發(fā)布時間：2018-07-07 16:31

  本文選題：中國傳統建筑裝飾語素 + 現代建筑環(huán)境��； 參考：《武漢理工大學》2003年碩士論文

【摘要】： 進入20世紀以來，隨著社會的進步，科學技術，經濟要素以及人們的文化觀念發(fā)生了重大變化，大的文化環(huán)境成為影響建筑發(fā)展的主要因素。世界各地出現了“國際式”文化取代地域性民族文化的現象，地區(qū)性的傳統建筑文化面臨著嚴峻的考驗。毋庸諱言，全球化對地域性和民族性文化是一個極大的挑戰(zhàn)，如果不采取有效措施，它將帶來全球性文化趨同的嚴重后果。 在新的歷史時期，中國的現代環(huán)境設計必須抓住全球化給人類社會共同利用科技成果和智慧結晶創(chuàng)造了良好的契機，創(chuàng)造性地構建具有時代特征的地域性、環(huán)境藝術文化，促進世界建筑文化的多元構成。 現代建筑發(fā)展趨勢表明，，隨著全球經濟一體化進程的加快，全球文化趨同。城市特色消失等問題愈加突出。因此，保護歷史文化遺產，尊重域性、民族性文化和強調城市文脈的設計理念是新時代設計師的歷史使命。 傳統與現代化之間無疑有辯證的關系�，F代不可避免地要在古代給予的基礎上起步�，F代化的速度和高度總會不同程度地受制于傳統的成就，從這個角度看，傳統又是現代的動力和財富。在把傳統建筑裝飾文化思想運用于現代環(huán)境藝術創(chuàng)作之中的時候，應當找到正確的途徑，力戒盲目照搬，簡單從事。 如何對待建筑傳統始終是國際建筑界的重點研究課題�！叭司迎h(huán)境”、“可持續(xù)發(fā)展”又成為全世界的熱點議題。而可持續(xù)發(fā)展的一個重要內涵就是對歷史文化，民族傳統、地方特色的繼承和發(fā)揚 本課題從研究環(huán)境藝術設計與傳統建筑裝飾語素的關系，旨在通過對所研究問題的理性思考，提出一套系統的、有學術價值和實踐價值的現代環(huán)境藝術設計的思想、觀點和設計方法。同時還通過介紹西方設計師看待民族的文脈的觀點，探尋環(huán)境藝術設計與中國傳統建筑裝飾語素相融合的手段和方法，從而透過西方社會對其自身文化的保護找回我們對自身文化價值的深深思索。
[Abstract]:Since the beginning of the 20th century, with the development of society, great changes have taken place in science and technology, economic elements and people's cultural concepts, and the great cultural environment has become the main factor affecting the development of architecture. The phenomenon of "international style" culture replacing regional national culture has appeared all over the world, and the regional traditional architectural culture is facing a severe test. Needless to say, globalization is a great challenge to regional and national culture, and if it does not take effective measures, it will bring about serious consequences of global cultural convergence. In the new historical period, China's modern environmental design must seize the globalization to create a good opportunity for the human society to jointly utilize the scientific and technological achievements and the crystallization of wisdom, and creatively construct the regional and environmental art culture with the characteristics of the times. To promote the pluralistic composition of the world architectural culture. The development trend of modern architecture shows that with the acceleration of the process of global economic integration, the global culture converges. Problems such as the disappearance of urban characteristics are becoming more and more prominent. Therefore, it is the historical mission of the designers of the new era to protect historical and cultural heritage, respect regional, national culture and emphasize the design concept of urban context. There is no doubt that there is a dialectical relationship between tradition and modernization. It is inevitable that modern times will start on the basis of ancient giving. The speed and height of modernization are always limited by traditional achievements to some extent. From this point of view, tradition is the power and wealth of modernity. When applying the traditional architectural decoration culture to the creation of modern environmental art, we should find the correct way to avoid blindly copying it and simply engage in it. How to treat architectural tradition has always been a key research topic in the international architecture industry. Habitat environment and sustainable development have become hot topics all over the world. And one of the important connotations of sustainable development is the historical, cultural, national traditions, The inheritance and development of local characteristics from the study of the relationship between environmental art design and traditional architectural decoration morpheme, the purpose of this paper is to think rationally about the problems studied. This paper presents a set of systematic, academic and practical values of modern environmental art design ideas, views and design methods. At the same time, by introducing the views of the western designers on the context of the nation, we explore the means and methods of integrating the environmental art design with the Chinese traditional architectural decoration morpheme. Through the protection of its own culture in western society, we can find our deep thinking about our own cultural value.
【學位授予單位】：武漢理工大學
【學位級別】：碩士
【學位授予年份】：2003
【分類號】：TU238

【引證文獻】

相關期刊論文 前1條

1 陳菲菲;莫敷建;;古代山水詩文中的山居建筑意象[J];作家;2013年08期

相關碩士學位論文 前7條

1 王麗颯;川西傳統民居裝飾在災后重建民居建筑上的應用研究[D];西南交通大學;2011年

2 李艷妮;陜北鄉(xiāng)土文化與環(huán)境景觀造型藝術審美研究[D];西北農林科技大學;2011年

3 方靜;傳統民居裝飾在現代環(huán)境藝術設計中的應用研究[D];昆明理工大學;2006年

4 林懷釧;惠安石雕在傳統建筑中的應用研究[D];華僑大學;2007年

5 富晶;中國傳統裝飾語素在現代游憩空間景觀設計中的應用[D];河北工業(yè)大學;2006年

6 陳良梅;在民間藝術中探尋現代環(huán)境藝術的傳承與再開發(fā)[D];南京林業(yè)大學;2008年

7 王曉華;天津“小洋樓”及其建筑裝飾的研究[D];蘇州大學;2007年

本文編號：2105554