【摘要】：隨著中國制瓷技術(shù)的不斷發(fā)展和完善，到明末創(chuàng)造了一種由室內(nèi)空間陳設(shè)到墻壁懸掛的一種瓷器樣式，即壁瓶。其逐漸成為了下到文人雅士，上到帝王將相共同追捧的高雅藝術(shù)品。尤其是在清代中期，特別受到了乾隆皇帝個(gè)人的喜愛，并保存下大量的詩文資料。在其發(fā)展的過程中，制作手法和工藝日益完備，對(duì)其它藝術(shù)門類也有大量的吸收和借鑒。使其飽含了豐富的文化內(nèi)涵，，能成為特定時(shí)代藝術(shù)審美傾向的代表。 壁瓶的產(chǎn)生是傳統(tǒng)工藝美術(shù)在人類居住空間中裝飾性的集中體現(xiàn)，本文對(duì)清代室內(nèi)壁瓶研究的出發(fā)點(diǎn)在于分析壁瓶藝術(shù)語言的特征，探討其藝術(shù)價(jià)值。使人們對(duì)于壁瓶的認(rèn)識(shí)不再簡(jiǎn)單的停留于表面，而是從更深層次加深對(duì)于壁瓶的藝術(shù)研究。所以論文著重從歷史和文化等角度追溯壁瓶在清朝這個(gè)特定時(shí)代產(chǎn)生并繁榮的原因，清代的社會(huì)背景作為壁瓶廣泛應(yīng)用的大前提，制瓷技術(shù)發(fā)展成為了壁瓶種類繁多的基礎(chǔ)，帝王將相文人雅士的追捧豐富了壁瓶藝術(shù)的文化內(nèi)涵。在以上條件下壁瓶形成了自身的獨(dú)特的藝術(shù)語言和文化內(nèi)涵的特征。論文進(jìn)一步對(duì)壁瓶的裝飾藝術(shù)語言進(jìn)行分析、總結(jié)。并探討其藝術(shù)語言在室內(nèi)裝飾中的價(jià)值。從而對(duì)清代壁瓶藝術(shù)的裝飾美的規(guī)律進(jìn)行提煉，探究壁瓶藝術(shù)在現(xiàn)代語境中的藝術(shù)價(jià)值和對(duì)其發(fā)展利用的方法，以達(dá)到“古為今用”的目的。
[Abstract]:With the continuous development and perfection of porcelain making technology in China, by the end of Ming Dynasty, a kind of porcelain style, that is, wall bottle, was created from interior space display to wall hanging. It gradually became a scholar to the elegant scholar, to the emperor together sought after the elegant art. Especially in the middle of Qing Dynasty, he was especially loved by Emperor Qianlong and kept a lot of literature and poems. In the process of its development, production techniques and techniques are increasingly complete, and there are a lot of absorption and reference to other art categories. Make it full of rich cultural connotations, can become the representative of artistic aesthetic tendency of a specific era. The appearance of wall bottle is the concentrated embodiment of traditional arts and crafts in human living space. The starting point of this paper is to analyze the characteristics of wall bottle art language and discuss its artistic value. So that people do not simply stay on the surface of the wall bottle, but deepen the art research of the wall bottle from a deeper level. Therefore, the paper focuses on tracing back the reasons for the emergence and prosperity of the wall bottle in the Qing Dynasty from the historical and cultural perspectives. The social background of the Qing Dynasty is the premise of the wide application of the wall bottle, and the development of the porcelain making technology has become the basis for the wide variety of wall bottles. The courtship of the literati and literati enriches the cultural connotation of the art of wall bottle. Under the above conditions, the wall bottle has formed its own unique artistic language and cultural connotation characteristics. The paper further analyzes and summarizes the decorative art language of the wall bottle. And discusses its artistic language in the interior decoration value. Thus, the law of decorative beauty of wall bottle art in Qing Dynasty is refined, and the artistic value of wall bottle art in modern context and the method of its development and utilization are explored in order to achieve the purpose of "using the past for the present".
【學(xué)位授予單位】：河北科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：TU238

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本文編號(hào)：2210033