【摘要】：鳳鳥(niǎo)紋是我國(guó)傳統(tǒng)文化中的經(jīng)典裝飾紋樣。其形式變化多姿,豐富綺麗,寓意深刻,象征著天下太平、幸福瑞祥等等。鳳鳥(niǎo)紋是各歷史時(shí)期藝術(shù)創(chuàng)作使用頻率很高和形式變化十分豐富的一種裝飾紋樣,并且,每個(gè)歷史時(shí)期所體現(xiàn)出來(lái)的造型特征、所蘊(yùn)含的寓意、所表現(xiàn)出來(lái)的藝術(shù)氣質(zhì)都不盡相同。從整個(gè)鳳鳥(niǎo)紋的發(fā)展歷程看,鳳鳥(niǎo)紋的創(chuàng)作和運(yùn)用貫穿了整個(gè)華夏民族的發(fā)展史,其鮮明的藝術(shù)符號(hào)特點(diǎn)是對(duì)中國(guó)傳統(tǒng)裝飾紋樣中東方理念的完美詮釋,體現(xiàn)著中華民族傳統(tǒng)而淳樸的對(duì)太平、吉祥、幸福、美滿的追求。 從風(fēng)鳥(niǎo)紋的源流出發(fā),探析鳳鳥(niǎo)紋的象征性,并通過(guò)出土文物的鳳鳥(niǎo)紋造型以及各實(shí)物上的鳳鳥(niǎo)紋裝飾,總結(jié)出不同歷史時(shí)期鳳鳥(niǎo)紋的藝術(shù)特點(diǎn)及映射出的時(shí)代氣息,其中以秦漢時(shí)期朱雀紋為重點(diǎn)進(jìn)行闡述。秦漢時(shí)期朱雀紋探析從秦漢時(shí)代的歷史背景出發(fā),分析了對(duì)朱雀紋的產(chǎn)生、發(fā)展具有影響的社會(huì)因素;分析了秦漢時(shí)代鳳鳥(niǎo)紋以朱雀的名字和形象出現(xiàn)的原因;分析了秦漢時(shí)期朱雀紋的象征性;從“簡(jiǎn)明、概括的超現(xiàn)實(shí)性的造型特征”,“動(dòng)態(tài)十足、極具生命力的造型特征”,“雄偉健壯、王者之風(fēng)的造型特征”,“極具體量感、空間感的造型特征”,“適形造型的曲線造型特征”五個(gè)方面深入分析了朱雀紋的造型特征。分析總結(jié)出在收集到的朱雀紋樣中,并沒(méi)有飛翔在天空中的朱雀造型,都只是在地上奔跑或展翅于屋檐上的畫像形式。指出秦漢時(shí)期的朱雀紋承上啟下,在前代鳳鳥(niǎo)紋的基礎(chǔ)上有突破性的創(chuàng)新,其造型雄渾大氣,動(dòng)態(tài)十足,而又內(nèi)蘊(yùn)生機(jī),一派傲氣十足的王者之風(fēng),有極強(qiáng)的藝術(shù)感染力,具有浪漫主義與現(xiàn)實(shí)主義的特征,在整個(gè)鳳鳥(niǎo)紋發(fā)展演變的歷史進(jìn)程中熠熠生輝。反映了當(dāng)時(shí)人們的審美取向和希望長(zhǎng)生不老、祈盼羽化升仙的追求,也正體現(xiàn)了秦漢時(shí)期文化藝術(shù)的蓬勃發(fā)展。朱雀形象是中國(guó)古代裝飾藝術(shù)史上最具有藝術(shù)氣質(zhì)的動(dòng)物造型樣式,是華夏民族智慧的結(jié)晶。 鳳鳥(niǎo)紋極具藝術(shù)魅力,具有象征性、民族性、民俗性特質(zhì),具有豐富、深刻的文化內(nèi)涵。直至今日,一直是我國(guó)民間美術(shù)創(chuàng)作最喜歡應(yīng)用的裝飾紋樣之一,并且它所蘊(yùn)含的美學(xué)價(jià)值與藝術(shù)魅力對(duì)現(xiàn)代設(shè)計(jì)也產(chǎn)生著深遠(yuǎn)的影響。通過(guò)鳳鳥(niǎo)紋在現(xiàn)代藝術(shù)設(shè)計(jì)(主要從四方面:鳳鳥(niǎo)紋在環(huán)境設(shè)計(jì)、標(biāo)志設(shè)計(jì)、公共藝術(shù)設(shè)計(jì)、服裝設(shè)計(jì))中的應(yīng)用探析;并通過(guò)應(yīng)用實(shí)例的分析論證,進(jìn)而認(rèn)識(shí)在現(xiàn)代藝術(shù)設(shè)計(jì)中融入鳳鳥(niǎo)紋等傳統(tǒng)紋樣的設(shè)計(jì)原則,探索實(shí)現(xiàn)“傳承與更新”的設(shè)計(jì)方法,使其在現(xiàn)代設(shè)計(jì)中的應(yīng)用更為廣泛和深入。 通過(guò)對(duì)我國(guó)現(xiàn)代藝術(shù)設(shè)計(jì)現(xiàn)狀的分析,看到目前許多現(xiàn)代設(shè)計(jì)作品基本上還停留在形式或概念的模仿上,最大的癥結(jié)在于丟失了自我,缺乏文化內(nèi)涵,缺乏個(gè)性,缺少民族特色,這是我國(guó)現(xiàn)代藝術(shù)設(shè)計(jì)落后的主要原因之一。指出挖掘研究傳統(tǒng)文化藝術(shù)并把傳統(tǒng)元素符號(hào)用于現(xiàn)代設(shè)計(jì)是改變我國(guó)現(xiàn)代藝術(shù)設(shè)計(jì)落后狀態(tài)的重要途徑。鳳鳥(niǎo)紋的豐富的文化內(nèi)涵、多變的形式特征、特有的民族特質(zhì)等是現(xiàn)代藝術(shù)創(chuàng)作的源泉。希望通過(guò)以上對(duì)鳳鳥(niǎo)紋的較系統(tǒng)的研究使歷史悠久的鳳鳥(niǎo)紋圖案能夠在現(xiàn)代藝術(shù)中設(shè)計(jì)中煥發(fā)新的生命力。這也是現(xiàn)代設(shè)計(jì)可持續(xù)發(fā)展所探求的東西。
[Abstract]:Phoenix-bird pattern is a classical decorative pattern in Chinese traditional culture. It has varied forms, rich and beautiful, profound implications, symbolizing peace, happiness, auspiciousness and so on. Phoenix-bird pattern is a decorative pattern with high frequency of artistic creation and abundant changes in forms in various historical periods, and the shape embodied in each historical period. From the development of the whole phoenix-bird pattern, the creation and application of the phoenix-bird pattern runs through the development history of the whole Chinese nation. Its distinctive artistic symbols are the perfect interpretation of the Chinese traditional decorative pattern of the Middle East concept, reflecting the Chinese traditional and the use of the Chinese nation. Simple pursuit of peace, auspiciousness, happiness and happiness.
Starting from the origin and development of Fengbi pattern, this paper probes into the symbolism of Fengbi pattern, summarizes the artistic features of Fengbi pattern in different historical periods and reflects the flavor of the times through the shape of Fengbi pattern in unearthed cultural relics and the decoration of Fengbi pattern in various objects, especially in Qin and Han Dynasties. Starting from the historical background of the times, this paper analyzes the social factors influencing the emergence and development of the suffix pattern; analyzes the reasons why the phoenix pattern appeared in the name and image of the suffix in the Qin and Han Dynasties; analyzes the symbolism of the suffix pattern in the Qin and Han Dynasties; and from the "concise and generalized super-realistic modeling characteristics", "dynamic and vigorous creation" In this paper, the modeling characteristics of suffix pattern are analyzed from five aspects, i.e. the modeling characteristics of majestic and robust, king's style, the modeling characteristics of great volume and space sense, and the curve modeling characteristics of conformal modeling. The paper points out that the suffix pattern in Qin and Han Dynasties has a breakthrough innovation on the basis of the phoenix pattern in the previous generation. Its shape is powerful, dynamic, and full of vitality. It has a strong artistic appeal and has the characteristics of romanticism and realism. It reflects the aesthetic orientation and the hope of immortality, and the pursuit of feathering and rising immortals. It also reflects the vigorous development of culture and art in the Qin and Han Dynasties. The crystallization of the wisdom of the Chinese nation.
Phoenix-bird pattern has great artistic charm, symbolic, national, folk-custom characteristics, rich and profound cultural connotation. Until now, it has been one of the most favorite decorative patterns in Chinese folk art creation, and its aesthetic value and artistic charm also have a profound impact on modern design. Modern art design (mainly from four aspects: phoenix pattern in environmental design, logo design, public art design, clothing design) application analysis; and through the analysis and demonstration of application examples, and then understand in modern art design into the phoenix pattern and other traditional design principles, to explore the realization of "inheritance and renewal" design methods, so as to enable Its application in modern design is more extensive and thorough.
Through the analysis of the present situation of modern art design in our country, we can see that many modern design works still remain in imitation of form or concept. The biggest crux lies in the loss of self, lack of cultural connotation, lack of individuality, lack of national characteristics, which is one of the main reasons for the backwardness of modern art design in our country. It is an important way to change the backward state of Chinese modern art design that traditional culture and art are applied to modern design with traditional element symbols.The rich cultural connotation, changeable formal features, and unique national characteristics of phoenix pattern are the source of modern art creation.I hope that through the above systematic study of Phoenix pattern, we can make it have a long history. The phoenix-bird pattern can bring new vitality to the design of modern art, which is also what the sustainable development of modern design seeks.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J524

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本文編號(hào)：2202614