本文選題：傳統(tǒng)家具 + 裝飾符號�。� 參考：《北京林業(yè)大學(xué)》2007年博士論文

【摘要】： 象征是傳統(tǒng)古典文藝美學(xué)最具有原創(chuàng)性的核心話語，具有復(fù)雜的意義結(jié)構(gòu)。本論文在西方象征理論和中國傳統(tǒng)“意象”說的基礎(chǔ)上，描述西方的“象征”美學(xué)與中國傳統(tǒng)的“意象”說在家具裝飾設(shè)計方面相通的美學(xué)原則和思維特征，探索中國傳統(tǒng)家具裝飾的象征特征，從中國傳統(tǒng)家具裝飾符號的象征思維和觀念表達兩個角度出發(fā)，得出傳統(tǒng)家具裝飾中的設(shè)計動機和設(shè)計主題。論文的主要貢獻是建立中國傳統(tǒng)家具裝飾的象征理論結(jié)構(gòu)體系。 通過對象征這一美學(xué)范疇的多角度考察，并利用聚類分析和主成分分析兩種統(tǒng)計分析方法進行定量研究。主成分分析得出傳統(tǒng)家具裝飾符號的象征意義的九個主成分，構(gòu)成了象征意義的觀念表達體系：長壽觀念、家庭觀念、生殖觀念、等級觀念、富康觀念、價值觀念、宗教觀念、自然宇宙觀念和倫理觀念，進而對這個觀念表達體系進行聚類分析，得出三種類別系統(tǒng)，即個人生存觀念系統(tǒng)、社會倫理觀念系統(tǒng)和自然宇宙觀念系統(tǒng)。 對于傳統(tǒng)家具的研究，大多從科技史和物質(zhì)文明史的角度進行的。當(dāng)代關(guān)于美學(xué)的人類學(xué)走向、史學(xué)更關(guān)心結(jié)構(gòu)的研究現(xiàn)狀，對于中國家具的文化藝術(shù)研究的具有很大的借鑒意義。通過當(dāng)代傳統(tǒng)家具消費觀念動機的市場調(diào)查分析，可以認識到：當(dāng)代人們在文化實踐中對傳統(tǒng)家具的消費是作為一種文化象征物而消費的，人們實是消費這些傳統(tǒng)家具所象征的文化意義和藝術(shù)品位。 論文的主文由三部分組成，首先是象征現(xiàn)象的心理需求，，指出了觀念對象征的決定作用，這也決定了不同的民族有不同的象征心理，進而形成了不同的象征模式，在這種模式下，象征以一定的方式和途徑代代傳承，形成了具有民族特色的象征體系；接著，歸納總結(jié)了裝飾文化現(xiàn)象中的象征符號；對這些象征符號進行主成分分析、聚類分析之后，可以得到不同象征的觀念表達體系，這些類別可以通過心理需求的三個層次來解釋歸類，形成了象征的深層結(jié)構(gòu)。同時，文化觀念對應(yīng)于家具的裝飾設(shè)計，必然存在對應(yīng)的設(shè)計主題，這構(gòu)成了象征理論結(jié)構(gòu)的拓展層結(jié)構(gòu)。 隨著文化全球化的深入，中國傳統(tǒng)家具裝飾的象征結(jié)構(gòu)體系也面臨著現(xiàn)代性的選擇。在建設(shè)中國現(xiàn)代家具美學(xué)體系的過程中，經(jīng)過現(xiàn)代化整合之后的象征思維，必將放射出耀眼的光彩，成為中華民族奉獻給世界家具藝術(shù)設(shè)計創(chuàng)作的一顆思維的明珠。
[Abstract]:Symbolism is the most original core discourse of traditional classical literary aesthetics with complex meaning structure. On the basis of the western symbolism theory and the Chinese traditional "image" theory, this paper describes the aesthetic principles and thinking characteristics of the western "symbol" aesthetics and the Chinese traditional "image" theory in furniture decoration design. This paper explores the symbolic features of Chinese traditional furniture decoration, and from the two angles of symbolic thinking and concept expression of Chinese traditional furniture decoration symbol, obtains the design motive and design theme of traditional furniture decoration. The main contribution of this paper is to establish the symbolic structure system of Chinese traditional furniture decoration. Through the multi-angle investigation of the aesthetic category of symbolism, two statistical analysis methods, cluster analysis and principal component analysis, are used to carry out quantitative research. Principal component analysis shows that the nine principal components of the symbolic meaning of the traditional furniture decoration symbol constitute the system of expression of the symbolic sense: longevity, family, reproduction, rank, health, value, religion, etc. The concept of the natural universe and the concept of ethics are analyzed by cluster analysis, and three kinds of systems are obtained, namely, the system of personal existence, the system of social ethics and the system of natural cosmos. The research of traditional furniture is mostly from the angle of history of science and technology and material civilization. On the anthropology trend of aesthetics, historiography pays more attention to the present situation of research on structure, which is of great significance for the study of Chinese furniture culture and art. Through the market investigation and analysis of the motive of the consumption concept of the contemporary traditional furniture, we can realize that the consumption of the traditional furniture by contemporary people in the cultural practice is as a kind of cultural symbol. People are actually consuming these traditional furniture symbolize the cultural significance and artistic taste. The thesis is composed of three parts, first of all, the psychological demand of symbolic phenomenon, which points out the decisive effect of concept on symbolism, which also determines that different nations have different symbolic psychology, and then form different symbolic models. In this mode, symbols are passed down in a certain way and through generations, forming a symbolic system with national characteristics. Then, the symbolic symbols in decorative cultural phenomena are summarized and analyzed by principal component analysis. After cluster analysis, different conceptual expression systems of symbolism can be obtained. These categories can be explained and classified by three levels of psychological needs, forming the deep structure of symbolism. At the same time, the cultural concept corresponds to the decoration design of furniture, and there must be corresponding design theme, which constitutes the extended layer structure of symbolic theory structure. With the deepening of cultural globalization, the symbolic structure system of Chinese traditional furniture decoration is also faced with the choice of modernity. In the process of constructing Chinese modern furniture aesthetic system, the symbolic thinking after modernization and integration will surely radiate a dazzling luster and become a bright pearl of thinking that the Chinese nation has dedicated to the world furniture art design.
【學(xué)位授予單位】：北京林業(yè)大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2007
【分類號】：TS664.01

【引證文獻】

相關(guān)期刊論文 前4條

1 王學(xué)剛;劉辛夷;;中國傳統(tǒng)裝飾藝術(shù)的時尚化設(shè)計方法研究[J];包裝工程;2012年08期

2 方學(xué)兵;金麗麗;;徽派民間家具的禮教特征研究[J];合肥學(xué)院學(xué)報(社會科學(xué)版);2010年06期

3 張劍;;宗法制度對現(xiàn)代家具設(shè)計影響的思考[J];家具與室內(nèi)裝飾;2011年08期

4 李揚帆;;表象與意蘊:象征的設(shè)計意義[J];科教導(dǎo)刊(中旬刊);2010年02期

相關(guān)博士學(xué)位論文 前1條

1 吳振韓;中國傳統(tǒng)設(shè)計思維方式與家具風(fēng)格演變研究[D];南京林業(yè)大學(xué);2011年

相關(guān)碩士學(xué)位論文 前7條

1 焦萍;云南百越系民族服飾象征藝術(shù)研究[D];昆明理工大學(xué);2009年

2 張勃;宗法制度對中國家具的影響[D];中南林業(yè)科技大學(xué);2010年

3 熊麒麟;中國傳統(tǒng)符號在造物過程中的應(yīng)用研究[D];華中科技大學(xué);2009年

4 賀小翠;新中式家具造型語義及其創(chuàng)新設(shè)計研究[D];西北農(nóng)林科技大學(xué);2008年

5 尹廷乙;藏式家具在藏族居室中的應(yīng)用與設(shè)計[D];西南交通大學(xué);2010年

6 熊英;張谷英村民俗家具研究[D];中南林業(yè)科技大學(xué);2012年

7 蔡昌茂;彝族傳統(tǒng)生活中的“人神共宅”[D];昆明理工大學(xué);2012年

本文編號：2062367