【摘要】：自古“家”作為社會(huì)組成的最小的單位，承載著自氏族社會(huì)以來(lái)形成人類的共存意識(shí)。它與人類生活息息相關(guān)、密不可分。隨著全球經(jīng)濟(jì)的飛速發(fā)展，人們對(duì)居住環(huán)境的質(zhì)量要求越來(lái)越高，已經(jīng)不再只是滿足于一般的使用要求，轉(zhuǎn)而開(kāi)始追求其內(nèi)涵的延伸與拓展。而作為物質(zhì)載體的家居，伴隨著人類文明的不斷進(jìn)步，也在發(fā)生著潛移默化的改變。家居包括很多方面，其中織物軟裝飾作為室內(nèi)裝飾設(shè)計(jì)中的一個(gè)重要組成部分，越發(fā)體現(xiàn)出其色彩多變和質(zhì)感豐富所帶給人們的感性回歸與人情味。每個(gè)人都希望擁有一個(gè)舒適的家，從而能夠在現(xiàn)代社會(huì)高科技材料與鋼筋混凝土的包圍下獲得一個(gè)溫暖舒心的空間�？椢镘浹b飾一方面能彌補(bǔ)空間不足帶給人的心理缺憾；另一方面，它所營(yíng)造出的藝術(shù)與審美的空間環(huán)境，有助于調(diào)節(jié)室內(nèi)裝飾的整體氛圍。因此如何使織物軟裝飾變得可以更好的為我們所用，，是當(dāng)下擺在我們面前需要解決的問(wèn)題。 本文順應(yīng)時(shí)代的潮流，以久負(fù)盛名的斯堪的納維亞軟裝飾作為研究的切入點(diǎn)，針對(duì)斯堪的納維亞織物軟裝飾的圖案、風(fēng)格、色彩等比較成功的方面進(jìn)行探討分析冀以從中獲得值得我們學(xué)習(xí)的內(nèi)容。從廣義上的室內(nèi)軟裝飾（床上用品、窗簾、沙發(fā)布、桌布、靠墊、地毯、壁紙等）入手，總結(jié)斯堪的納維亞地區(qū)的織物軟裝飾上常用的圖案以及這些圖案的的特點(diǎn)；以北歐著名家居品牌中的織物軟裝飾作為實(shí)例分析對(duì)象，具體地從色彩圖案等方面解析了具有代表性的斯堪的納維亞織物軟裝飾與圖案。進(jìn)而總結(jié)了斯堪的納維亞織物軟裝飾形成的綜合原因，斯堪的納維亞織物軟裝飾常用的七種圖案，以及圖案的特征。此外本文還研究了斯堪的納維亞織物軟裝飾的圖案對(duì)其它地區(qū)的影響，尤其是斯堪的納維亞軟裝的圖案對(duì)于中國(guó)軟裝飾的影響。
[Abstract]:As the smallest unit of social composition since ancient times, the family bears the consciousness of human coexistence since the clan society. It is closely related to human life, inseparable. With the rapid development of the global economy, the quality of the living environment is becoming more and more demanding, which is no longer just satisfied with the general requirements, but also begins to pursue the extension and expansion of its connotation. As a material carrier, the household, with the continuous progress of human civilization, is also undergoing subtle changes. Home includes many aspects, of which fabric soft decoration as an important part of the interior decoration design, more and more reflect its color and rich texture to bring people the emotional return and human taste. Everyone wants to have a comfortable home so that they can get a warm and comfortable space surrounded by high-tech materials and reinforced concrete in modern society. On the one hand, the fabric soft decoration can make up for the psychological deficiency brought by the lack of space; on the other hand, it creates an artistic and aesthetic space environment, which is helpful to regulate the whole atmosphere of interior decoration. Therefore, how to make fabric soft decoration become better for us is the problem that needs to be solved in front of us. Following the trend of the times, this paper regards the famous Scandinavian soft decoration as the starting point of the research, aiming at the design and style of the Scandinavian fabric soft decoration. The more successful aspects such as color are discussed and analyzed in order to obtain the content that we should learn. From the broad sense of the indoor soft decoration (bedding, curtains, sofa cloth, tablecloth, cushion, carpet, wallpaper, etc.), summarizes the Scandinavian fabric soft decoration on the commonly used patterns and the characteristics of these patterns; Taking the fabric soft decoration in the famous Nordic household brand as an example, the typical Scandinavian fabric soft decoration and pattern are analyzed from the aspects of color pattern and other aspects. And then summarized the comprehensive reasons of Scandinavian fabric soft decoration, the seven patterns commonly used in Scandinavian fabric soft decoration, as well as the characteristics of the pattern. In addition, the influence of the pattern of Scandinavian fabric soft decoration on other regions is studied, especially the influence of Scandinavian soft pattern on Chinese soft decoration.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J53

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本文編號(hào)：2124978