徽派古民居裝飾藝術的表征及延展性開發(fā)
發(fā)布時間：2018-08-23 09:52
【摘要】： 徽派古民居的形成,有著不同社會背景和人文因素以及其它各個門類的思想和藝術相互的作用。古代中原地區(qū)每一次較大戰(zhàn)亂,都促使中原人口南逃�；罩莘鍘n掩映,是南遷人口避難的理想之境。由于山區(qū)貧瘠,人口增加,徽州人不得不“寄命于商”。從明代中期開始,徽商成為稱雄于江南的一大商幫。豐厚的商業(yè)利潤,逐漸使徽州呈現出“江南稱饒，，首推新安”的富庶景象,大量財富被用于家園建設上。 徽商“賈而好儒”,明清兩朝的徽州館塾、齋舍、書院,大多由商人出資興建或重修�；张山ㄖ囆g以雕刻為特色,裝飾藝術協(xié)調而和諧。徽商要求裝飾華麗,使得徽派雕刻藝術在徽州建筑裝飾中得到廣泛應用發(fā)展。形成一種優(yōu)美典雅的裝飾風格。粉墻黛瓦、馬頭墻、四水歸堂之天井規(guī)劃、徽州三雕、建筑彩繪等等,這些裝飾元素的內涵在徽派傳統(tǒng)建筑裝飾藝術中大都隱含著人們對宗教的信仰和生存觀以及企盼吉祥生活、家業(yè)興旺的美好愿望。是對和平發(fā)展的衷心祝福,是創(chuàng)造美好未來的象征。在徽州古民居裝飾藝術逐漸形成的過程中,除了受到整個社會大背景和人文因素外,同時還受到徽州區(qū)域內其他藝術門類的影響,比如各個畫派的對徽州古民居裝飾藝術的影響。 徽派古民居的形成是徽州地區(qū)和整個中華民族藝術和文化的璀璨結晶,但現代社會經濟的高速發(fā)展勢必會對古老文化形成沖擊。在人們逐漸認識到民族的文化是國家和社會的根基時,徽派古民居裝飾藝術的保護開發(fā)就顯得尤為重要了。如何使徽派古民居裝飾藝術顯示出歷史遺留實物以外的現實性是擺在我們面前的重要課題,我們必須從徽州古民居的歷史延續(xù)性、文化的包容性、文化內涵的輻射性、藝術的啟示性等方面深刻研究徽派古民居裝飾藝術的保護與開發(fā)。不能僅從外形上進行描摹復古。我們要從徽派古民居裝飾藝術中“形”的衍生運用和“意”的延伸上進行開發(fā)。從而衍生出新的帶有徽派裝飾意味的產品,為當時代快速發(fā)展的中國建筑藝術和本土文化服務 論文通過對徽派古民居裝飾藝術的研究,提高了對徽派古民居裝飾藝術的認識,目的是使更多的人群關注徽派古民居以及徽派古民居的藝術內涵,使本土文化中獨特的藝術形式走出局域的限制而得到發(fā)展與應用。本文通過對徽派古民居裝飾藝術各個方面的文字資料的查詢與整理,通過對徽州古民居的實地考察與記錄的研究方法,加深了對徽派古民居裝飾藝術的各個方面的認識。論文在系統(tǒng)整理與認識的基礎上充分融入地方藝術面臨的實際問題進行針對性的延展與開發(fā),取得了一定成果。論文取得的成果對徽派古民居裝飾藝術的保護與發(fā)展有著啟示作用。
[Abstract]:The formation of Huizhou ancient folk houses has different social background and humanistic factors, as well as the interaction of different kinds of ideas and arts. Each great war in the ancient Central Plains prompted the Central Plains population to flee south. Huizhou peak range masked, is the south migration population asylum ideal environment. Due to the barren mountains and the increase in population, Huizhou people had to "place their orders on business." From the middle of the Ming Dynasty, Huizhou merchants became a major business group in the south of the Yangtze River. Rich commercial profits gradually made Huizhou "Jiangnan Rao, the first new security" rich scene, a large amount of wealth was used for home construction. Huizhou merchants "Jia and good Confucianism", the Ming and Qing dynasties Huizhou Shuk, Zhai, Academy, mostly funded by merchants to build or rebuild. Huizhou architectural art is characterized by sculpture, and the decorative art is harmonious and harmonious. Huizhou merchants demanded ornate decoration, which made Huizhou carving art widely used in Huizhou architectural decoration. Form a beautiful and elegant decorative style. Diwa, Ma Tou wall, courtyard planning of Sishui Guitang, Huizhou three carvings, architectural painting, etc. Most of the connotations of these decorative elements in the traditional architectural decoration art of Huizhou school imply people's belief in religion and their outlook on survival as well as their good wishes for auspicious life and prosperity of the family industry. It is a hearty blessing for peace and development and a symbol of a better future. In the course of the gradual formation of the decorative art of ancient residential houses in Huizhou, in addition to the whole social background and humanistic factors, it was also influenced by other art categories in Huizhou. For example, the influence of various painting schools on the decorative art of Huizhou ancient houses. The formation of Huizhou ancient folk houses is a brilliant crystallization of the art and culture of the whole Chinese nation in Huizhou area, but the rapid development of modern society and economy is bound to form an impact on the ancient culture. When people gradually realize that the national culture is the foundation of the country and society, it is particularly important to protect and develop the decorative art of Huizhou ancient houses. How to make the decoration art of Huizhou ancient folk houses show the reality other than the objects left over from history is an important subject in front of us. We must start with the historical continuity, the inclusiveness of culture and the radiation of cultural connotation. The enlightenment of art deeply studies the protection and development of the decoration art of Huizhou ancient houses. Can not only from the shape of the retro. We should develop the "shape" and the extension of "meaning" in the decoration art of the ancient folk houses of Huizhou School. As a result, a new product with the decoration of the Huizhou School is derived, and the paper studies the decorative art of the ancient houses of the Huizhou School through the research of the art of decoration of the ancient houses of Huizhou School, for the rapid development of the Chinese architectural art and the local culture. The purpose of this paper is to make more people pay attention to the ancient Huizhou houses and their artistic connotation, and to make the unique art forms in the local culture develop and apply out of the limits of the local areas, so as to improve the understanding of the decorative art of the ancient folk houses of the Huizhou School, so as to make more people pay attention to the artistic connotations of the ancient houses of the Hui School. In this paper, through the inquiry and arrangement of the characters in all aspects of the decoration art of the ancient houses of Huizhou, and through the field investigation and the research method of the records of the ancient houses of Huizhou, the author deepens the understanding of all aspects of the decorative art of the ancient houses of Huizhou. On the basis of systematic arrangement and understanding, the paper fully integrates the actual problems of local art to extend and develop pertinently, and some achievements have been made. The achievements of this paper have enlightening effect on the protection and development of the decoration art of Huizhou ancient houses.
【學位授予單位】：安徽工程大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：TU-86
本文編號：2198683
[Abstract]:The formation of Huizhou ancient folk houses has different social background and humanistic factors, as well as the interaction of different kinds of ideas and arts. Each great war in the ancient Central Plains prompted the Central Plains population to flee south. Huizhou peak range masked, is the south migration population asylum ideal environment. Due to the barren mountains and the increase in population, Huizhou people had to "place their orders on business." From the middle of the Ming Dynasty, Huizhou merchants became a major business group in the south of the Yangtze River. Rich commercial profits gradually made Huizhou "Jiangnan Rao, the first new security" rich scene, a large amount of wealth was used for home construction. Huizhou merchants "Jia and good Confucianism", the Ming and Qing dynasties Huizhou Shuk, Zhai, Academy, mostly funded by merchants to build or rebuild. Huizhou architectural art is characterized by sculpture, and the decorative art is harmonious and harmonious. Huizhou merchants demanded ornate decoration, which made Huizhou carving art widely used in Huizhou architectural decoration. Form a beautiful and elegant decorative style. Diwa, Ma Tou wall, courtyard planning of Sishui Guitang, Huizhou three carvings, architectural painting, etc. Most of the connotations of these decorative elements in the traditional architectural decoration art of Huizhou school imply people's belief in religion and their outlook on survival as well as their good wishes for auspicious life and prosperity of the family industry. It is a hearty blessing for peace and development and a symbol of a better future. In the course of the gradual formation of the decorative art of ancient residential houses in Huizhou, in addition to the whole social background and humanistic factors, it was also influenced by other art categories in Huizhou. For example, the influence of various painting schools on the decorative art of Huizhou ancient houses. The formation of Huizhou ancient folk houses is a brilliant crystallization of the art and culture of the whole Chinese nation in Huizhou area, but the rapid development of modern society and economy is bound to form an impact on the ancient culture. When people gradually realize that the national culture is the foundation of the country and society, it is particularly important to protect and develop the decorative art of Huizhou ancient houses. How to make the decoration art of Huizhou ancient folk houses show the reality other than the objects left over from history is an important subject in front of us. We must start with the historical continuity, the inclusiveness of culture and the radiation of cultural connotation. The enlightenment of art deeply studies the protection and development of the decoration art of Huizhou ancient houses. Can not only from the shape of the retro. We should develop the "shape" and the extension of "meaning" in the decoration art of the ancient folk houses of Huizhou School. As a result, a new product with the decoration of the Huizhou School is derived, and the paper studies the decorative art of the ancient houses of the Huizhou School through the research of the art of decoration of the ancient houses of Huizhou School, for the rapid development of the Chinese architectural art and the local culture. The purpose of this paper is to make more people pay attention to the ancient Huizhou houses and their artistic connotation, and to make the unique art forms in the local culture develop and apply out of the limits of the local areas, so as to improve the understanding of the decorative art of the ancient folk houses of the Huizhou School, so as to make more people pay attention to the artistic connotations of the ancient houses of the Hui School. In this paper, through the inquiry and arrangement of the characters in all aspects of the decoration art of the ancient houses of Huizhou, and through the field investigation and the research method of the records of the ancient houses of Huizhou, the author deepens the understanding of all aspects of the decorative art of the ancient houses of Huizhou. On the basis of systematic arrangement and understanding, the paper fully integrates the actual problems of local art to extend and develop pertinently, and some achievements have been made. The achievements of this paper have enlightening effect on the protection and development of the decoration art of Huizhou ancient houses.
【學位授予單位】：安徽工程大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：TU-86
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