【摘要】：為老北京的絨鳥(絨花)工藝是承載勞動(dòng)人民美好愿望的載體,是過去滿族婦女最喜歡佩戴的飾物之一,也是一門面臨消失、文獻(xiàn)資料匱乏的民族裝飾藝術(shù)形式。本文首先從介紹絨鳥的昨天入手,講述了絨鳥藝術(shù)的特點(diǎn)及其繁榮的歷史,分析絨鳥漸遠(yuǎn)的原因;進(jìn)而論述了絨鳥工藝今天自生自滅的發(fā)展趨勢以及技藝傳承現(xiàn)狀;最后,"精工之鳥"飛向何方,恐怕只有歷史來回答,但作者通過本文,欲喚起人們對絨鳥以及所有瀕臨失傳的傳統(tǒng)手工藝的思考和關(guān)注。
[Abstract]:The cashmere (cashmere flower) craft of old Beijing is the carrier carrying the good wishes of the working people, one of the ornaments that Manchu women liked to wear most in the past, and also a national decorative art form facing disappearance and lack of literature. This article begins with the introduction of chorion yesterday, narrates the characteristics of the art and the history of its prosperity, analyzes the reasons for the flocking birds to grow away, and then discusses the development trend and the present situation of the technology inheritance of the chorion craft. In the end, history is the only answer to where the bird of Seiko is flying. But through this article, the author wants to arouse people's thoughts and concerns about chorion and all the traditional handicrafts that are on the verge of being lost.
【作者單位】： 北京聯(lián)合大學(xué)生物化學(xué)工程學(xué)院;
【分類號】：J528

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相關(guān)期刊論文 前1條

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相關(guān)期刊論文 前3條

1 周，

本文編號：2123594