本文選題：門鋪首 + 符號(hào)化��； 參考：《湖南工業(yè)大學(xué)》2014年碩士論文

【摘要】：“門鋪首”是中國(guó)傳統(tǒng)建筑裝飾構(gòu)件之一，它的形成和發(fā)展有著悠久的歷史，意涵起源于人們對(duì)恐懼自然的意識(shí)反映，造型來(lái)源于對(duì)本真形象臆想的升華。 本文通過(guò)對(duì)歷史資料的歸納和研究，從“門鋪首”的演變過(guò)程和載體上的表現(xiàn)總結(jié)出了門鋪首在意涵上是逐漸趨于生活化，造型上趨于簡(jiǎn)潔多變的發(fā)展規(guī)律。同時(shí)發(fā)現(xiàn)門鋪首之上的紋飾尤為豐富多變，給人們帶來(lái)了一場(chǎng)豐富的視覺(jué)盛宴。從符號(hào)學(xué)的角度出發(fā)研究，對(duì)“門鋪首”的造型特征——外輪廓、銜環(huán)等進(jìn)行了深入而獨(dú)到的分析，，發(fā)現(xiàn)外輪廓分為圓形、方形和異形；銜環(huán)也主要有素圓環(huán)、具象形及紋飾環(huán)三種。同時(shí)從構(gòu)成學(xué)的角度，以點(diǎn)線面為研究基礎(chǔ)，重點(diǎn)分析其虛實(shí)關(guān)系，及視覺(jué)元素中動(dòng)物紋飾夸張威嚴(yán)、植物紋飾淡雅溫婉及幾何紋飾豐富多變的裝飾效果。這些外在特征集中反映出了這個(gè)符號(hào)所表現(xiàn)出來(lái)的美學(xué)特征：抽象之妙、夸張之韻、對(duì)稱之美及整體之和；然后揭示出門鋪首這一藝術(shù)符號(hào)的文化內(nèi)涵——獸面母題巫矯關(guān)系、羽化升仙原始宗教、封建禮制森嚴(yán)等級(jí)和辟邪祈福愿望附飾。門鋪首這一符號(hào)來(lái)源于對(duì)自然素材的抽象，成為人們追求吉祥美滿的象征，以及虛實(shí)面環(huán)的造型創(chuàng)造，使得門鋪首成為代表吉意的有力符號(hào)。最后總結(jié)出門鋪首造型豐富，而意就在于祈盼吉意，造型與內(nèi)涵完美的結(jié)合很好的傳遞神韻，這種符號(hào)化過(guò)程對(duì)現(xiàn)代視覺(jué)傳達(dá)具有一定的啟示作用。
[Abstract]:"door paving head" is one of the traditional architectural decoration components in China. Its formation and development have a long history, which originates from people's consciousness of fear of nature and forms from the sublimation of the original image. Based on the summary and study of historical data, this paper summarizes the evolution process and the performance on the carrier of "door shop head" and concludes that the door shop head has a tendency of life in meaning and concise and changeable in shape. At the same time, it is found that the decoration on the top of the door is rich and changeable, which brings people a rich visual feast. From the perspective of semiotics, this paper makes a deep and unique analysis of the modeling characteristics of "door paving head", such as the outer outline, the title ring, etc. It is found that the outer contour is divided into a circle, a square and a special shape, and the title ring also has a prime ring. There are three kinds of pictographs and decorative rings. At the same time, from the point of view of constitution, based on the research of point line and surface, the paper mainly analyzes the relationship between the virtual and the real, the exaggeration and majesty of animal ornaments in visual elements, the elegant and gentle decoration of plant ornaments, and the rich and changeable decorative effects of geometric ornaments. These external features mainly reflect the aesthetic features of the symbol: abstractness, exaggeration, symmetry and the sum of the whole, and then reveals the cultural connotations of the artistic symbol, the animal face motif, the relationship between witchcraft and correction. Eclosion ascended the fairy primitive religion, feudal etiquette strict rank and evil spirits wish to adorn. This symbol comes from the abstract of the natural material, and becomes the symbol of people's pursuit of auspicious and happy, and the shape creation of the false and solid surface ring, which makes the door paving head become a powerful symbol representing the good meaning. At last, the author concludes that the appearance of the head of the shop is rich, and the meaning lies in the desire for good meaning, the perfect combination of the shape and the connotation to convey the charm, this symbolization process has certain enlightening effect to the modern visual communication.
【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU238

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本文編號(hào)：2071152