中國傳統(tǒng)幾何形紋樣裝飾特征流變研究
發(fā)布時間：2018-08-18 13:06
【摘要】： 中國傳統(tǒng)幾何形紋樣是中國紋樣史上最早進入裝飾領(lǐng)域的裝飾紋樣,也是在中國裝飾史上運用最廣泛、最活躍的裝飾紋樣。本文是第一篇系統(tǒng)研究中國傳統(tǒng)幾何形紋樣裝飾特征發(fā)展流變的學(xué)術(shù)論文。希望通過對幾何形紋樣的發(fā)展成熟進行的探索,感受到中國傳統(tǒng)圖案藝術(shù)的博大精深。 本文在全面系統(tǒng)地檢索文獻資料的基礎(chǔ)上,從考古學(xué)、美術(shù)史、美學(xué)、以及民族學(xué)、人類學(xué)等方面等入手,研究中國傳統(tǒng)幾何形紋樣從形成到發(fā)展的歷史脈絡(luò),從時間(朝代順序)及空間上(不同地域文化)對幾何形紋樣的流變展開系統(tǒng)的研究。希望能較系統(tǒng)、全面的分析幾何形紋樣的源與流、發(fā)展演變等問題。設(shè)法“理解”過去的歷史,在一個歷史的框架中,從盡可能廣闊的人類活動背景里,去探索和理解視覺藝術(shù)。 全文共分為四章,第一章著重介紹了中國幾何紋樣的起源和發(fā)展,主要探討了幾何紋樣的起源及原始社會彩陶幾何紋樣,原始社會到明清時期幾何紋樣發(fā)展的裝飾特征流變,因為不同的歷史時代幾何紋樣具有不同的形式特征,幾何紋樣紋樣也受時代觀念的影響。第二章重點闡述了中國傳統(tǒng)幾何紋樣的吉祥含義,人們都有對幸福生活的美好向往,所以我國有許多幾何形紋樣也都含有吉祥的含義。第三章主要介紹了少數(shù)民族的幾何紋樣,我國是一個多民族的國家,在幾何紋樣方面,許多民族都有著十分突出的成就,本章著重介紹了苗族、瑤族、納西族、布依族、土家族的幾何紋樣。第四章闡述了幾何形紋樣的現(xiàn)代裝飾意義及未來的發(fā)展趨勢。伴隨著社會的發(fā)展和進步,幾何形紋樣已經(jīng)越來越引起人們的重視,在我們現(xiàn)代生活中仍然處處皆用,承載著民族傳統(tǒng)觀念的文化內(nèi)涵�？梢栽O(shè)想,隨著未來科學(xué)的發(fā)達,人類對周圍未知世界的破譯越來越具體、越來越明朗化的同時,對幾何紋樣這種具有抽象意味的、含蓄的紋樣形式將會更加憧憬。
[Abstract]:Chinese traditional geometric pattern is the earliest decorative pattern in the history of Chinese decoration, and it is also the most widely used and active decorative pattern in the history of Chinese decoration. This paper is the first academic paper to systematically study the development and rheology of Chinese traditional geometric pattern decorative features. Through the exploration of the development and maturity of geometric pattern, I hope to feel the broad and profound Chinese traditional pattern art. Based on the comprehensive and systematic retrieval of literature, this paper studies the historical context from the formation to the development of Chinese traditional geometric patterns from the aspects of archaeology, art history, aesthetics, ethnology, anthropology, and so on. The systematic study on the evolution of geometric patterns from time (order of dynasties) and space (different regional cultures). It is hoped that the source and flow of geometric pattern and the development and evolution of geometric pattern will be analyzed systematically and comprehensively. Try to "understand" the past history, in a historical framework, from the broadest possible background of human activities, to explore and understand the visual arts. The first chapter focuses on the origin and development of geometric patterns in China. It mainly discusses the origin of geometric patterns and the evolution of decorative characteristics of the development of geometric patterns in primitive society, from the primitive society to the Ming and Qing dynasties. Because geometric patterns have different formal characteristics in different historical times, geometric patterns are also influenced by the concept of the times. The second chapter focuses on the auspicious meaning of the Chinese traditional geometric patterns, people have a good yearning for a happy life, so there are many geometric patterns in China also contains auspicious meaning. The third chapter mainly introduces the geometric patterns of ethnic minorities. Our country is a multi-ethnic country. In geometric patterns, many ethnic groups have very outstanding achievements. This chapter focuses on the Miao, Yao, Naxi, Buyi, and other ethnic groups, including the Miao, the Yao, the Naxi, the Buyi, the Miao, the Yao, the Naxi and the Buyi. The geometric pattern of Tujia nationality. The fourth chapter describes the modern decorative significance of geometric patterns and the development trend in the future. With the development and progress of the society, the geometric pattern has attracted more and more attention, and it is still used everywhere in our modern life, carrying the cultural connotation of the traditional national concept. It can be envisaged that with the development of science in the future, human beings will be more and more specific in deciphering the unknown world around them, and at the same time, they will be looking forward to the abstract and implicit pattern form of geometric pattern.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J522
本文編號：2189556
[Abstract]:Chinese traditional geometric pattern is the earliest decorative pattern in the history of Chinese decoration, and it is also the most widely used and active decorative pattern in the history of Chinese decoration. This paper is the first academic paper to systematically study the development and rheology of Chinese traditional geometric pattern decorative features. Through the exploration of the development and maturity of geometric pattern, I hope to feel the broad and profound Chinese traditional pattern art. Based on the comprehensive and systematic retrieval of literature, this paper studies the historical context from the formation to the development of Chinese traditional geometric patterns from the aspects of archaeology, art history, aesthetics, ethnology, anthropology, and so on. The systematic study on the evolution of geometric patterns from time (order of dynasties) and space (different regional cultures). It is hoped that the source and flow of geometric pattern and the development and evolution of geometric pattern will be analyzed systematically and comprehensively. Try to "understand" the past history, in a historical framework, from the broadest possible background of human activities, to explore and understand the visual arts. The first chapter focuses on the origin and development of geometric patterns in China. It mainly discusses the origin of geometric patterns and the evolution of decorative characteristics of the development of geometric patterns in primitive society, from the primitive society to the Ming and Qing dynasties. Because geometric patterns have different formal characteristics in different historical times, geometric patterns are also influenced by the concept of the times. The second chapter focuses on the auspicious meaning of the Chinese traditional geometric patterns, people have a good yearning for a happy life, so there are many geometric patterns in China also contains auspicious meaning. The third chapter mainly introduces the geometric patterns of ethnic minorities. Our country is a multi-ethnic country. In geometric patterns, many ethnic groups have very outstanding achievements. This chapter focuses on the Miao, Yao, Naxi, Buyi, and other ethnic groups, including the Miao, the Yao, the Naxi, the Buyi, the Miao, the Yao, the Naxi and the Buyi. The geometric pattern of Tujia nationality. The fourth chapter describes the modern decorative significance of geometric patterns and the development trend in the future. With the development and progress of the society, the geometric pattern has attracted more and more attention, and it is still used everywhere in our modern life, carrying the cultural connotation of the traditional national concept. It can be envisaged that with the development of science in the future, human beings will be more and more specific in deciphering the unknown world around them, and at the same time, they will be looking forward to the abstract and implicit pattern form of geometric pattern.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J522
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，本文編號：2189556
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