本文選題：上海里弄 + 建筑外窗�。� 參考：《東華大學(xué)》2011年碩士論文

【摘要】：裝飾藝術(shù)運(yùn)動(dòng)是1910-1930風(fēng)行于世界的一種設(shè)計(jì)風(fēng)格,裝飾藝術(shù)運(yùn)動(dòng)建筑的主要特征是幾何化的造型、貴重的材料和鮮明強(qiáng)烈的色彩。眾所周知,舊上海曾是世界列強(qiáng)的租界地,其多樣化包容性的城市性格,以及眾多海外建筑師的回國(guó)等諸多因素的影響,就當(dāng)時(shí)全國(guó)范圍來(lái)看,裝飾藝術(shù)運(yùn)動(dòng)首先在上海生根發(fā)芽。所以,在上海里弄建筑,特別是在建筑外窗的藝術(shù)形式表現(xiàn)上也最能反映出裝飾藝術(shù)風(fēng)格作為舶來(lái)文化在上海本土的流變。 筆者對(duì)上海里弄住宅建筑外窗的藝術(shù)表現(xiàn)形式進(jìn)行調(diào)研,通過(guò)現(xiàn)象研究裝飾藝術(shù)運(yùn)動(dòng)對(duì)其影響以及影響程度。縱觀上海里弄住宅的發(fā)展,裝飾藝術(shù)運(yùn)動(dòng)對(duì)其的影響趨勢(shì)是呈現(xiàn)“N”形的,從老式石庫(kù)門(mén)的晚期開(kāi)始呈上升趨勢(shì),由于國(guó)外建筑師的回國(guó)和房地產(chǎn)業(yè)的利益刺激,在新式石庫(kù)門(mén)住宅時(shí)期達(dá)到頂峰,在政策的影響下,之后的新式里弄逐漸減弱,由于房地產(chǎn)的繁榮和經(jīng)濟(jì)的發(fā)展,在里弄住宅發(fā)展的晚期又得到形式多樣的發(fā)展,花園里弄和公寓里弄是舶來(lái)文化體現(xiàn)最明顯的時(shí)期。 本文第一和二章部分介紹論文的研究現(xiàn)狀和意義,以及上海里弄住宅和裝飾藝術(shù)運(yùn)動(dòng)的概念；第三章具體結(jié)合上海租界,總結(jié)各個(gè)發(fā)展時(shí)期里弄住宅建筑外窗的裝飾特征,研究其中的規(guī)律性,側(cè)重于上海里弄住宅建筑外窗的裝飾特征性。租借地中的巡捕房、洋行、領(lǐng)事館和住宅等建筑,很多都被列入上海優(yōu)秀歷史建筑名錄中,并從設(shè)計(jì)風(fēng)格和表現(xiàn)形式等方面影響著當(dāng)今上海建筑的發(fā)展；第四章的主要內(nèi)容是通過(guò)調(diào)研,總結(jié)上海里弄住宅建筑外窗的裝飾性元素的表現(xiàn)形式,以及裝飾藝術(shù)運(yùn)動(dòng)的色彩風(fēng)格和材料主張；第五章是舶來(lái)文化對(duì)上海里弄住宅的影響因素。 裝飾藝術(shù)運(yùn)動(dòng)興起的時(shí)期也是上海里弄住宅的形成期,隨著社會(huì)和經(jīng)濟(jì)的發(fā)展,國(guó)內(nèi)外的交流機(jī)會(huì)增多,人們建筑觀念的改變,舶來(lái)文化影響著我國(guó)的各個(gè)方面。作為中國(guó)傳統(tǒng)建筑的上海里弄住宅,也在不斷地吸收和借鑒之中發(fā)生了改變,是我國(guó)極為重要的物質(zhì)文化遺產(chǎn)。通過(guò)本文的研究,期望能彌補(bǔ)目前關(guān)于上海里弄建筑研究中關(guān)于窗的藝術(shù)表現(xiàn)形式研究的空白,以及為研究中國(guó)傳統(tǒng)建筑之窗提供更多的資料,為今后的相關(guān)研究提供參考。
[Abstract]:The decorative art movement is a kind of design style popular in the world from 1910-1930. The main features of the decorative art movement architecture are geometric modeling, valuable materials and bright and strong colors. As we all know, old Shanghai was once the concession land of the world's great powers. Its diverse and inclusive urban character, as well as the influence of many factors such as the return of overseas architects, and so on, were all over the country at that time. The decorative art movement first took root and sprouted in Shanghai. Therefore, the art form of building in Shanghai, especially in the outside window, can best reflect the evolution of decorative art style as a foreign culture in Shanghai. The author investigates the artistic expression form of the outer window of Shanghai Lilong residential building, and studies the influence and degree of decorative art movement on it through the phenomenon. Throughout the development of Shanghai's Lilong residence, the influence trend of the decorative art movement on it was "N", rising from the late period of the old Shikumen, due to the return of foreign architects and the interest stimulation of the real estate industry. At the peak of the new Shikumen residence period, under the influence of the policy, the new type of Lenon gradually weakened. Due to the prosperity of the real estate and the development of the economy, the late stage of the development of the residence in Lilong was also developed in various forms. The garden and apartment are the most obvious cultural embodiment of the period. The first and second chapters of this paper introduce the research status and significance of the thesis, as well as the concept of Shanghai Lilong residence and decorative art movement, the third chapter concretely combines with the Shanghai concession, summarizes the decorative characteristics of the exterior window of the residential building in each development period. The regularity of the study focuses on the decorative characteristics of the exterior window of Shanghai Lilong residential building. Many of the buildings, such as cruise houses, foreign houses, consulates and residences, are listed in the list of excellent historical buildings in Shanghai, and affect the development of Shanghai architecture from the aspects of design style and form of expression. The fourth chapter is the main content is through the investigation, summarizes the Shanghai Lilong residential building exterior window decoration element expression form, as well as the decorative art movement color style and the material proposition; The fifth chapter is the influence factors of imported culture on Shanghai Lilong residence. With the development of society and economy, the opportunities of communication at home and abroad increase, people's concept of architecture changes, and foreign culture influences all aspects of our country. As a traditional Chinese architecture, Shanghai Lilong residence has also been continuously absorbed and changed, which is an extremely important material and cultural heritage of our country. Through the research of this paper, we hope to make up the gap in the present research on the artistic expression of windows in the study of Shanghai Lilong architecture, and to provide more information for the study of the window of Chinese traditional architecture, and to provide reference for the related research in the future.
【學(xué)位授予單位】：東華大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：TU241.5;TU-86

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 魯安東;擬表——空間現(xiàn)象與策略設(shè)計(jì)[J];建筑師;2004年04期

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本文編號(hào)：2090454