【摘要】： 民間藝術(shù)承載著一個(gè)民族區(qū)域文化的審美特質(zhì),反映一個(gè)民族的生活方式、生活態(tài)度和文化審美趣向,具有獨(dú)特的藝術(shù)表現(xiàn)形式和組織結(jié)構(gòu)的歷史形態(tài)；反映出其不同時(shí)代的創(chuàng)新意識(shí)、創(chuàng)造能力和藝術(shù)精神。安徽具有著悠久的文化傳統(tǒng)和深厚的文化底蘊(yùn),有著種類和形式諸多的民間藝術(shù)形式,其中,各種優(yōu)秀的物質(zhì)和非物質(zhì)文化遺產(chǎn)都具有著很重要的理論價(jià)值和應(yīng)用價(jià)值。 裝飾圖案是一門裝飾藝術(shù),是實(shí)用與裝飾相結(jié)合的一種藝術(shù)形式。它把生活中的自然形象經(jīng)過藝術(shù)加工,使其造型、色彩、構(gòu)圖等適用于審美目的一種設(shè)計(jì)圖樣。安徽民間裝飾圖案是一種利用視覺形象手段傳達(dá)民俗文化的符號(hào)形式,是勞動(dòng)者民俗觀念、民俗文化和審美意識(shí)集體智慧的結(jié)晶。民間藝術(shù)蘊(yùn)藏著極其豐富的裝飾圖案內(nèi)容,反映與呈現(xiàn)出特定的民族心理和民族性格,也影響著民族心理和性格的形成和發(fā)展,是現(xiàn)代藝術(shù)設(shè)計(jì)創(chuàng)意的淵源和基礎(chǔ),對(duì)當(dāng)代的文化和藝術(shù)設(shè)計(jì)的發(fā)展有著重要作用。特別是在民族化和本土化大發(fā)展背景下,對(duì)具有地方特色藝術(shù)資源的保護(hù)、傳承、開發(fā)和利用更加重要。 本文研究的主要內(nèi)容是通過徽州雕刻藝術(shù)、蕪湖鐵畫藝術(shù)、淮南壽州窯陶瓷藝術(shù)、阜陽剪紙藝術(shù)等,幾種典型藝術(shù)裝飾圖案的審美特征及應(yīng)用價(jià)值等方面的研究,力求概括提煉出具有安徽典型地方特色的裝飾圖案。旨在對(duì)這些寶貴的文化藝術(shù)資源進(jìn)行保護(hù)開發(fā)和傳承。研究方法：采用理論研究和實(shí)踐調(diào)查相結(jié)合；文獻(xiàn)參考和市場(chǎng)調(diào)研相結(jié)合；網(wǎng)絡(luò)信息和實(shí)地考察相結(jié)合；歷史考察和具體分析相結(jié)合；整體把握和個(gè)案分析相結(jié)合；科學(xué)分析和藝術(shù)創(chuàng)作相結(jié)合；客觀依據(jù)和創(chuàng)新開發(fā)相結(jié)合等研究方法。 本論文具有較為鮮明的地方特色,把安徽民間裝飾圖案研究成果應(yīng)用于現(xiàn)代設(shè)計(jì),為現(xiàn)代藝術(shù)設(shè)計(jì)創(chuàng)作提供獨(dú)特的民族設(shè)計(jì)語言,促進(jìn)設(shè)計(jì)學(xué)科和設(shè)計(jì)產(chǎn)業(yè)發(fā)展。推動(dòng)傳統(tǒng)文化元素和現(xiàn)代設(shè)計(jì)創(chuàng)新性結(jié)合,豐富現(xiàn)代設(shè)計(jì)的內(nèi)涵和資源。此外,安徽民間藝術(shù)裝飾圖案的應(yīng)用研究對(duì)傳承和保護(hù)民間傳統(tǒng)文化有重要作用,使傳統(tǒng)的各種物質(zhì)和非物質(zhì)文化遺產(chǎn)的保護(hù)從僅停留在少數(shù)專家和愛好者的局面,發(fā)展到更多的人加入到本土文化保護(hù)的行動(dòng)中來,對(duì)保護(hù)開發(fā)和傳承這些文化藝術(shù)資源起到積極的推動(dòng)作用。
[Abstract]:Folk art bears the aesthetic characteristics of a national regional culture, reflecting the way of life of a nation, life attitude and cultural aesthetic interest, with a unique form of artistic expression and organizational structure of the historical form; It reflects the creative consciousness, creative ability and artistic spirit of different times. Anhui has a long cultural tradition and profound cultural heritage, has a variety of types and forms of folk art forms, among which, various outstanding material and intangible cultural heritage has a very important theoretical value and application value. Decorative pattern is a decorative art, is a combination of practical and decorative art form. It makes the natural image of life through artistic processing, so that its shape, color, composition, etc., is suitable for aesthetic purposes a design pattern. Anhui folk decoration pattern is a symbol form which conveys folk culture by means of visual image. It is the crystallization of the collective wisdom of laborer's folklore concept, folk custom culture and aesthetic consciousness. Folk art contains extremely rich decorative design contents, reflecting and presenting specific national psychology and national character, also affecting the formation and development of national psychology and character, which is the origin and foundation of modern art design creativity. It plays an important role in the development of contemporary culture and art design. Especially in the context of the great development of nationalization and localization, it is more important to protect, inherit, develop and utilize artistic resources with local characteristics. The main content of this paper is the research of Huizhou carving art, Wuhu iron painting art, Huainan Shouzhou kiln ceramic art, Fuyang paper-cut art, aesthetic characteristics and application value of several typical decorative patterns. Strive to summarize and refine the typical local characteristics of Anhui decorative patterns. The aim is to protect and develop these precious cultural and artistic resources. Research methods: the combination of theoretical research and practical investigation; the combination of literature reference and market research; the combination of network information and field investigation; the combination of historical investigation and concrete analysis; the integration of overall grasp and case analysis; Combination of scientific analysis and artistic creation, objective basis and innovative development and other research methods. This paper has the distinct local characteristic, applies the Anhui folk decoration pattern research achievement to the modern design, provides the unique national design language for the modern art design creation, promotes the design discipline and the design industry development. Promote the combination of traditional cultural elements and modern design innovation, enrich the connotation and resources of modern design. In addition, the applied research on the decorative patterns of folk art in Anhui plays an important role in inheriting and protecting the traditional folk culture, so that the protection of the traditional material and intangible cultural heritage will remain in the situation of only a few experts and enthusiasts. The development of more people to participate in the action of local cultural protection, to protect the development and inheritance of these cultural and artistic resources play a positive role.
【學(xué)位授予單位】：安徽工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J525

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前4條

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2 何沙;黎族婦女服飾圖案與現(xiàn)代平面設(shè)計(jì)的應(yīng)用研究[D];海南大學(xué);2012年

3 葉荔;用企業(yè)形象設(shè)計(jì)的力量活化蕪湖老字號(hào)[D];安徽工程大學(xué);2012年

4 馮永榮;山西民居木雕裝飾圖案研究[D];山西師范大學(xué);2013年

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本文編號(hào)：2211544