【摘要】：磚雕藝術(shù)在我國(guó)的歷史中源遠(yuǎn)流長(zhǎng),是富有民族特色的建筑與景觀裝飾藝術(shù),是中國(guó)古建筑中最為重要的工藝之一。然而隨著社會(huì)的發(fā)展,人們的生活方式逐漸發(fā)生了變化,傳統(tǒng)的優(yōu)秀藝術(shù)也愈加不適合當(dāng)今的審美要求,磚雕藝術(shù)也失去了其應(yīng)有的價(jià)值,因此,為了能夠使得磚雕藝術(shù)得以延續(xù),必須要加強(qiáng)對(duì)其的保護(hù)工作,繼承精華,從傳承中作出創(chuàng)新,使得磚雕藝術(shù)與當(dāng)?shù)亟ㄖ坝^有機(jī)結(jié)合,綻放出其應(yīng)有的光輝。
[Abstract]:Brick carving art has a long history in our country. It is a kind of architecture and landscape decoration art with national characteristics. It is one of the most important techniques in ancient Chinese architecture. However, with the development of society, people's way of life has gradually changed, the traditional excellent art is more and more unsuitable for today's aesthetic requirements, the brick carving art has lost its due value, therefore, In order to make the brick carving art continue, it is necessary to strengthen its protection work, inherit the essence, from the heritage of innovation, so that the brick sculpture art and local architecture landscape organic combination, blooming its due glory.
【作者單位】： 重慶郵電大學(xué)傳媒藝術(shù)學(xué)院;重慶江澤園林景觀工程有限公司;
【基金】：重慶市哲學(xué)社會(huì)科學(xué)規(guī)劃項(xiàng)目《現(xiàn)代仿古商業(yè)建筑群景觀設(shè)計(jì)研究》,項(xiàng)目編號(hào):2013SKZ1313,項(xiàng)目負(fù)責(zé)人:夏登江
【分類號(hào)】：J314.9
，

本文編號(hào)：2189714