual symbol. This paper attempts to divide and induce the types and rules of the she nationality decorative pattern visual symbols. The main conclusions are as follows: 1. The visual symbols of the she nationality decorative patterns are influenced by the historical ethnic worship, migration, farming economy, communication of the Han nationality and religious culture, because of these different factors. It gives the she nationality the inspiration to create the decorative patterns and the soul of the decorative patterns so that these decorative patterns are not only simple points and lines, but also visual symbols that can convey semantic meaning. Second, the decorative pattern of she nationality is not only a cognitive and practical visual symbol, but also has a distinct metaphorical character. Vivid images and rich affective artistic symbols. The rich emotion constitutes the core connotation of the she nationality decorative pattern as the visual symbol, and is also the essence of its artistic nature. 3, the she nationality decorative pattern visual symbol mainly expresses the worship to this nationality, the praise and the vision to the life; And seeking advantages and avoiding disadvantages, looking forward to a better life eulogizing the semantic characteristics of good love. It also further explains that decorative pattern is a powerful proof of a nation's changing in the process of social development, and that decorative pattern is the object expression mode of national cultural psychology which represents the aesthetic emotion of the nation. The research on the visual symbol of she nationality decorative pattern in southwest Zhejiang not only expands the application field of semiotics in visual art, but also helps to construct the visual symbol system of she nationality decoration pattern in southwest Zhejiang province. At the same time, it is an effective supplement to the cultural research of the whole she nationality, and it can also be used for reference to the nationalization and regionalization of the art design.
【學位授予單位】：浙江農(nóng)林大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J522.8
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相關(guān)期刊論文 前10條
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4 陳e
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