發(fā)布時間：2018-08-21 07:06

【摘要】：從史前到夏、商、西周是中國裝飾藝術(shù)的發(fā)生期。史前中國裝飾藝術(shù)隨著不同文化的發(fā)生而形成,由于各自獨立發(fā)展,所以是發(fā)散型的多元并存。這為中國裝飾藝術(shù)風(fēng)格向多元化發(fā)展打下了基礎(chǔ),也是多民族裝飾風(fēng)格并存的歷史根源。自夏代建立國家,至商、西周的禮制逐步完善,"中央之國"的凝聚力日益增強,裝飾藝術(shù)形成了以"中原為主"的新格局,但諸侯國、方國保留了許多地方特色,周邊民族則很少受到觸動。所以,到西周為止,中國的裝飾藝術(shù)雖然主次分明,但仍然具有多元并列的特征,尚未達到"一體化"的高度。
[Abstract]:From prehistoric to summer, Shang Dynasty, Western Zhou Dynasty was the period of Chinese decorative art. Prehistoric Chinese decorative art formed with the emergence of different cultures, because of their independent development, it is a diverging pluralistic coexistence. This has laid the foundation for the diversified development of Chinese decorative art style, and is also the historical root of the coexistence of multi-national decoration style. From the establishment of the state in the Xia Dynasty to the Shang Dynasty, the etiquette system of the Western Zhou Dynasty was gradually improved, the cohesion of the "Central State" was increasingly strengthened, and the decorative art formed a new pattern of "the Central Plains as the main body", but the vassal states and the Fangguo countries retained many local characteristics. The surrounding peoples are rarely touched. So up to the Western Zhou Dynasty, the decorative art in China still has the characteristics of pluralistic juxtaposition and has not yet reached the height of "integration".
【作者單位】： 蘇州大學(xué)藝術(shù)學(xué)院;
【分類號】：J509.2

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