【摘要】：小田溪墓群是巴國(guó)貴族墓群之一，對(duì)其青銅器紋樣的研究可以進(jìn)一步了解巴國(guó)的審美意識(shí)，從文化和美學(xué)的角度探究巴國(guó)歷史,凸顯其地域性特征。地域特征凸顯出本地的文化藝術(shù)價(jià)值，能真實(shí)地反映其文化藝術(shù)風(fēng)貌，從而構(gòu)成地域性的風(fēng)格特征，具有較強(qiáng)的研究?jī)r(jià)值。 本文對(duì)以往的研究成果進(jìn)行引用分析，從兩個(gè)大的方向著手--考古成果以及地域文化研究成果，考古成果能讓本文的歷史真實(shí)性站得住腳，地域文化研究成果能使作者全面地了解地域文化本源與前人的觀點(diǎn)態(tài)度。對(duì)具體例證對(duì)象的分析解讀，實(shí)例的直觀性是易讀的，通過(guò)實(shí)例加以說(shuō)明闡述自己的觀點(diǎn)更具有說(shuō)服力，這是結(jié)論的重要支撐之一。 首先對(duì)巴文化、巴國(guó)青銅器、巴國(guó)考古遺址進(jìn)行概述，再對(duì)青銅器裝飾紋樣構(gòu)成法則、青銅器裝飾紋樣類(lèi)別、青銅器裝飾紋樣的象征性進(jìn)行了論述，本文的重點(diǎn)為小田溪墓群青銅器裝飾紋樣分析，分別對(duì)小田溪墓群出土的多種青銅器進(jìn)行了分析研究，通過(guò)對(duì)這些青銅器紋樣的分析也能夠在對(duì)小田溪的研究中站住腳跟。研究青銅器的紋飾是研究中國(guó)古代青銅器最直接的方法，但如何解釋它們，是研究青銅器文化的關(guān)鍵所在。接下來(lái)對(duì)小田溪青銅器裝飾紋樣藝術(shù)風(fēng)格進(jìn)行了闡釋?zhuān)糯腿怂囆g(shù)風(fēng)格的演變離不開(kāi)三個(gè)方面，一是外來(lái)文化的沖擊，二是自身文化藝術(shù)的發(fā)展，三是精神脊梁的根基。最后分析了小田溪青銅器裝飾紋樣文化內(nèi)涵，包括與周邊文化的交流、差異以及巴人尚武美學(xué)的內(nèi)容，地域性的差別不簡(jiǎn)單地歸結(jié)于地理環(huán)境的差別，，這是一個(gè)巨大的范疇，從社會(huì)文化到科學(xué)技術(shù)，從文學(xué)到藝術(shù)無(wú)不囊括其中，青銅器作為文化傳承的一個(gè)載體發(fā)揮著重要作用，裝飾紋樣是表象卻散發(fā)出人文精神，巴人在特定的時(shí)間和地點(diǎn)產(chǎn)生了具有獨(dú)特形式的藝術(shù)風(fēng)格，是小田溪青銅器裝飾紋樣與文化結(jié)合的典范。 從青銅器裝飾紋樣出發(fā)來(lái)分析巴人美學(xué)視角為基礎(chǔ)對(duì)文化進(jìn)行研究，美學(xué)是歷史文化中不可或缺的重要部分，探討美學(xué)也可以說(shuō)是在探討文化，美學(xué)上的文化印記在歷史上看來(lái)是呈現(xiàn)出顯性的，美學(xué)上的相似或差異也正是因?yàn)槲幕系南嗨坪筒町愺w現(xiàn)出來(lái)。
[Abstract]:The tombs of Xiaotian River are one of the tombs of the aristocrats of Pakistan. The study on the patterns of bronze ware can further understand the aesthetic consciousness of Ba, explore the history of Ba from the angle of culture and aesthetics, and highlight its regional characteristics. Regional features highlight the value of local culture and art, can truly reflect their cultural and artistic features, thus forming a regional style characteristics, with strong research value. In this paper, the author quoted and analyzed the previous research results, starting from two major directions-archaeological achievements and regional cultural research results, archaeological results can make the historical authenticity of this article to hold water. The research results of regional culture can make the author understand the origin of regional culture and the attitudes of predecessors. The analysis and interpretation of concrete example object shows that the intuitiveness of example is easy to read, and it is more persuasive to explain one's own point of view through examples, which is one of the important supports of conclusion. First of all, it summarizes the Ba culture, Ba bronze ware, Baguo Kaugu ruins, and then discusses the rules of the composition of bronze decorative patterns, the types of bronze decorative patterns, and the symbolism of bronze decorative patterns. The emphasis of this paper is the analysis of decorative patterns of bronze wares in Xiaotian River tombs, and the analysis and study of many kinds of bronzes unearthed in Xiaotianxi Tombs, through the analysis of the patterns of these bronzes, they can also stand at a foothold in the study of Xiaotian Creek. It is the most direct method to study bronze ware in ancient China, but how to explain them is the key to study bronze ware culture. The evolution of ancient Ba people's art style can not be separated from three aspects, one is the impact of foreign culture, the other is the development of their own culture and art, and the foundation of the spiritual backbone. Finally, it analyzes the cultural connotation of decorative patterns of bronze ware in Xiaotian River, including the communication with the surrounding cultures, the differences and the contents of the martial arts aesthetics of the Ba people. The regional differences are not simply attributed to the differences of geographical environment, which is a huge category. From social culture to science and technology, from literature to art, bronze ware plays an important role as a carrier of cultural heritage. The Ba people produced a unique style of art at a particular time and place, which is a model of the combination of decorative patterns and culture of the bronze ware in Xiaotian River. On the basis of analyzing the perspective of Ba people's aesthetics, aesthetics is an indispensable part of history and culture, and the discussion of aesthetics can be said to be a discussion of culture. The cultural imprint of aesthetics appears dominant in history, and the similarity or difference in aesthetics is also reflected by the cultural similarity and difference.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J522

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