本文選題：腰山王氏莊園 + 裝飾紋樣��； 參考：《河北大學》2013年碩士論文

【摘要】：腰山王氏莊園位于河北省順平縣腰山鎮(zhèn)南腰山村，是全國重點文物保護單位。整個莊園呈長方形。莊園占地面積18.6萬平方米，合279畝。世祖王錫袞為清朝漢軍正黃旗將軍，清順治元年(1644年)，隨清兵入關(guān)，不久退役定居南腰山村。王氏家族經(jīng)營著大量的旗田，租給佃戶，收旗租，當時收租范圍達到滿城、定州、清苑、蠡縣、望都、高陽、博野等地，然后用收旗租的錢發(fā)展商業(yè)，經(jīng)營糧食、綢緞、錢莊、當鋪等，，“和”字商號在當時非常有名。在這期間，積累了大量財富，建造起這座豪華的莊園。莊園的建筑位置依山傍水，建筑格局包含了民居、官居、商號三種形式，實用性非常強。莊園采用了北京四合院的建筑體系，其中的建筑格局、建筑風格、建筑裝飾，無論從實用的角度還是裝飾的角度來說，都具有深厚的文化內(nèi)涵。腰山王氏莊園的建筑作用主要是住宅、私塾和收租，是晚清時期的建筑群落。整個莊園的選址、建筑格局、區(qū)域劃分、建筑裝飾都極為的講究，體現(xiàn)了主人身份的不一般。本文著重對莊園的裝飾紋樣做了分析研究，吉祥紋樣起始于商周時期，唐宋時逐漸發(fā)展，明清時期盛行。明清時期的裝飾紋樣已經(jīng)達到了“圖必有意，意必吉祥”的地步，這時期的紋樣反映出當時人們渴望美好生活的心理，記錄了中國傳統(tǒng)紋樣的發(fā)展變化。傳統(tǒng)裝飾紋樣承載了歷史的流傳以及各時期人們的民俗心態(tài)和對審美要求的規(guī)范，這些紋樣藝術(shù)源遠流長，文化底蘊深厚，包含了千百年來廣大人民創(chuàng)造的藝術(shù)精髓，具有極高的藝術(shù)價值和深遠的藝術(shù)影響，是中華民族的寶貴財富。本文通過對腰山王氏莊園裝飾紋樣的類別及其特征的分析，論述了莊園裝飾紋樣符號性的當代特性。經(jīng)過大量的實地調(diào)研工作和歷史資料參考，對莊園的裝飾紋樣的語言進行了深入研究�；谥袊b飾紋樣的歷史演變，還有其中涉及到的建筑園林美學領域，著重審視了莊園裝飾紋樣的分類和裝飾紋樣造型寓意，對莊園裝飾紋樣所表現(xiàn)的精神寓意和符號特征做了總結(jié)。通過分析裝飾紋樣的寓意本質(zhì)，對中國民族文化再運用的思考，對現(xiàn)代設計也有一定的傳承和影響。
[Abstract]:Wangshi manor, located in the South waist mountain village in the waist mountain village of Shunping County, Hebei Province, is a national key cultural relic protection unit. The whole manor is rectangular. The manor covers 186 thousand square meters and 279 mu. The emperor of the Qing Dynasty is the general of the Han Army in the Qing Dynasty. In the first year of the Qing Dynasty (1644), the Qing Dynasty was admitted to the village of the South waist mountain village. Running a large number of flag fields, rented to tenants, rent the flag, at that time the scope of the rent reached the full city, Dingzhou, Qingyuan, Lixian County, Wangdu, Gaoyang, wild, and other places, and then use the money rented the flag to develop business, grain, silk, money, and pawnshops, "and" word is very famous when the name of the word. During this period, accumulated a lot of wealth, built this luxury The manor's building position is close to the mountains and rivers. The architecture includes three forms of residence, official residence and business. The manor is very practical. The manor adopts the building system of the Beijing quadrangle. The structure, architectural style and architectural decoration of the manor have profound cultural connotations in both practical and decorative angles. The architectural function of Shan Wang's manor is mainly residential, private school and rent collection. It is the architectural community of the late Qing Dynasty. The site selection, architectural pattern, regional division, and architectural decoration are very particular, reflecting the unusual identity of the master. This article focuses on the analysis and study of the decorative patterns of the manor, which began in the Shang and Zhou dynasties, Tang Dynasty. The Song Dynasty developed gradually in the Ming and Qing Dynasties. The decorative patterns of the Ming and Qing dynasties have reached the place of "the picture must be intentional, and the meaning must be auspicious". The pattern of this period reflects the people's desire for a good life at that time, and recorded the development and change of traditional Chinese patterns. The folk mentality and the standard of the aesthetic requirements are long and profound, including the essence of the art created by the people for thousands of years. It has high artistic value and profound artistic influence. It is the precious wealth of the Chinese nation. In this article, the categories and characteristics of the decorative patterns of the Wangshi manor are made. This paper discusses the contemporary characteristics of the symbolic character of the ornamental pattern of manor. After a lot of field investigation and historical reference, the language of the decorative patterns of the manor is deeply studied. Based on the historical evolution of the decorative patterns in China, there are also the fields of architectural beauty that are involved in it, and the points of the ornamental patterns of the manor are carefully examined. The moral and symbolic features of the decorative patterns of the manor are summed up in the form of class and decorative patterns. Through the analysis of the essence of the decorative patterns, the thinking of the re use of Chinese national culture has a certain inheritance and influence on the modern design.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：TU238;J522

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