本文選題：漆屏風 + 傳統(tǒng)漆藝��； 參考：《南京藝術(shù)學院》2009年碩士論文

【摘要】： 就現(xiàn)代漆屏風裝飾技法的探討,離不開對我國數(shù)千年傳統(tǒng)漆藝制作歷史的梳理,特別是從數(shù)千年具有東方意蘊的髹飾華章中尋找出的大量古漆器可以看到,漆藝在傳統(tǒng)的基礎(chǔ)上不斷產(chǎn)生新的形式和表達方法。諸如,漆藝的表現(xiàn)媒介、語言、工藝、材料等都在不斷變化發(fā)展。本文重點通過漆屏風的演變歷程,探討研究傳統(tǒng)與當代的完美契合點,為這一古老的傳統(tǒng)工藝注入新的活力,進而更好地服務(wù)于現(xiàn)代人的生活,讓七千年傳統(tǒng)漆藝在新時代煥發(fā)出新的光彩。
[Abstract]:The discussion of modern lacquer screen decoration techniques can not be separated from combing the history of thousands of years of traditional lacquer making in China, especially from the large number of ancient lacquer ware found in thousands of years of oriental connotations of lacquer ware. On the basis of tradition, lacquer art produces new forms and expressions. For example, lacquer performance media, language, technology, materials and so on are constantly changing. Through the evolution of paint screen, this paper probes into the perfect connection between tradition and contemporary, infusing new vitality into this ancient traditional craft, and then serving the life of modern people better. Let 7,000 years of traditional lacquer in the new era radiate a new luster.
【學位授予單位】：南京藝術(shù)學院
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J527

【引證文獻】

相關(guān)碩士學位論文 前1條

1 張婷;漆藝術(shù)在生活中的特色[D];江西科技師范學院;2010年

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本文編號：2095011