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哈爾濱道外“中華巴洛克”風(fēng)格建筑裝飾細(xì)部研究

發(fā)布時(shí)間:2018-08-18 08:13
【摘要】:“當(dāng)音樂(lè)和傳說(shuō)都已沉默時(shí),建筑卻還在歌唱�!苯ㄖ赡苁俏幕瘋鞒械淖詈靡�(jiàn)證和整飭。中國(guó)近代建筑史是伴隨著中國(guó)近代史,特別是在中國(guó)這樣比較特別的歷史轉(zhuǎn)換時(shí)期,這種歷史狀況決定的建筑史尤為明顯。這特殊的歷史時(shí)期推動(dòng)了中國(guó)建筑由傳統(tǒng)的古典向現(xiàn)代轉(zhuǎn)型。著一時(shí)期的建筑充滿殖民色彩,西方的建筑風(fēng)格、流派深深影響我們的近代建筑。同時(shí)這些建筑中相當(dāng)一部分受到中國(guó)傳統(tǒng)文化影響產(chǎn)生變異、和風(fēng)格本土化傾向。我們研究這些特殊的歐式建筑、挖掘其所蘊(yùn)含的大時(shí)代背景下歷史意義,對(duì)于發(fā)展我們的建筑特色傳承、創(chuàng)新具有借鑒意義。對(duì)現(xiàn)時(shí)的建筑方向、建筑理論及時(shí)下粗制濫造的建筑觀念能夠起到很好的警醒作用。在那樣艱苦的社會(huì)環(huán)境里能夠產(chǎn)生屬于我們自己的建筑風(fēng)格,即后文即將展開(kāi)研究的“中華巴洛克”建筑群,而時(shí)下已經(jīng)日漸崛起的中國(guó)卻沒(méi)有自己的建筑風(fēng)格,抄襲盛行。我們所缺乏的是一種對(duì)建筑的敬畏之心,所以出現(xiàn)很多莫名其妙的建筑,或者更多的是火柴盒建筑。 哈爾濱可以說(shuō)是一個(gè)年輕的城市,這座城市是伴隨著一條特殊的鐵路而興起。當(dāng)年稱(chēng)之為“東清鐵路”或是“中東鐵路”。1898年,當(dāng)時(shí)的沙皇俄國(guó)出于侵占中國(guó)東北乃至中原的目的派人在這里修建鐵路。隨著鐵路修建人員帶來(lái)大量?jī)S民也帶來(lái)商機(jī),世界各國(guó)僑民陸續(xù)匯聚于此,高峰時(shí)有16萬(wàn)之多。不難想象當(dāng)時(shí)繁華之程度。據(jù)統(tǒng)計(jì)當(dāng)時(shí)哈爾濱僑民組成有30多個(gè)國(guó)家,可見(jiàn)哈爾濱當(dāng)時(shí)在世界上的知名程度。如此眾多的僑民帶來(lái)了經(jīng)濟(jì)和文化的空前繁榮。他們的到來(lái)也給哈爾濱的建筑帶來(lái)翻天覆地的變化,,甚至當(dāng)時(shí)的哈爾濱建筑風(fēng)格一度同歐美同步。這一時(shí)期的建筑大部分仍完整的佇立于哈爾濱的大街小巷,默默訴說(shuō)當(dāng)年繁華。哈爾濱很快就成為名符其實(shí)的國(guó)際都市。這些數(shù)量龐大的建筑組成了哈爾濱的近代建筑史不可或缺的重要部分。其中中央大街是典型的代表,這條街道只有1400米長(zhǎng),卻林立這數(shù)量眾多的各個(gè)時(shí)期的歐式建筑。拜占庭式、巴洛克式、文藝復(fù)興式等等風(fēng)格流派建筑在這里都能找到。由此哈爾濱也唄稱(chēng)之為“東方小巴黎”、“東方莫斯科”。 自從哈爾濱開(kāi)埠以后相當(dāng)長(zhǎng)的一段時(shí)間里,先后被俄羅斯、日本所占據(jù)。期間法國(guó)、美國(guó)、意大利等國(guó)家殖民者也數(shù)量不等的聚集于此,甚至這里還曾經(jīng)再二次世界大戰(zhàn)期間收留過(guò)數(shù)量眾多的猶太人,令其免遭德國(guó)人的迫害。這樣復(fù)雜的“國(guó)際背景”造成一個(gè)無(wú)可爭(zhēng)辯的事實(shí),哈爾濱成為一個(gè)新興國(guó)際城市。其后遺留下來(lái)的歐式建筑群落,成為哈爾濱近代城市建筑重要組成部分。各種風(fēng)格、各種流派的歐式建筑都能在哈爾濱找到痕跡。本文所述之建筑群落位于哈爾濱市道外區(qū),我們稱(chēng)之為“中華巴洛克”。
[Abstract]:"when music and legend are silent, the building is still singing." Architecture may be the best witness and orchestration of cultural heritage. The architectural history of modern China is accompanied by the modern history of China, especially in such a special period of historical transition, and the architectural history determined by this historical situation is particularly obvious. This special historical period promoted the transformation of Chinese architecture from traditional classical to modern. In a period of architecture full of colonial color, Western architectural style, school deeply affected our modern architecture. At the same time, many of these buildings are influenced by Chinese traditional culture. We study these special European architecture, excavate its historical significance under the background of the big times, have reference significance for developing our architectural characteristic inheritance and innovation. The architecture theory and the concept of building which is made indiscriminately can serve as a good warning to the present direction of architecture. In such a difficult social environment can produce our own architectural style, that is, the forthcoming study of the "Chinese Baroque" architectural complex, but now the rising of China does not have its own architectural style, plagiarism is prevalent. What we lack is a fear of architecture, so there are many inexplicable buildings, or more matchbox buildings. Harbin can be said to be a young city, the city is accompanied by a special railway and rise. In 1898, the then tsarist Russia sent people to build railways here for the purpose of invading northeast China and even the Central Plains. As railway builders bring a large number of expatriates and business opportunities, the world's diaspora has gathered here, at its peak, as many as 160000. It is not difficult to imagine the degree of prosperity at that time. According to statistics, Harbin's diaspora was composed of more than 30 countries at that time, so Harbin was well known in the world at that time. So many expatriates have brought about unprecedented economic and cultural prosperity. Their arrival also brought tremendous changes to Harbin architecture, even Harbin architectural style was once synchronized with Europe and the United States. Most of the buildings of this period are still standing in the streets and alleys of Harbin. Harbin soon became an international city worthy of its name. These massive buildings constitute an indispensable part of Harbin's modern architectural history. Its central street is typical. It is only 1400 meters long, but it is a large number of European buildings in various periods. Byzantine, Baroque, Renaissance, and so on style buildings can be found here. From this Harbin also calls it "Oriental Little Paris" and "Oriental Moscow". Harbin has been occupied by Russia and Japan for a long time since the opening of Harbin. France, the United States, Italy and other countries also gathered here in varying numbers, even here during the second World War to host a large number of Jews to protect them from the Germans. Such a complex "international background" creates an indisputable fact that Harbin has become a new international city. The European architectural community left behind became an important part of Harbin's modern urban architecture. All kinds of styles and schools of European architecture can be found in Harbin trace. The architectural community described in this paper is located in the area outside Harbin Road, which we call "Chinese Baroque".
【學(xué)位授予單位】:哈爾濱師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類(lèi)號(hào)】:TU238

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