【摘要】：清代是中國封建社會(huì)最后一個(gè)朝代,也是古代裝飾工藝發(fā)展得最成熟的一個(gè)朝代。在吸收前朝工藝精華、彰顯滿清少數(shù)民族文化、在西方文化逐漸滲入和嚴(yán)密的宮廷管理下,清朝的裝飾具有非常高的文化和藝術(shù)價(jià)值。本文首先通過研究清代宮廷物品裝飾藝術(shù)的特點(diǎn)和表現(xiàn)形式等,追溯清代宮廷裝飾藝術(shù)對古今的不同領(lǐng)域的影響。由于清代裝飾藝術(shù)和奢侈品設(shè)計(jì)的在精神層面追求上的共性,使得清代宮廷裝飾藝術(shù)在當(dāng)代奢侈品設(shè)計(jì)中仍然有借鑒價(jià)值。值得研究和學(xué)習(xí)并發(fā)揚(yáng)光大。 就中國本土奢侈品牌的建立而言,并不是一朝一夕的事情,需要長期的研究和實(shí)踐,本文只是拋磚引玉的說出了問題所在,希望能得到廣大本土品牌的重視。
[Abstract]:The Qing Dynasty was the last dynasty of Chinese feudal society and the most mature dynasty of ancient decoration technology. The decoration of the Qing Dynasty has a very high cultural and artistic value under the absorption of the essence of the pre-dynasty craftsmanship and the culture of the Manchu ethnic minorities, and the gradual infiltration of the western culture and the strict management of the court. This paper firstly studies the characteristics and forms of the decorative art of court objects in Qing Dynasty, and traces the influence of the art of court decoration on the different fields of the ancient and modern dynasties. Because of the common spirit of decorative art and luxury design in Qing Dynasty, the palace decoration art of Qing Dynasty still has reference value in the contemporary luxury design. It is worth studying and carrying forward. As far as the establishment of local luxury brands in China is concerned, it is not a matter of one day. It needs long-term research and practice. This paper only points out the problem and hopes to get the attention of local brands.
【學(xué)位授予單位】：同濟(jì)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J525.2

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 劉程;;“有意味的審美形式”——論清代宮廷包裝藝術(shù)的審美文化內(nèi)涵[J];裝飾;2010年03期

相關(guān)碩士學(xué)位論文 前2條

1 朱小堯;秦漢南越民族包裝設(shè)計(jì)研究[D];湖南工業(yè)大學(xué);2008年

2 黃文暄;隋唐五代時(shí)期包裝設(shè)計(jì)研究[D];湖南工業(yè)大學(xué);2009年

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本文編號(hào)：2189691