發(fā)布時間：2018-06-23 11:18

  本文選題：陶瓷 + 裝飾紋樣　； 參考：《遼寧師范大學》2008年碩士論文

【摘要】： 中國是世界上最早發(fā)明陶器的國家之一,和印度、西亞、日本、中巴爾干地區(qū)一樣,我們的祖先在原始社會新石器時期便發(fā)明了陶器。原始時期的陶器作為生活用品被用于原始人的生活當中首先考慮了它的實用目的。隨著原始社會生產(chǎn)力的發(fā)展,物質生活逐漸有所改善,對精神生活也有所要求。人們在注重實用的同時,開始進一步自覺美化陶器。由此,8000多年前的黃河流域出現(xiàn)了裝飾紋樣與立體造型相結合的彩陶,開創(chuàng)了陶瓷裝飾的先河。 陶瓷藝術不僅以千資百態(tài)的精美造型著稱于世,而且以其豐富多彩的裝飾使人賞心悅目,成為獨特的審美對象。陶瓷裝飾是構成陶瓷器整體的重要組成部分。陶器的誕生是以實用為目的的,但從它產(chǎn)生之日起,就注定與藝術密不可分。從遠古時代陶器的發(fā)明至今,陶瓷藝術已經(jīng)走過了幾千年的歷史。它隨同人類文明的進步而發(fā)展著。中國陶瓷藝術經(jīng)過這幾千年的發(fā)展,它的遺存無比豐富,它的文化內涵也十分深刻,這是任何其它門類的藝術品種都無法與之相比的。 對于裝飾紋樣藝術來說,陶瓷是一種最為普遍而又極為重要的文化承傳的載體,陶瓷以其特殊的方式不斷延展著人類前進的足跡,而陶瓷藝術以其起源的久遠和造型的豐富,裝飾的精美,題材的多樣,不同的審美意識印證著人類文明的步伐,凝固著歷史的足跡,散發(fā)著濃郁的鮮明的時代氣息。 中國傳統(tǒng)陶瓷藝術美學遵循“天人合一”的傳統(tǒng)哲學思想,追求一種與天地共存共融的美,外觀物質形態(tài)與內涵精神意蘊和諧統(tǒng)一;實用性與審美性和諧統(tǒng)一;感性特征與理性規(guī)范和諧統(tǒng)一;材質工藝與意匠經(jīng)營和諧統(tǒng)一。使中國陶瓷藝術呈現(xiàn)出高度的和諧性,這種美學思想體現(xiàn)出一種共性,一種公共意識。中國傳統(tǒng)陶瓷藝術追求意境的構造,以自己的主觀意識去塑造形象,體現(xiàn)其精神的神韻,其藝術形式重在強調意會,難以用言語傳達,只有審視其整體,才能體味內在的表達。
[Abstract]:China was one of the first countries in the world to invent pottery. Like India, West Asia, Japan, and the Middle Balkans, our ancestors invented pottery in the Neolithic period of primitive society. Pottery of the primitive period was used as a living object in the primitive man's life, and its practical purpose was first considered. With the development of primitive social productive forces, material life has been improved gradually, and spiritual life is also required. People pay attention to practical at the same time, begin to further consciously beautify pottery. As a result, more than 8000 years ago, the Yellow River Basin appeared decorative patterns and three-dimensional modeling of the color pottery, creating a ceramic decoration of the first. Ceramic art is not only famous for its exquisite modelling, but also for its colorful decoration, which makes people enjoy the eye and become a unique aesthetic object. Ceramic decoration is an important part of ceramic ware. The birth of pottery for the purpose of practical, but from the date it was destined to be inseparable from art. Ceramic art has gone through thousands of years since the invention of pottery in ancient times. It develops along with the progress of human civilization. After thousands of years of development, Chinese ceramic art is rich in its remains and profound in its cultural connotation, which can not be compared with any other kinds of art varieties. For decorative pattern art, ceramics is the most common and extremely important carrier of cultural heritage. Ceramics, in its special way, constantly extends the footprints of human progress, while ceramic art has a long history of origin and rich modelling. The exquisite decoration, the variety of subjects, the different aesthetic consciousness confirm the pace of human civilization, solidify the historical footprint, and exude a rich and distinct flavor of the times. Chinese traditional ceramic art aesthetics follows the traditional philosophical thought of "the unity of nature and man", pursues a kind of beauty that coexists and melts with the heaven and earth, the appearance material form and the connotation spirit implication harmonious unification, the practicability and the esthetic nature harmonious unification; Perceptual characteristics and rational norms of harmony and unity; material and craftsmanship and management harmonious unity. Chinese ceramic art presents a high degree of harmony, this aesthetic thought reflects a common, a public consciousness. The Chinese traditional ceramic art pursues the structure of artistic conception, molds the image with its subjective consciousness, manifests its spiritual charm, its artistic form emphasizes the intention meeting, it is difficult to communicate with the words, only by examining its whole, can it appreciate the inner expression.
【學位授予單位】：遼寧師范大學
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：J527

【引證文獻】

相關期刊論文 前1條

1 楊濤;田瑋;;特殊曲線函數(shù)圖形在日用陶瓷裝飾紋樣中的應用[J];吉林化工學院學報;2012年11期

相關碩士學位論文 前1條

1 夏蘭;漢代漆器裝飾紋樣藝術研究[D];揚州大學;2010年

，

本文編號：2056945