本文選題：蒙古族圖案 + 民族風(fēng)格��； 參考：《內(nèi)蒙古農(nóng)業(yè)大學(xué)》2006年碩士論文

【摘要】： 本論文通過(guò)對(duì)蒙古族圖案收集、整理、歸納、研究和總結(jié)以及結(jié)合蒙古族圖案的特點(diǎn),構(gòu)成,組成形式等因素,對(duì)木門進(jìn)行適當(dāng)?shù)难b飾處理,通過(guò)民族元素與文化載體的相互融合,從而進(jìn)一步達(dá)到物質(zhì)功能和精神功能的完美結(jié)合。論文中歸納和總結(jié)了蒙古族圖案的應(yīng)用方法和設(shè)計(jì)精髓,以及在木門的裝飾中如何辨證地吸收和創(chuàng)新性地運(yùn)用這些設(shè)計(jì)理念,同時(shí),設(shè)計(jì)出幾款具有蒙古族特色的木門,從更深的角度去理解蒙古族圖案的裝飾特色、深刻寓意和精神內(nèi)涵,在繼承和發(fā)揚(yáng)蒙古族民間藝術(shù)的基礎(chǔ)上,弘揚(yáng)民族文化,并為創(chuàng)新提供素材。通過(guò)研究得出以下結(jié)論: 1蒙古族圖案是中華民族優(yōu)秀藝術(shù)傳統(tǒng),種類繁多、形象生動(dòng)、實(shí)用性強(qiáng),有深刻的思想內(nèi)涵和精神寓意。通過(guò)研究,可以明顯看出蒙古族圖案是佛教文化、游牧文化、中原文化等多種文化的大融合。 2在創(chuàng)作思路上,常用象征、諧音、借代、組合的方法創(chuàng)作圖案;圖案的實(shí)質(zhì)是以營(yíng)造吉兆環(huán)境為目的,以此寄托祈福求吉心愿的實(shí)用裝飾設(shè)計(jì);圖案的造型,構(gòu)圖方式,色彩的運(yùn)用和表現(xiàn)技法獨(dú)具特色。 3運(yùn)用民族元素裝飾木門,豐富設(shè)計(jì)的內(nèi)容,深化設(shè)計(jì)的內(nèi)涵,增強(qiáng)民族特色。圖案的應(yīng)用主要依據(jù)裝飾部位、實(shí)用功能、整體造型、室內(nèi)風(fēng)格以及個(gè)人品位而定。 4蒙古族圖案應(yīng)用前景廣闊。隨著科學(xué)的進(jìn)步,新技術(shù)、新工藝、新材料不斷涌現(xiàn),使圖案設(shè)計(jì)、應(yīng)用價(jià)值和生產(chǎn)需求更合理地結(jié)合起來(lái),蒙古族圖案有更廣泛的應(yīng)用前景和開(kāi)發(fā)潛力。
[Abstract]:By collecting, sorting, summing up, researching and summing up the Mongolian designs and combining with the characteristics, composition and form of the Mongolian designs, this paper carries out proper decoration treatment on the wooden doors. Through the fusion of national elements and cultural carriers, the perfect combination of material and spiritual functions can be achieved. The paper summarizes the application method and design essence of Mongolian design, and how to dialectically absorb and creatively apply these design ideas in the decoration of wooden doors. At the same time, it designs several wooden doors with Mongolian characteristics. From a deeper angle to understand the decorative features of Mongolian patterns, profound moral and spiritual connotation, on the basis of inheriting and developing Mongolian folk art, carry forward the national culture, and provide materials for innovation. The following conclusions are drawn from the study: 1 Mongolian design is an excellent Chinese art tradition, with a wide variety of types, vivid images and strong practicability. Has the profound thought connotation and the spirit moral. Through research, we can clearly see that Mongolian design is a great fusion of many cultures, such as Buddhist culture, nomadic culture, Central Plains culture and so on. The essence of the pattern is to create a auspicious environment for the purpose of a practical decorative design that assigns blessings and wishes for good fortune; the shape of the pattern and the way in which it is composed. The use of color and performance techniques have unique characteristics. 3 using national elements to decorate wooden doors, enrich the content of the design, deepen the connotation of the design, and strengthen the national characteristics. The application of the pattern is mainly based on the decorative position, practical function, overall modeling, indoor style and personal grade. With the development of science, new technology, new technology and new materials are emerging, so that the pattern design, application value and production demand are more reasonably combined, the Mongolian design has more extensive application prospects and development potential.
【學(xué)位授予單位】：內(nèi)蒙古農(nóng)業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：TU-86

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 格日勒?qǐng)D;蒙古族圖形美學(xué)探議[J];裝飾;2004年03期

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本文編號(hào)：2056175