日本“枯山水”庭園造型藝術(shù)中的裝飾元素
發(fā)布時(shí)間：2018-08-24 12:54
【摘要】：起源于中國庭園文化的日本"枯山水",在禪宗土壤的培育下,成為一種名曰"庭園",質(zhì)非"庭園"的獨(dú)特庭園造型藝術(shù)。這種人為地裝飾出來的不以"用"而存在、只為"觀"而構(gòu)筑的一方"凈土",其所包含的"悟性"與"無水似有水"之理念,作為某種建筑物的附屬裝飾空間而存在的意義與功能正逐步被時(shí)代所更新。
[Abstract]:Japanese "dry landscape" originated from Chinese garden culture, cultivated by Zen soil, has become a kind of unique garden plastic arts called "garden" and not "garden". This artificial decoration does not exist as "use", but only for the "view" and build a "pure land", which contains the concept of "understanding" and "without water as if there is water," As a kind of adjunct decoration space, the meaning and function of the building are being updated gradually by the times.
【作者單位】：
【分類號】：TU986.1
本文編號：2200883
[Abstract]:Japanese "dry landscape" originated from Chinese garden culture, cultivated by Zen soil, has become a kind of unique garden plastic arts called "garden" and not "garden". This artificial decoration does not exist as "use", but only for the "view" and build a "pure land", which contains the concept of "understanding" and "without water as if there is water," As a kind of adjunct decoration space, the meaning and function of the building are being updated gradually by the times.
【作者單位】：
【分類號】：TU986.1
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相關(guān)期刊論文 前1條
1 萬小寧;;日本“枯山水”庭園造型藝術(shù)中的裝飾元素[J];裝飾;2008年05期
，本文編號：2200883
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